M Stow

Paul Howard Williams (1954-81) ArtWorkYoung British Artist 1970's London&Paris With most of Pauls artwork there were no titles, only the materials, unsigned, as if not dispensing with any piece, just, yet... These are (mostly) abstract expressionist pieces, of their time, and also ahead of his time. Abstract and expressionist (as in not figurative), they 'can be whatever you want them to be'. Yet, there are many, many figurative references, hints and forms, that are also expressive. As the viewer takes them, how they appear, as faces, a skull, or in the built landscapes, as they chime with the viewer, clearly of Paul's worldview, and life, also of the viewer. There are wonderful vignettes. Like a milk bottle, Parisian window shutters, a deckchair to see the world, the universe, from. There is abstract Landscape, Universal Space, and the felt Transcendental. Pictures, often with near perfect, but never of course perfect, geometric shapes, trapezium and especially circles, or ellipses. Folding and gluing of paper and card as two to three and more multi-dimensional constructions, Paul would use newspaper print, discarded cigarette packets, and found packaging, plain brown or grey paper, and the blackest, reddest, bluest of colour. Occasionally green and yellow. With overdrawn marks whether of chalk, gauche, or paint, made deliberately, and over an indefinite period of time. So that the finished, discarded pieces appear as if unfinished, as every artwork must, leaving room for the viewer, the appreciator... When I'm 64 2018. The Movie. f/b Paul Williams Artwork 1954-81 Enjoy... You Tube: Landscapes Transcendental Spaces: Collage Painting Drawing Construction Sketches. Apparition Explosion Faces in the crowd Windows: Women sitting/playing a flute Paris shutters: painting drawing folded paper constructions overmarked or found as marked card/packaging Deckchair on the Titanic Earth Sky Depend de Vous Le Dancer1 Dancer2 Disque Bleu Japanese print painted copied with from originals Black/White/Grey on Brown paper packaging: Green Blue Space 1 & 2 Part lot of 15 parcels Door/Wall/Fenced-in Insect/Dancer unfolding or collapsing sketches Buildings built environment sketches Matisse Gauloise Longue Caporal L'HUMANITE...changer... Worm bullet-face emerging Milk bottle ledge shutters weather (Paris) Arched Window Battleground flag Landscape blood-lightning Ellipse paintings: Bus-Stop with Moon Cataclysm Cellular Cataclysm Earth Sun cataclysm Egg Moon cataclysm Ellipse tryptych Door/Wall photo with ellipse Starting/finishing-post ellipse painting Tower Block Skull Sun Moon Sea ellipses Landscape Leviathan red spot blood rock sea... Coat and scarf Tom Allen Centre poster 1982 Portrait of Claire Bear Self Portrait Paul Williams (1954-81) (2) Walthamstow Art College 1970-72Chelsea College of Art 1972-75Newham Community Murals 1975-81

ONEHOESTREET E17 9th-23rd October 2019 Final Show. ONEHOESTREET E17 9th-23rd October 2019 Final Show. Paul Howard Williams ArtWork 1970-81 London, England post-Pop/Punk Paul Howard Williams (1954-81) Painting / Multi-media audio-visual Paul Howard Williams: Art and Life 1954-81 was a local Waltham Forest artist who studied at Walthamstow Art College (Walthamstow Technical College, North East London Polytechnic, now Waltham Forest College) (Vanilla Beer, Ian Dury, Peter Blake, Marion Foale, Heather Jansch, Sally Tuffin, Valerie Wiffen, Ken Russell, Peter Greenaway); Chelsea College of Arts & Design (David Hockney, Gillian Wearing); and Newham Community Murals, up to 1981 when he succumbed to leukemia. In celebration of Paul Howard William's art and life, the artist's childhood friend Malcolm Stow has curated an exhibition of his work, featuring multimedia, audio-visual and the abstract expressionist constructivist painting and collage of Paul Howard Williams, inspired by the art of his time, and the future... ONEHOESTREET E17 9th-23rd October 2019 Final Show. Paul Howard Williams ArtWork 1970-81 London, England Pop/Punk Paul Howard Williams (1954-81) Painting / Multi-media audio-visual. In celebration of Paul Howard William's art and life, the artist's childhood friend Malcolm Stow has curated an exhibition of his work, featuring abstract expressionist painting collage and constructivist pieces. All Paul's works appear incomplete, fragmentary, yet, these experimental pieces become endlessly varying, sometimes melancholic, angry, comic, amusing and entertaining, in this exhibition of Paul Williams' Art and Life 1954-81. Now, in 2019, Pop/Punk is back. When I'm 64 2018. The Movie. f/b Paul Williams Artwork 1954-81 Enjoy... 2019. The E17 Exhibitions include: Collage Painting Drawing Construction Sketches. Abstract Landscapes: Transcendental Spaces: Apparition Explosion Faces in the crowd Spectrum: Windows: Women sitting/playing a flute Figure looking in/out Paris shutters: painting drawing folded paper constructions overmarked or found as marked card/packaging Deckchair on the Titanic Earth Sky Depend de Vous Politique L'evolutionLe Dancer1 Dancer2 Disque Bleu Japanese print painted copied with from originals Black/White/Grey on Brown paper packaging: Green Blue Space 1 & 2 Part lot of 15 parcels Door/Wall/Fenced-in Insect/Dancer unfolding or collapsing sketches Buildings built environment sketches Matisse Gauloise Longue Caporal L'evolution L'HUMANITE...changer... Depend de Vous... Paul Howard Williams: Art and Life 1954-81ONEHOESTREET E17 9th-23rd October 2019 Final Show. Paul Howard Williams ArtWork 1970-81 London, England Pop/Punk Paul Howard Williams (1954-81) Painting / Multi-media audio-visualPaul Howard Williams (1954-81) was a local Waltham Forest artist who studied at Walthamstow Art College (Walthamstow Technical College, North East London Polytechnic, now Waltham Forest College) (Vanilla Beer, Ian Dury, Peter Blake, Marion Foale, Heather Jansch, Sally Tuffin, Valerie Wiffen, Ken Russell, Peter Greenaway); Chelsea College of Arts & Design (David Hockney, Gillian Wearing); and Newham Community Murals, up to 1981 when he succumbed to leukemia. In celebration of Paul Howard William's art and life, the artist's childhood friend Malcolm Stow has curated an exhibition of his work, featuring multimedia, audio-visual and the abstract expressionist constructivist painting and collage of Paul Howard Williams, inspired by the art of his time, and the future... M. Stow 2019. ONEHOESTREET E17 9th-23rd October 2019 Final Show. Paul Howard Williams ArtWork 1970-81 London, England Pop/Punk Paul Howard Williams (1954-81) Painting / Multi-media audio-visual... ONEHOESTREET E17 9th-23rd October 2019 Final Show.

EarthCentre: The End of the Universe: An Anthropic mystery/OdysseyNew Edition 2018 with b&w illustration by Creative Commons. Being a topological themed funfair mystery ride through: The Cosmos; with dialogue and commentary to be spoken or read in parts at a smooth and rapid-pace and then again slower as an echo in memory and in voices and verses selected by the speaker/reader... 1.1. Departure (the StarShip leaves Earth) 1.2. The-Past Excised. 1.3. Starship: Life-ship. 1.4. The Solar-system and the Inner and Outer Planets. 1.5. The Players of Games. 1.6. The Death of the Sun. 1.7. Orions' Arrow and the Afterlife. 1.8. Universal Galactic-Gallant. Endnotes/Summary Part One: EarthCentre. 1.1. Departure (the StarShip leaves Earth) -EarthCentres... -Welcome to: The End of the Universal: tilted-wobbling toppling-tipped A-verse contemplators' Purposeful irreversible temporal turning Terse determining-mentors'Misty-gladed glazed glacial gazed-over. 1. Stellation: in three-parts: -Welcome to The-Universe... -The End of The Universe: Nothingness-seemingly: Cold-exploded moving: -Linear inflationary-expansion expression... -Massively-heating from the interior... -Where? -Everywhere The gaps in-between evaporate freezing radiating fractional-degrees Above: -Primordial Black-Hole: EarthCentre. As Out-of-Our-selves Our Own Owned-Universes Multi-verses as possessed as of All-OtherTogether beyond mystery-Now M. Stow 2018

EarthCentre: The End of the Universe. Universal Verses 1-7. An Epic Drama. An Existential-Anthropic Odyssey. An eschatological mystery re-solved. Universal Verses... One: StellationUniversal Verses1: in three-parts: Stellation1. Stellation...2. The Universal-Axial.3. Universal-Axial Stellation. EarthCentre: The End of The Universe: Universal Verses2: The Centre of The Universe.1.1. Baccanalia, Dionysus, Cabinet.1.2. Journey.1.3. Passing-by... Passing through...1.4. Passing-by. When most of the gods had perished in the mutually destruction with the Jotuns, it is predetermined that a new world will rise up from the water, beautiful and green. Before the battle at Ragnarok, two people, Lif "a woman" and Liftraser "a man", will find sheltering in the sacred tree Yggdrasil. And when the battle is over, they will come out and populate the earth again. Several of the gods will survive, among them Odin's sons Vidar and Vali and his brother Honir. Thor's sons Modi and Magni they will inherit their father's hammer Mj lnir. The few gods who survive will go to Idavoll, which has remained untouched. And here they will build new houses, the greatest of the houses will be Gimli, and will have a roof of gold. There is also a new place called Brimir, on the place called Okolnir "Never cold". It is in the mountains of Nidafjoll. But there is also a terrible place, a great hall on Nastrond, the shore of corpses. All its doors faces north to greet the screaming winds. The walls will be made of writhing snakes that pour their venom into a river that flowes through the hall. This will be the new underground, full of thieves and murderers, and when they dies the great dragon Nidhug, is there to feed upon their corpses. - See more at: http: //www.vikingmythology.com/ragnarok.php#sthash.sNac5DkG.dpufEarthCentre: The End of The Universe: UniversalVerses3: Substrate...3.1. Breathing in Water.3.2. Larger than Lived...3.3. Another little-Journey. EarthCentre: The End of the Universe: Universal Verses3:2. RNA/DNA/SEX3.2.1 . Endgame.3.2.2. Growing and changing.3.2.3. Sun and moon.3.2.4. The Vibrant-stage. The End of the Universe: Universal Verses4: Life on Earth.4.1. Breathing in Air. Sunrise overland continents drifting shellfish scaly fins and gills insect and birds battles grown to dinosaur carnivorous epochs apocalypse. 4.2. Slow-Motion. underground blind earless toothless skullbone small skeletal insect and birds reptiles and mammal armadillo surviving.4.3. Platypus. We night awakening dreaming language battles communicating groups. 4.4. Action. emergent day tools learning4.5. Savannah. as from water return or continue climbing monkey hunt discussion4.6. After the Hunt. Family tribe and cultureEarthCentre: The End of the Universe: Universal Verses 5: War Copyright M. Stow15Trapped. They looked across, from the escarpment, a Girl and a Boy, sprawled out on their bellies gazed-across the rift, from the top of the terraced ravine, to the edge of a river, as a Sunlighted-scene of devastating beauty opened before them. Universal Verses6: War Again...1. Castle and Battleground.2. FairGround.3. Parade.4. Capital Battle Captured.5. Limbo... The End of the Universe: Universal Verses7: Life From Earth.1. Business-Centre.2. Theatre.3. Library.4. Engine-room.5. Bio-Tech Journey.6. The Museum of Life. Capital Plazza.7. Pastoral Industrial post-Capital... T. V. Nietzsche's ideas about ethics are far less well known than some of his striking coinages: immoralist, overman, master morality, slave morality, beyond good and evil, will to power, revaluation of all values, and philosophizing with a hammer... Source: Walter Kaufmann, From Shakespeare to Existentialism: An Original Study (Princeton: Princeton University Press, 1959), pp. 207-8.

Somme. Cambrai. Harry Arthur, and Walter. Brothers in arms, as well as life. New with photo-pictures (permissions requested) and added postscript. Walter Mepham: born 14th March 1894 killed 30th November 1917 Cambrai France: The Battle of Cambrai 1917, and the life of Walter and his family. With references to the works and words of Conan Doyle, Bertrand Russell, and Winston Churchill, through the true lives of two brothers and their family in the First World War. Walter's family, from Napoleonic Times in Kent and Sussex, England, to London, and to France and to the Western Front, 1917. Walter and his brother Harry Arthur, along with their father Mark Henry Mepham, fought with 'the other ranks' the 'poor bloody infantry' and only Harry survived to tell this story; and through him, to continue their history to the present day. The first decades of the 21st century; a hundred years since the start of the first world war where Walter and his father were killed; two hundred years since the Napoleonic Wars split Europe in bloodshed; seventy since the end of the second world war, Walter, and his brother Harry's family survive. With his brother Harry Arthur, at the commencement of the new 21st century, the Cambrai Memorial at Louverval, remembrance is made. The title and subtitle of this book are taken from the back of the postcard pictured bearing Walter's image before joining-up in 1916, and at nineteen years old enough to be sent to the Western Front; killed Cambrai 30th November 1917. Born 14th March 1894 killed 30th November 1917, this is Walter, and Harry Arthur's re-imagined by their distant cousin, the author Malcolm Stow. This is not an ordinary story. What Walter did, to be killed for his family, and country, was not remarkable. What Harry, and their mother Caroline Mepham (nee Wells) conspired to do, was treason, treachery, a capital crime throughout the first world war: desertion from post. Refusal. Conscientious Objection, and then to abscond from the field of duty. What both brothers did was for their country was to save their family from extinction. Harry by surviving. Walter By dying. And then, by remaining alive The family story continued... From the Battles of Waterloo 1815 with Walter and Harry's great grandfather to Cambrai, 1917; then through family relationships to 2017 from the new battlegrounds of Europe and the World, recounted with personal credence, with a passion for lasting peace. New with photo-pictures (permissions requested) and added postscript. M. Stow 2016.

Of our times in the early 21st century and beyond: A pseudo-economic discursive text novel and personal proto-political history since the Big-Bangs of the nuclear military world at the end of the 20th century; to the worldwideweb and financial open-markets that were to lead to global trade and financial crashes of the 2000's; crises of ideology and failures of faith. Leading to war. Based on real events, and told through the characters of an accounts Clerk and merchant-Banker, with a panoply of shadowy virtual and real others. Characters made out by their speech and understanding through news reports and video-games, that merge and weave their way in and out. Underlying betrayal and violence simmer and come to the surface, as negotiations for each participant, including the reader, each as our own personal-Banker and accounts-Clerk; both necessary, and alive. The issues of the day about immediate survival. For some, perhaps all of us, this journey for superiority and certain success over others, through corruption and deceit; and the issue of being brought to book. With winners and losers learning what it is to have, and to not-have. To love, and to lose livelihood...and life... Rogue-Citizen: WarFair4: The Day The Market(s) stood still... Into The Abyss... Global Citizen. M. Stow ISBN 10: 1500264164 and ISBN 13: 9781500264161 2017 Copyright M. Stow Part One: Rogue-Citizen: The Day The Market(s) stood still... Tunisia 17th December 2010: According to friends and family, local police officers had allegedly targeted and mistreated Bouazizi for years, including during his childhood, regularly confiscating his small wheelbarrow of produce; but Bouazizi had no other way to make a living, so He continued to work as a street vendor. Around 10 p.m. on 16 December 2010, He had contracted approximately 450 dinar in debt to buy the produce He was to sell the following day. On the morning of 17 December, He started his workday at 8 a.m. Just after 10:30 a.m., the police began harassing him again, ostensibly because He did not have a vendor's permit. Bouazizi did not have the funds to bribe police officials to allow his street vending to continue. Bouazizi, angered by the confrontation, went to the governor's office to complain and to ask for his scales back. The governor refused to see or listen to him. Bouazizi then acquired a can of gasoline from a nearby gas station and returned to the governor's office. While standing in the middle of traffic, he shouted, "How do you expect me to make a living?" He then doused himself with the gasoline and set himself alight with a match at 11:30 a.m. local time, less than an hour after the altercation. It has been said that love of money is the root of (many) evil(s) and a wandering from the path which has brought-upon us much pain. The lack (need) of money is so quite as truly. Samuel Butler (1835-1902 ME) EREWHON Ch. 20 (amended after: The Old Testament: 1Timothy, and before Mark Twain (Mark Twain's Notebook 1909 ME). If the man and the woman bear their fair share of work, they have a right to their fair share of all that is produced by all, and that share is enough to secure them well-being. What we proclaim is The Right to Well-Being: Well-Being for All Pyotr Kropotkin (1842 - 1921) The Conquest of Bread; Mutual Aid: A Factor of Evolution. Part One: Rogue-Citizen: 1. The Day The Market(s) Stood Still...