Margaret Connolly

This innovative study investigates the reception of medieval manuscripts over a long century, 1470–1585, spanning the reigns of Edward IV to Elizabeth I. Members of the Tudor gentry family who owned these manuscripts had properties in Willesden and professional affiliations in London. These men marked the leaves of their books with signs of use, allowing their engagement with the texts contained there to be reconstructed. Through detailed research, Margaret Connolly reveals the various uses of these old books: as a repository for family records; as a place to preserve other texts of a favourite or important nature; as a source of practical information for the household; and as a professional manual for the practising lawyer. Investigation of these family-owned books reveals an unexpectedly strong interest in works of the past, and the continuing intellectual and domestic importance of medieval manuscripts in an age of print.

Published in 1998. John Shirley’s importance as a scribe of late fourteen-and early fifteenth-century vernacular poetry (in particular the works of Chauncer and Lydgate) has long been recognised. Not only did Shirley bring these works to the attention of a wider audience in his own time, but the survival of some if his manuscripts has perpetuated these texts for future generations of readers. Indeed, some of these poems are now only known through his manuscripts. In this meticulously researched survey, Margaret Connolly makes a thorough examination of all extent documents relating to Shirley’s life and carefully scrutinises the physical characteristics of his manuscripts. In so doing she dispels many of the false interpretations that have arisen from speculation about the nature of Shirley’s scribal activities. The book concludes that there is no evidence to suggest that Shirley acted as a bookseller, but plenty to indicate that he lent his books extensively. This book’s survey of volumes owned or used by Shirley provides general insights into the availability and circulation of literary texts in the fifteenth century. Palaeographers and those with a general interest in the history of the book will find this studying fascinating.

"Do it to a Finish" is a 1918 self-help book written by Orison Swett Marden. In this vintage guide to personal success, Marden looks at thoroughness and its importance in the attainment of happiness in work and personal life. Contents include: "The Crime of Carelessness", "The Relation of Work to Character", "Blunder That Cost a Million Dollars a Day", "The Difference Between Artist and Artisan", "Second-class Men", "Thoroughness The Handmaid of Genius", "The Fatal 'Almost'", "What Every Employer is Looking For", etc. Orison Swett Marden (1848-1924) was an American author of inspiration books. He wrote primarily on the subject of being successful and founded "SUCCESS" magazine in 1897. Marden's books deal with attaining a fruitful and well-rounded life, with many of his ideas being based on the New Thought movement. This classic work is being republished now in a new edition complete with the original text and artwork.

This innovative study investigates the reception of medieval manuscripts over a long century, 1470–1585, spanning the reigns of Edward IV to Elizabeth I. Members of the Tudor gentry family who owned these manuscripts had properties in Willesden and professional affiliations in London. These men marked the leaves of their books with signs of use, allowing their engagement with the texts contained there to be reconstructed. Through detailed research, Margaret Connolly reveals the various uses of these old books: as a repository for family records; as a place to preserve other texts of a favourite or important nature; as a source of practical information for the household; and as a professional manual for the practising lawyer. Investigation of these family-owned books reveals an unexpectedly strong interest in works of the past, and the continuing intellectual and domestic importance of medieval manuscripts in an age of print.

Published in 1998. John Shirley’s importance as a scribe of late fourteen-and early fifteenth-century vernacular poetry (in particular the works of Chauncer and Lydgate) has long been recognised. Not only did Shirley bring these works to the attention of a wider audience in his own time, but the survival of some if his manuscripts has perpetuated these texts for future generations of readers. Indeed, some of these poems are now only known through his manuscripts. In this meticulously researched survey, Margaret Connolly makes a thorough examination of all extent documents relating to Shirley’s life and carefully scrutinises the physical characteristics of his manuscripts. In so doing she dispels many of the false interpretations that have arisen from speculation about the nature of Shirley’s scribal activities. The book concludes that there is no evidence to suggest that Shirley acted as a bookseller, but plenty to indicate that he lent his books extensively. This book’s survey of volumes owned or used by Shirley provides general insights into the availability and circulation of literary texts in the fifteenth century. Palaeographers and those with a general interest in the history of the book will find this studying fascinating.

The ME Mirror, a fourteenth-century prose translation of the thirteenth-century AN Miroir by Robert de Gretham, is a text of cultural and linguistic value. As a cycle of sermons addressed to a lay audience, it offers extensive material for the study of popular preaching in fourteenth-century England. Four of the six surviving manuscripts exemplify that variety of fourteenth-century London language designated "Type II" by M. L. Samuels. Only brief, unedited extracts or quotations from the Mirror have hitherto appeared in print; a full critical edition will not appear for many years. This edition, based on MS Hunterian 250, Glasgow University Library, one of the "Type II" manuscripts, aims to present a sizeable sample of the Mirror including the Prologue and a representative selection of sermons with the Anglo-Norman source text given in parallel.