Malcolm Bradbury

At the height of the 1960s, a British writer accepts an academic post in America for a year that he'll never forget English author James Walker has three books to his name, each greeted with middling success and then promptly forgotten. But his r sum is significant enough to earn him a yearlong appointment at Benedict Arnold University as the American college's writer in residence. At Benedict Arnold, Walker is something of a celebrity--a firebrand of 1960s British literary culture whose work, though perhaps met with shrugs at home, is the subject of vibrant scholarly criticism among American academics. Walker, of course, is not quite what some were expecting, and culture clashes abound as he encounters the tropes of American academia in the sixties. Fusty, buttoned-up professors, spirited advocates of free love, and aggressively ambitious colleagues collide to ensure that Walker's year in America will be anything but ordinary.

Slaka! Land of lake and forest, of beetroot and tractor. Slaka! Land whose borders are sometimes here, often further north, and sometimes not at all. Land of cultural riches, of a language that is easy enough to learn if you speak Finnish, or perhaps a little Hittite. In this wickedly funny satire Malcolm Bradbury rescues from obscurity the country that formed the backdrop to Rates of Exchange. This, then, is the official guidebook to that mysteriously mobile piece of Europe. It confirms that Slaka is reassuringly the same - captivating, infuriating, bureaucratic, anarchic, comic and sinister. Within this deceptively slender handbook, stories and narratives bubble up between the lines to keep you reading and chuckling. For Slaka is instantly recognizable to any traveller, anyone who has grappled with an unyielding language, argued with officialdom, outdrunk their welcome, mislaid their luggage, missed their train or just misjudged a tip. The guidebook to end - with any luck - all guidebooks. 'Malcolm Bradbury is a satirist of great assurance and accomplishment' Observer

Forty-year-old university professor Stuart Treece is rather set in his ways, and in the midst of the changing attitudes of the ’50s, his encounters with the younger generation are making him feel decidedly alien. When he falls disastrously in love with one of his students all his efforts to acclimatize are hilariously undermined. Timeless and brilliant, Eating People is Wrong is Malcolm Bradbury’s first novel, and established him as a master of satire.

At the end of the 1950s, a debonair and well-dressed Malcolm Bradbury returned from a year in the United States, slightly shattered but not quite broken, to a Britain that had thoroughly changed. Commercial television had started, the bee-hive hairdo was in, and there were supermarkets instead of grocer's shops. In this piece of vintage Bradbury, the author of The History Man takes on Consumer Society and the British character as only he can.'He restores belief in the power of laughter' Harpers & Queen'A master not only of language and comedy but of feeling too' Sunday Times

From a Modernist/Postmodernist perspective, this addresses questions of literary and cultural nationalism. The authors reveal that since the seventeenth century, American writing has reflected the political and historical climate of its time and helped define America's cultural and social parameters. Aboe all they argue that American literature has always been essentially "modern", illustrating this with a broad range of texts: from Poe and Melville to fitzgerald and Proud, to Wallace and Stevens, Gwendolyn Brooks, and Thomas Pynchon.