Kirjojen hintavertailu – 12 859 829 kirjaa ja 27 kauppaa

Kirjailija

Man Singh

Kirjat ja teokset yhdessä paikassa: 111 kirjaa, julkaisuja vuosilta 2018–2021, suosituimpiin kuuluu Anubhav (Part - 5) / ????? (??? - 5). Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

111 kirjaa

Kirjojen julkaisuvuodet: 2018–2021.

Soluzioni per la rete di code miste multicanale

Soluzioni per la rete di code miste multicanale

Meenu Gupta; Man Singh; Deepak Gupta

Sciencia Scripts
2020
pokkari
Le code hanno un ruolo vitale nella nostra vita quotidiana. L'attesa in coda presso gli uffici amministrativi, gli aeroporti, gli ospedali, le banche, le universit , la connettivit Internet, le telefonate influenzano la nostra crescita fisica, mentale ed economica. Balking, Reneging & Feedback sono il comportamento del cliente nel sistema di coda. Balking significa che a volte le persone non si mettono nemmeno in coda a causa del gran numero di clienti gi in attesa nella coda. Rinnegare significa che il cliente lascia la coda dopo aver aspettato per qualche tempo nella coda a causa di una lunga coda o di qualche messaggio urgente. Il feedback permette alla persona di visitare e unirsi di nuovo a uno qualsiasi dei canali precedentemente serviti, se necessario. Considerando tutti questi comportamenti del cliente e generalizzando le soluzioni per una combinazione di code seriali e non seriali, ognuna con pi server paralleli, lo sforzo fatto per calcolare la lunghezza media della coda, in modo che il tempo di attesa possa essere ridotto. Il modello discusso in questo libro di grande importanza pratica per l'industria agricola di base e per il pi recente settore dell'Information Technology.
Lösungen für das Netzwerk von gemischten Mehrkanal-Warteschlangen

Lösungen für das Netzwerk von gemischten Mehrkanal-Warteschlangen

Meenu Gupta; Man Singh; Deepak Gupta

Sciencia Scripts
2020
pokkari
Warteschlangen spielen in unserem t glichen Leben eine wichtige Rolle. Das Warten in Warteschlangen bei Verwaltungseinrichtungen, Flugh fen, Krankenh usern, Banken, Universit ten, Internetverbindungen und Telefongespr chen beeintr chtigt unser k rperliches, geistiges und wirtschaftliches Wachstum. Balking, Reneging & Feedback sind das Verhalten des Kunden im Warteschlangensystem. Balking bedeutet, dass sich Menschen manchmal nicht einmal in die Warteschlange einreihen, weil bereits eine gro e Anzahl von Kunden in der Warteschlange wartet. Reneging bedeutet, dass ein Kunde die Warteschlange verl sst, nachdem er aufgrund einer langen Warteschlange oder einer dringenden Nachricht einige Zeit in der Warteschlange gewartet hat. R ckmeldung erm glicht es der Person, bei Bedarf einen beliebigen zuvor bedienten Kanal erneut zu besuchen und sich diesem anzuschlie en. Unter Ber cksichtigung all dieser Verhaltensweisen des Kunden und der Verallgemeinerung der L sungen f r eine Kombination aus seriellen und nicht seriellen Warteschlangen mit jeweils mehreren parallelen Servern wird versucht, die mittlere Warteschlangenl nge zu berechnen, um die Wartezeit zu verk rzen. Das in diesem Buch besprochene Modell ist von gro er praktischer Bedeutung f r die landwirtschaftliche Grundindustrie sowie f r den j ngsten Sektor der Informationstechnologie.
Soluciones para la red de colas mixtas multicanal

Soluciones para la red de colas mixtas multicanal

Meenu Gupta; Man Singh; Deepak Gupta

Sciencia Scripts
2020
pokkari
Las colas juegan un papel vital en nuestra vida diaria. Esperar en las colas de la administraci n, aeropuertos, hospitales, bancos, universidades, conectividad a Internet, llamadas telef nicas, afecta nuestro crecimiento f sico, mental y econ mico. Echar pegas, renegar y retroalimentar es el comportamiento del cliente en el sistema de colas. Echar el freno significa que a veces, la gente ni siquiera se une a la cola debido a un gran n mero de clientes que ya est n esperando en la cola. Renegar implica que el cliente abandona la cola despu s de esperar un tiempo en la cola debido a una larga cola o alg n mensaje urgente. La retroalimentaci n permite que la persona pueda visitar y unirse a cualquiera de los canales previamente servidos de nuevo, si es necesario. Considerando todos estos comportamientos de los clientes y generalizando las soluciones para una combinaci n de colas en serie y no en serie, cada una con m ltiples servidores paralelos, se hace el esfuerzo de calcular la longitud media de la cola, de modo que se pueda reducir el tiempo de espera. El modelo que se discute en este libro es de gran importancia pr ctica para la industria agr cola b sica, as como para el m s reciente sector de la tecnolog a de la informaci n.
Soluções para Rede de Filas Mistas Multicanal

Soluções para Rede de Filas Mistas Multicanal

Meenu Gupta; Man Singh; Deepak Gupta

Sciencia Scripts
2020
pokkari
As filas desempenham um papel vital na nossa vida quotidiana. A espera em filas de espera em instala es administrativas, Aeroportos, Hospitais, Bancos, Universidades, conectividade Internet, chamadas telef nicas afectam o nosso crescimento f sico, mental, bem como o crescimento econ mico. Balanceamento, Renega o e Feedback s o o comportamento do cliente no Sistema de Fila de Espera. A compensa o significa que s vezes, as pessoas nem sequer entram na fila devido ao grande n mero de clientes que j esperam na fila. Renegar implica que o cliente deixa a fila depois de esperar algum tempo na fila devido a fila longa ou alguma mensagem urgente. O feedback permite que a pessoa possa visitar e aderir novamente a qualquer um dos canais previamente atendidos, se necess rio. Considerando todos estes comportamentos do cliente e generalizando as solu es para uma combina o de filas serial e n o serial, cada uma com m ltiplos servidores paralelos, o esfor o feito para calcular a dura o m dia da fila, para que o tempo de espera possa ser reduzido. O modelo discutido neste livro de grande import ncia pr tica para a ind stria agr cola b sica, bem como para o mais recente setor de Tecnologia da Informa o.
Solutions pour un réseau de files d'attente mixtes multicanaux

Solutions pour un réseau de files d'attente mixtes multicanaux

Meenu Gupta; Man Singh; Deepak Gupta

Sciencia Scripts
2020
pokkari
Les files d'attente jouent un r le essentiel dans notre vie quotidienne. L'attente dans les files d'attente des installations administratives, des a roports, des h pitaux, des banques, des universit s, de la connectivit Internet et des appels t l phoniques affecte notre croissance physique, mentale et conomique. Les appels t l phoniques affectent notre croissance physique, mentale et conomique. Le fait d' tre bloqu signifie que parfois, les gens ne rejoignent m me pas la file d'attente en raison du grand nombre de clients qui attendent d j dans la file. Renoncer signifie que le client quitte la file d'attente apr s avoir attendu un certain temps dans la file en raison d'une longue file d'attente ou d'un message urgent. Le retour d'information permet la personne de visiter et de rejoindre nouveau n'importe quel canal pr c demment desservi, si n cessaire. En tenant compte de tous ces comportements des clients et en g n ralisant les solutions pour une combinaison de files d'attente en s rie et hors s rie, chacune avec plusieurs serveurs parall les, l'effort est fait pour calculer la longueur moyenne de la file d'attente, de sorte que le temps d'attente puisse tre r duit. Le mod le pr sent dans ce livre est d'une grande importance pratique pour l'industrie agricole de base ainsi que pour le secteur des technologies de l'information le plus r cent.
Rang Birange (Part-14) / रंग-बिरंगे (भाग-14)
jeene kee chaah aur jeevan ke rang jab bikharane lagate hain. jab jeevan me utaar-chadhaav aane lagate hain. jab vyakti apane bhavishy ke lie sangharsh karata hai. us sangharsh mein vah akela hee hota hai. jab saphalata haath lagatee hai. tab duniya saath detee hai. yah duniya kee reet hai. rona akele me padata hai. hansane ke lie jamaana hai. parantu jab tak saphalata haath nahee lagatee. tab tak aap us banjar bhoomi mein kaam karate hain. jahaan aapako koee nahin jaanata. jahaan aapako koee nahin pahachaanata. aapaka apanon ka saath jo sirph hausala dete hain. dhairy rakho saphalata aapake haath avashy lagegee. us aashvaasan ko us bharose kee mashaal se jab vyakti aage badhata hai. tab saphalata praapt karata hai. usake pashchaat us banjar bhoomi mein jo rang birange phool khilate hain. vahee saugaat lekar prastut huee hai. hamaaree pustak rang birange. lekhak maan sinh negee
Rang Birange (Part-11) / रंग-बिरंगे (भाग-11)
jeene kee chaah aur jeevan ke rang jab bikharane lagate hain. jab jeevan me utaar-chadhaav aane lagate hain. jab vyakti apane bhavishy ke lie sangharsh karata hai. us sangharsh mein vah akela hee hota hai. jab saphalata haath lagatee hai. tab duniya saath detee hai. yah duniya kee reet hai. rona akele me padata hai. hansane ke lie jamaana hai. parantu jab tak saphalata haath nahee lagatee. tab tak aap us banjar bhoomi mein kaam karate hain. jahaan aapako koee nahin jaanata. jahaan aapako koee nahin pahachaanata. aapaka apanon ka saath jo sirph hausala dete hain. dhairy rakho saphalata aapake haath avashy lagegee. us aashvaasan ko us bharose kee mashaal se jab vyakti aage badhata hai. tab saphalata praapt karata hai. usake pashchaat us banjar bhoomi mein jo rang birange phool khilate hain. vahee saugaat lekar prastut huee hai. hamaaree pustak rang birange. lekhak maan sinh negee jahaan sirph aur sirph hotee hai. aapakee mehanat, aapake vichaar, aapakee tanahaiyaan.
Rang Birange (Part-6) / रंग-बिरंगे (भाग-6)
jeene kee chaah aur jeevan ke rang jab bikharane lagate hain. jab jeevan me utaar-chadhaav aane lagate hain. jab vyakti apane bhavishy ke lie sangharsh karata hai. us sangharsh mein vah akela hee hota hai. jab saphalata haath lagatee hai. tab duniya saath detee hai. yah duniya kee reet hai. rona akele me padata hai. hansane ke lie jamaana hai. parantu jab tak saphalata haath nahee lagatee. tab tak aap us banjar bhoomi mein kaam karate hain. jahaan aapako koee nahin jaanata. jahaan aapako koee nahin pahachaanata. aapaka apanon ka saath jo sirph hausala dete hain. dhairy rakho saphalata aapake haath avashy lagegee. us aashvaasan ko us bharose kee mashaal se jab vyakti aage badhata hai. tab saphalata praapt karata hai. usake pashchaat us banjar bhoomi mein jo rang birange phool khilate hain. vahee saugaat lekar prastut huee hai. hamaaree pustak rang birange. lekhak maan sinh negee
Rang Birange (Part-9) / रंग-बिरंगे (भाग-9)
jeene kee chaah aur jeevan ke rang jab bikharane lagate hain. jab jeevan me utaar-chadhaav aane lagate hain. jab vyakti apane bhavishy ke lie sangharsh karata hai. us sangharsh mein vah akela hee hota hai. jab saphalata haath lagatee hai. tab duniya saath detee hai. yah duniya kee reet hai. rona akele me padata hai. hansane ke lie jamaana hai. parantu jab tak saphalata haath nahee lagatee. tab tak aap us banjar bhoomi mein kaam karate hain. jahaan aapako koee nahin jaanata. jahaan aapako koee nahin pahachaanata. aapaka apanon ka saath jo sirph hausala dete hain. dhairy rakho saphalata aapake haath avashy lagegee. us aashvaasan ko us bharose kee mashaal se jab vyakti aage badhata hai. tab saphalata praapt karata hai. usake pashchaat us banjar bhoomi mein jo rang birange phool khilate hain. vahee saugaat lekar prastut huee hai. hamaaree pustak rang birange. lekhak maan sinh negee jahaan sirph aur sirph hotee hai. aapakee mehanat, aapake vichaar, aapakee tanahaiyaan.
Rang Birange (Part-8) / रंग-बिरंगे (भाग-8)
jeene kee chaah aur jeevan ke rang jab bikharane lagate hain. jab jeevan me utaar-chadhaav aane lagate hain. jab vyakti apane bhavishy ke lie sangharsh karata hai. us sangharsh mein vah akela hee hota hai. jab saphalata haath lagatee hai. tab duniya saath detee hai. yah duniya kee reet hai. rona akele me padata hai. hansane ke lie jamaana hai. parantu jab tak saphalata haath nahee lagatee. tab tak aap us banjar bhoomi mein kaam karate hain. jahaan aapako koee nahin jaanata. jahaan aapako koee nahin pahachaanata. aapaka apanon ka saath jo sirph hausala dete hain. dhairy rakho saphalata aapake haath avashy lagegee. us aashvaasan ko us bharose kee mashaal se jab vyakti aage badhata hai. tab saphalata praapt karata hai. usake pashchaat us banjar bhoomi mein jo rang birange phool khilate hain. vahee saugaat lekar prastut huee hai. hamaaree pustak rang birange. lekhak maan sinh negee jahaan sirph aur sirph hotee hai. aapakee mehanat, aapake vichaar, aapakee tanahaiyaan.
Rang Birange (Part-7) / रंग-बिरंगे (भाग-7)
jeene kee chaah aur jeevan ke rang jab bikharane lagate hain. jab jeevan me utaar-chadhaav aane lagate hain. jab vyakti apane bhavishy ke lie sangharsh karata hai. us sangharsh mein vah akela hee hota hai. jab saphalata haath lagatee hai. tab duniya saath detee hai. yah duniya kee reet hai. rona akele me padata hai. hansane ke lie jamaana hai. parantu jab tak saphalata haath nahee lagatee. tab tak aap us banjar bhoomi mein kaam karate hain. jahaan aapako koee nahin jaanata. jahaan aapako koee nahin pahachaanata. aapaka apanon ka saath jo sirph hausala dete hain. dhairy rakho saphalata aapake haath avashy lagegee. us aashvaasan ko us bharose kee mashaal se jab vyakti aage badhata hai.
Rang Birange (Part-5) / रंग-बिरंगे (भाग-5)
jeene kee chaah aur jeevan ke rang jab bikharane lagate hain. jab jeevan me utaar-chadhaav aane lagate hain. jab vyakti apane bhavishy ke lie sangharsh karata hai. us sangharsh mein vah akela hee hota hai. jab saphalata haath lagatee hai. tab duniya saath detee hai. yah duniya kee reet hai. rona akele me padata hai. hansane ke lie jamaana hai. parantu jab tak saphalata haath nahee lagatee. tab tak aap us banjar bhoomi mein kaam karate hain. jahaan aapako koee nahin jaanata. jahaan aapako koee nahin pahachaanata. aapaka apanon ka saath jo sirph hausala dete hain. dhairy rakho saphalata aapake haath avashy lagegee. us aashvaasan ko us bharose kee mashaal se jab vyakti aage badhata hai. tab saphalata praapt karata hai. usake pashchaat us banjar bhoomi mein jo rang birange phool khilate hain. vahee saugaat lekar prastut huee hai. hamaaree pustak rang birange. lekhak maan sinh negee jahaan sirph aur sirph hotee hai. aapakee mehanat, aapake vichaar, aapakee tanahaiyaan.
Rang Birange (Part-3) / रंग-बिरंगे (भाग-3)
jeene kee chaah aur jeevan ke rang jab bikharane lagate hain. jab jeevan me utaar-chadhaav aane lagate hain. jab vyakti apane bhavishy ke lie sangharsh karata hai. us sangharsh mein vah akela hee hota hai. jab saphalata haath lagatee hai. tab duniya saath detee hai. yah duniya kee reet hai. rona akele me padata hai. hansane ke lie jamaana hai. parantu jab tak saphalata haath nahee lagatee. tab tak aap us banjar bhoomi mein kaam karate hain. jahaan aapako koee nahin jaanata. jahaan aapako koee nahin pahachaanata. aapaka apanon ka saath jo sirph hausala dete hain. dhairy rakho saphalata aapake haath avashy lagegee. us aashvaasan ko us bharose kee mashaal se jab vyakti aage badhata hai. tab saphalata praapt karata hai. usake pashchaat us banjar bhoomi mein jo rang birange phool khilate hain. vahee saugaat lekar prastut huee hai. hamaaree pustak rang birange. lekhak maan sinh negee jahaan sirph aur sirph hotee hai. aapakee mehanat, aapake vichaar, aapakee tanahaiyaan.
Rang Birange (Part-2) / ???-?????? (???-2)
jeene kee chaah aur jeevan ke rang jab bikharane lagate hain. jab jeevan me utaar-chadhaav aane lagate hain. jab vyakti apane bhavishy ke lie sangharsh karata hai. us sangharsh mein vah akela hee hota hai. jab saphalata haath lagatee hai. tab duniya saath detee hai. yah duniya kee reet hai. rona akele me padata hai. hansane ke lie jamaana hai. parantu jab tak saphalata haath nahee lagatee. tab tak aap us banjar bhoomi mein kaam karate hain. jahaan aapako koee nahin jaanata. jahaan aapako koee nahin pahachaanata. aapaka apanon ka saath jo sirph hausala dete hain. dhairy rakho saphalata aapake haath avashy lagegee. us aashvaasan ko us bharose kee mashaal se jab vyakti aage badhata hai. tab saphalata praapt karata hai. usake pashchaat us banjar bhoomi mein jo rang birange phool khilate hain. vahee saugaat lekar prastut huee hai. hamaaree pustak rang birange. lekhak maan sinh negee jahaan sirph aur sirph hotee hai. aapakee mehanat, aapake vichaar, aapakee tanahaiyaan.
Shabd Maala (Part-7) / शब्द माला (भाग-7)
vaartaalaap karane ka sabase achchha maadhyam hai, shabd. inakee shuruaat kaise aur kab huee yah kah paana hamaare lie sambhav nahin hai? haan ham itana avashy kah sakate hain. shabd hamaare apane vyavahaar ke oopar nirbhar hote hai. unhen kahaan kab istemaal karana hai. jise yah aa gaya vah shabdo ka baajeegar kahalaayega. shabd chitera kahalaega. jahaan shabd maraham hai, vahee shabd talavaar bhee hai. jahaan shabd pushp hai, vahee shabd shool bhee hai. shabd samajh mein aae to arth hai, varana sab vyarth hai. shabd aise hone chaahie jo kaanon mein mishree ghol de. juba mein mithaas bhar de. jo doosaron ke dukh ko kam kar de. kaha bhee gaya hai aisee vaanee bolie man ka aapa khoe auron ko sheetal kare aapu sheetal hoe. shabd hansa dete hain shabd rula dete hain. shabd maan jaate hai, shabd rooth jaate hai. kabhee inhen hans kar mana liya karo. kabhee najarandaaj karake maan jaaya karo. vyakti ke vyavahaar ko darshaate hain ye khatte meethe shabd. shabd ko koee sparsh nahin kar sakata shabd sab ko sparsh karate hain. in khatte meethe shabdon ko ek roop mein piro kar aap sabake lie prem poorvak shabd maala manohar kahaaniyon se bharapoor pustak kee rachana kee hai. lekhak maan sinh negee
Shabd Maala (Part-10) / शब्द माला (भाग-10)
vaartaalaap karane ka sabase achchha maadhyam hai, shabd. inakee shuruaat kaise aur kab huee yah kah paana hamaare lie sambhav nahin hai? haan ham itana avashy kah sakate hain. shabd hamaare apane vyavahaar ke oopar nirbhar hote hai. unhen kahaan kab istemaal karana hai. jise yah aa gaya vah shabdo ka baajeegar kahalaayega. shabd chitera kahalaega. jahaan shabd maraham hai, vahee shabd talavaar bhee hai. jahaan shabd pushp hai, vahee shabd shool bhee hai. shabd samajh mein aae to arth hai, varana sab vyarth hai. shabd aise hone chaahie jo kaanon mein mishree ghol de. juba mein mithaas bhar de. jo doosaron ke dukh ko kam kar de. kaha bhee gaya hai aisee vaanee bolie man ka aapa khoe auron ko sheetal kare aapu sheetal hoe. shabd hansa dete hain shabd rula dete hain. shabd maan jaate hai, shabd rooth jaate hai. kabhee inhen hans kar mana liya karo. kabhee najarandaaj karake maan jaaya karo. vyakti ke vyavahaar ko darshaate hain ye khatte meethe shabd. shabd ko koee sparsh nahin kar sakata shabd sab ko sparsh karate hain. in khatte meethe shabdon ko ek roop mein piro kar aap sabake lie prem poorvak shabd maala manohar kahaaniyon se bharapoor pustak kee rachana kee hai. lekhak maan sinh negee
Shabd Maala (Part-14) / शब्द माला (भाग-14)
vaartaalaap karane ka sabase achchha maadhyam hai, shabd. inakee shuruaat kaise aur kab huee yah kah paana hamaare lie sambhav nahin hai? haan ham itana avashy kah sakate hain. shabd hamaare apane vyavahaar ke oopar nirbhar hote hai. unhen kahaan kab istemaal karana hai. jise yah aa gaya vah shabdo ka baajeegar kahalaayega. shabd chitera kahalaega. jahaan shabd maraham hai, vahee shabd talavaar bhee hai. jahaan shabd pushp hai, vahee shabd shool bhee hai. shabd samajh mein aae to arth hai, varana sab vyarth hai. shabd aise hone chaahie jo kaanon mein mishree ghol de. juba mein mithaas bhar de. jo doosaron ke dukh ko kam kar de. kaha bhee gaya hai aisee vaanee bolie man ka aapa khoe auron ko sheetal kare aapu sheetal hoe. shabd hansa dete hain shabd rula dete hain. shabd maan jaate hai, shabd rooth jaate hai. kabhee inhen hans kar mana liya karo. kabhee najarandaaj karake maan jaaya karo. vyakti ke vyavahaar ko darshaate hain ye khatte meethe shabd. shabd ko koee sparsh nahin kar sakata shabd sab ko sparsh karate hain. in khatte meethe shabdon ko ek roop mein piro kar aap sabake lie prem poorvak shabd maala manohar kahaaniyon se bharapoor pustak kee rachana kee hai. lekhak maan sinh negee
Shabd Maala (Part-5) / शब्द माला (भाग-5)
vaartaalaap karane ka sabase achchha maadhyam hai, shabd. inakee shuruaat kaise aur kab huee yah kah paana hamaare lie sambhav nahin hai? haan ham itana avashy kah sakate hain. shabd hamaare apane vyavahaar ke oopar nirbhar hote hai. unhen kahaan kab istemaal karana hai. jise yah aa gaya vah shabdo ka baajeegar kahalaayega. shabd chitera kahalaega. jahaan shabd maraham hai, vahee shabd talavaar bhee hai. jahaan shabd pushp hai, vahee shabd shool bhee hai. shabd samajh mein aae to arth hai, varana sab vyarth hai. shabd aise hone chaahie jo kaanon mein mishree ghol de. juba mein mithaas bhar de. jo doosaron ke dukh ko kam kar de. kaha bhee gaya hai aisee vaanee bolie man ka aapa khoe auron ko sheetal kare aapu sheetal hoe. shabd hansa dete hain shabd rula dete hain. shabd maan jaate hai, shabd rooth jaate hai. kabhee inhen hans kar mana liya karo. kabhee najarandaaj karake maan jaaya karo. vyakti ke vyavahaar ko darshaate hain ye khatte meethe shabd. shabd ko koee sparsh nahin kar sakata shabd sab ko sparsh karate hain. in khatte meethe shabdon ko ek roop mein piro kar aap sabake lie prem poorvak shabd maala manohar kahaaniyon se bharapoor pustak kee rachana kee hai. lekhak maan sinh negee
Shabd Maala (Part-12) / शब्द माला (भाग-12)
vaartaalaap karane ka sabase achchha maadhyam hai, shabd. inakee shuruaat kaise aur kab huee yah kah paana hamaare lie sambhav nahin hai? haan ham itana avashy kah sakate hain. shabd hamaare apane vyavahaar ke oopar nirbhar hote hai. unhen kahaan kab istemaal karana hai. jise yah aa gaya vah shabdo ka baajeegar kahalaayega. shabd chitera kahalaega. jahaan shabd maraham hai, vahee shabd talavaar bhee hai. jahaan shabd pushp hai, vahee shabd shool bhee hai. shabd samajh mein aae to arth hai, varana sab vyarth hai. shabd aise hone chaahie jo kaanon mein mishree ghol de. juba mein mithaas bhar de. jo doosaron ke dukh ko kam kar de. kaha bhee gaya hai aisee vaanee bolie man ka aapa khoe auron ko sheetal kare aapu sheetal hoe. shabd hansa dete hain shabd rula dete hain. shabd maan jaate hai, shabd rooth jaate hai. kabhee inhen hans kar mana liya karo. kabhee najarandaaj karake maan jaaya karo. vyakti ke vyavahaar ko darshaate hain ye khatte meethe shabd. shabd ko koee sparsh nahin kar sakata shabd sab ko sparsh karate hain. in khatte meethe shabdon ko ek roop mein piro kar aap sabake lie prem poorvak shabd maala manohar kahaaniyon se bharapoor pustak kee rachana kee hai. lekhak maan sinh negee
Shabd Maala (Part-13) / शब्द माला (भाग-13)
vaartaalaap karane ka sabase achchha maadhyam hai, shabd. inakee shuruaat kaise aur kab huee yah kah paana hamaare lie sambhav nahin hai? haan ham itana avashy kah sakate hain. shabd hamaare apane vyavahaar ke oopar nirbhar hote hai. unhen kahaan kab istemaal karana hai. jise yah aa gaya vah shabdo ka baajeegar kahalaayega. shabd chitera kahalaega. jahaan shabd maraham hai, vahee shabd talavaar bhee hai. jahaan shabd pushp hai, vahee shabd shool bhee hai. shabd samajh mein aae to arth hai, varana sab vyarth hai. shabd aise hone chaahie jo kaanon mein mishree ghol de. juba mein mithaas bhar de. jo doosaron ke dukh ko kam kar de. kaha bhee gaya hai aisee vaanee bolie man ka aapa khoe auron ko sheetal kare aapu sheetal hoe. shabd hansa dete hain shabd rula dete hain. shabd maan jaate hai, shabd rooth jaate hai. kabhee inhen hans kar mana liya karo. kabhee najarandaaj karake maan jaaya karo. vyakti ke vyavahaar ko darshaate hain ye khatte meethe shabd. shabd ko koee sparsh nahin kar sakata shabd sab ko sparsh karate hain. in khatte meethe shabdon ko ek roop mein piro kar aap sabake lie prem poorvak shabd maala manohar kahaaniyon se bharapoor pustak kee rachana kee hai. lekhak maan sinh negee