Margaret Atwood

From the bestselling author of The Handmaid's Tale and The Testaments - This brilliant collection of connected short stories strings together several decades of moments in the life of one woman--as an ambitious girl in the 1930s, as a young professional coming of age in the uncertain '50s and '60s, and as half of a couple growing old together. In a series of vividly evoked settings that span cities, backwoods, and farm country, we see this woman contending over time with an unstable sister, a married lover, aging parents, mystifying stepchildren, vulnerable farm animals, and her own changing self. By turns funny, lyrical, earthy, shocking, and deeply personal, Moral Disorder displays Margaret Atwood's celebrated storytelling gifts and unmistakable style to their best advantage.

As portrayed in Homer's Odyssey, Penelope - wife of Odysseus and cousin of the beautiful Helen of Troy - has become a symbol of wifely duty and devotion, enduring twenty years of waiting when her husband goes to fight in the Trojan War. As she fends off the attentions of a hundred greedy suitors, travelling minstrels regale her with news of Odysseus' epic adventures around the Mediterranean - slaying monsters and grappling with amorous goddesses. When Odysseus finally comes home, he kills her suitors and then, in an act that served as little more than a footnote in Homer's original story, inexplicably hangs Penelope's twelve maids. Now, Penelope and her chorus of wronged maids tell their side of the story in a new stage version by Margaret Atwood, adapted from her own wry, witty and wise novel. The Penelopiad premiered with the Royal Shakespeare Company in association with Canada's National Arts Centre at the Swan Theatre, Stratford-upon-Avon, in July 2007.

Alongside meditations on warlords, cat heaven, and orphans, the bestselling author of The Handmaid's Tale and The Testaments offers a sly pep talk to the ambitious young, laments the proliferation of photos of oneself, imagines an apocalypse of worms, and recalls Helen of Troy's childhood Kool-Aid stand. In the title fable, a writer huddled inside a tent of paper engages in doodling as self-defense, scribbling on the walls in a frantic attempt to keep out encroaching horrors. Adorned with her own playful illustrations, The Tent is a delightful m lange of short fiction that pushes the boundaries of form in intriguing directions, replete with Atwood's droll humor, keen insight, and lyric brilliance.

One of the world's most celebrated authors, Margaret Atwood has written a collection of smart and entertaining fictional essays, in the genre of her previous books, "Good Bones" and "Murder in the Dark". Chilling and witty, prescient and personal, delectable and tart, these highly imaginative tales tackle a broad range of subjects, reflecting the times we live in with deadly accuracy and knife-edge precision. Punctuated with wonderful illustrations by the author, they are vintage Atwood.

A chilling look at the near future presents the story of Offred, a Handmaid in the Republic of Gilead, once the United States, an oppressive world where women are no longer allowed to read and are valued only as long as they are viable for reproduction. 25,000 first printing.

The Republic of Gilead offers Offred only one function: to breed . If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs...

Margaret Atwood has frequently been cited as one of the foremost writers of our time. Moral Disorder, her new work of fiction, could be seen as a collection of eleven stories that is almost a novel or a novel broken up into eleven stories. It resembles a photograph album - a series of clearly observed moments that trace the course of a life, and the lives intertwined with it - those of parents, siblings, children, friends, enemies, teachers and even animals. And as in a photograph album, times change; every decade is here, from the 1930s through the 50s, 60s and 70s to the present day. The settings are equally varied: large cities, suburbs, farms, northern forests. The first story, 'The Bad News,' is set in the present, as a couple no longer young situate themselves in a larger world no longer safe. Then the narrative switches time, as the central character moves through childhood and adolescence, in 'The Art of Cooking and Serving', 'The Headless Horseman' and 'My Last Duchess'. We follow her into young adulthood in 'The Other Place', and then through a complex relationship, traced in four of the stories - 'Monopoly', 'Moral Disorder', 'White Horse' and 'The Entities'. The last two stories, 'The Labrador Fiasco' and 'The Boys at the Lab', deal with the heartbreaking old age of parents, but circle back to childhood again, to complete the cycle. By turns funny, moving, lyrical, incisive, tragic, earthy, shocking and deeply personal, Moral Disorder displays Atwood's celebrated storytelling gifts and inimitable style to their best advantage. As the New York Times has said, 'Atwood has complete access to her people's emotional histories, complete understanding of their hearts and imaginations.'

From one of the world's most passionately engaged and acclaimed literary citizens comes Writing with Intent, the largest collection to date of Margaret Atwood's nonfiction, ranging from 1983 to 2005. Composed of autobiographical essays, cultural commentary, book reviews, and introductory pieces to great works of literature, this is the award-winning author's first book-length nonfiction publication in twenty years. Arranged chronologically, these writings display the development of Atwood's worldview as the world around her changes. Included are the Booker Prize-winning author's reviews of books by John Updike, Italo Calvino, Toni Morrison, and others, as well as essays in which she remembers herself reading Virginia Woolf's To the Lighthouse at age nineteen, and discusses the influence of George Orwell's 1984 on the writing of The Handmaid's Tale. Atwood's New York Times Book Review piece that helped make Orhan Pamuk's Snow a bestseller can be found here, as well as a look back on a family trip to Afghanistan just before the Soviet invasion, and her "Letter to America," written after September 11, 2001. The insightful and memorable pieces in this book serve as a testament to Atwood's career, reminding readers why she is one of the most esteemed writers of our time.

Collected essays and journalism from the bestselling author of The Blind Assassin and Oryx and Crake. First publication.

First published in 1978, the tale of two children who find their parent-free escapades in a tree enjoyable until beavers destroy their ladder is a facsimile edition featuring the author's original illustrations and hand-lettered type.

von Margaret Atwood Margaret Atwoods dystopischer Romanspielt in der nahen Zukunft in der Republik Gilead, einem religiös-fundamentalistischen Staat auf dem Territorium der heutigen USA. Die hier porträtierte Gesellschaft ist der Alptraum jeder Feministin. Der Roman wird in der Vintage Ausgabe vorgelegt. Ein getrenntes Vokabular (ca. 32 Seiten) wird bei Bestellungdes Romans mitgeliefert. Verpflichtende Lektürefür den Leistungskurs in NRW

Margaret Atwood's witty and informative book focuses on the imaginative mystique of the wilderness of the Canadian North. She discusses the 'Grey Owl Syndrome' of white writers going native; the folklore arising from the mysterious-- and disastrous -- Franklin expedition of the nineteenth century; the myth of the dreaded snow monster, the Wendigo; the relations between nature writing and new forms of Gothic; and how a fresh generation of women writers in Canada have adapted the imagery of the Canadian North for the exploration of contemporary themes of gender, the family and sexuality. Writers discussed include Robert Service, Robertson Davies, Alice Munro, E. J. Pratt, Marian Engel, Margaret Laurence, and Gwendolyn MacEwan. This superbly written and compelling portrait of the mysterious North is at once a fascinating insight into the Canadian imagination, and an exciting new work from an outstanding literary presence.

NATIONAL BESTSELLER - The first volume in the internationally acclaimed MaddAddam trilogy is at once an unforgettable love story and a compelling vision of the future--from the bestselling author of The Handmaid's Tale and The Testaments A Kirkus Reviews Best Fiction Book of the Century Snowman, known as Jimmy before mankind was overwhelmed by a plague, is struggling to survive in a world where he may be the last human, and mourning the loss of his best friend, Crake, and the beautiful and elusive Oryx whom they both loved. In search of answers, Snowman embarks on a journey--with the help of the green-eyed Children of Crake--through the lush wilderness that was so recently a great city, until powerful corporations took mankind on an uncontrolled genetic engineering ride. Margaret Atwood projects us into a near future that is both all too familiar and beyond our imagining.

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The author of The Handmaid's Tale discusses the writing life and the role of the writer in society, making reference to many other writers, alive and dead, ranging from Dante to Elmore Leonard, to make her case. Reprint. 40,000 first printing.

The bestselling author of The Handmaid's Tale and The Testaments weaves together strands of gothic suspense, romance, and science fiction into one utterly spellbinding narrative, beginning with the mysterious death of a young woman named Laura Chase in 1945. Decades later, Laura's sister Iris recounts her memories of their childhood, and of the dramatic deaths that have punctuated their wealthy, eccentric family's history. Intertwined with Iris's account are chapters from the scandalous novel that made Laura famous, in which two illicit lovers amuse each other by spinning a tale of a blind killer on a distant planet. These richly layered stories-within-stories gradually illuminate the secrets that have long haunted the Chase family, coming together in a brilliant and astonishing final twist.

By the time Al Purdy succumbed to lung cancer at his waterfront home in Sidney BC on April 21, 2000, he was universally acknowledged to be one of the greatest writers Canada has produced. In five decades as a published author he had produced over forty books and received innumerable distinctions, including two Governor General's Awards and the Order of Canada. A hands-on writer who delighted in co-producing specialty publications and small press titles in addition to his major collections with leading publishers, Purdy left a massive and diverse body of work, much of it long unavailable to the public. The Collected Poems, edited by Purdy critic Sam Solecki with the full participation of the author, for the first time brings all of Purdy's poetic writings together in one volume, including all his later books, work previously uncollected from earlier periods as well as several excellent new poems he completed in the months before his death. It is, as he said, everything he wished to be remembered for.