Manuel Muñoz

The luminous second collection that cemented Muñoz as a key voice of and for California's Central Valley From the divergent paths of triplet brothers to a grieving father confronting his mistreatment of his son, these stories interweave a recurring cast of neighborhood characters, many of them in search of escape or release. Lauded for its empathetic portrayals of communities often ignored, The Faith Healer of Olive Avenue won a Whiting Award and an O. Henry Award it was shortlisted for the Frank O'Connor International Short Story Award as one of the best collections published in English worldwide. A new foreword by author and activist Cherrí e Moraga gives testament to Muñoz's status as "the cartographer of a people."

MuÑoz’s breakthrough collection, reissued with a new foreword by author Helena MarÍa Viramontes Manuel MuÑoz’s first collection of stories goes beyond the traditional family myths of Mexican American literature and the image of California’s Central Valley as a lush world of rural tranquility, instead exploring the constant struggle of characters against their physical and personal surroundings. A teenage boy learns the consequences of succumbing to the lure of a town outsider; a young farm worker attempts to hide his supervision of a group of children from the town police; a father must expose his own secrets after his son is found murdered in a highway motel. Experiencing conflicts of family and sexuality and the pain of loss and memory, the characters in Zigzagger seek to reconcile themselves with the rural towns of their upbringing—places that, by nature, are bordered by loneliness.

A doomed love story unfolds alongside the production of Psycho in 95 s Bakersfield, California Muñoz's debut novel tells the story of Teresa, an aspiring singer too far away from Los Angeles to share the city's glamour. In Dan Watson, the most desirable man in town, she believes she has found someone to help her realize those dreams. But when a famous actress arrives from Hollywood with a legendary director in tow, local gossip about Teresa and Dan turns to speculation about the celebrity visitors there to work on what will become an iconic, groundbreaking film of madness and murder at a roadside motel: Alfred Hitchcock's Psycho. Framed by a foreword from film critic Charles Taylor, Muñoz's haunting tale reflects 'the slow winding down of everything that once seemed certain.'

Shimmering writing depicting California’s Central Valley, the first book in a decade from a virtuoso story writer. These exquisite stories are mostly set in the 1980s in the small towns that surround Fresno. With an unflinching hand, Muñoz depicts the Mexican and Mexican American farmworkers who put food on our tables but were regularly and ruthlessly rounded up by the migra, as well as the quotidian struggles and immense challenges faced by their families. The messy and sometimes violent realities navigated by his characters—straight and gay, immigrant and American-born, young and old—are tempered by moments of surprising, tender care: Two young women meet on a bus to Los Angeles to retrieve the men they love who must find their way back from the border after being deported; a gay couple plans a housewarming party that reveals buried class tensions; a teenage mother slips out to a carnival where she encounters the father of her child; the foreman of a crew of fruit pickers finds a dead body and is subsequently—perhaps literally— haunted. In The Consequences, obligation can shape, support, and sometimes derail us. It’s a magnificent new book from a gifted writer at the height of his powers.

Winner of the 2023 Joyce Carol Oates PrizeFinalist for the 2023 Aspen Words Literary PrizeLonglisted for the 2022 Story Prize Shimmering stories set in California's Central Valley, the first book in a decade from a virtuoso story writer. "Her immediate concern was money." So begins the first story in Manuel Mu oz's dazzling new collection. In it, Delfina has moved from Texas to California's Central Valley with her husband and small son, and her isolation and desperation force her to take a risk that ends in profound betrayal. These exquisite stories are mostly set in the 1980s in the small towns that surround Fresno. With an unflinching hand, Mu oz depicts the Mexican and Mexican American farmworkers who put food on our tables but are regularly and ruthlessly rounded up by the migra, as well as the quotidian struggles and immense challenges faced by their families. The messy and sometimes violent realities navigated by his characters--straight and gay, immigrant and American-born, young and old--are tempered by moments of surprising, tender care: Two young women meet on a bus to Los Angeles to retrieve husbands who must find their way back from the border after being deported; a gay couple plans a housewarming party that reveals buried class tensions; a teenage mother slips out to a carnival where she encounters the father of her child; the foreman of a crew of fruit pickers finds a dead body and is subsequently--perhaps literally--haunted. In The Consequences, obligation can shape, support, and sometimes derail us. It's a magnificent new book from a gifted writer at the height of his powers.