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Kirjailija

Margaret Ellen Lee

Kirjat ja teokset yhdessä paikassa: 2 kirjaa, julkaisuja vuosilta 2009–2024, suosituimpiin kuuluu Sound Mapping the New Testament. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

2 kirjaa

Kirjojen julkaisuvuodet: 2009–2024.

Sound Mapping the New Testament

Sound Mapping the New Testament

Bernard Brandon Scott; Margaret Ellen Lee

JAMES CLARKE CO LTD
2024
nidottu
In the ancient world, writings were read aloud, heard, and remembered. In contrast, modern exegesis assumes a silent text. For Margaret Lee and Brandon Scott, the disjuncture between ancient and modern approaches to literature obscures the beauty and meaning in writings such as the New Testament. As the structure of an ancient Greek composition derives first from its sounds, and not from the meaning of its words, sound analysis, analysis of the signifier and its audible dimension, are crucial to interpretation. Sound Mapping the New Testament explores writing technology in the Greco-Roman world, and uses ancient Greek literary criticism for descriptions of grammar as a science of sound and literary composition as a woven fabric of speech. Based on these perspectives and a close analysis of writings from the four Gospels, Paul, and Q, Lee and Scott advance a theory of sound analysis that enables modern readers to hear the New Testament afresh. This second edition includes a new introduction which reviews a decade of sound mapping scholarship.
Sound Mapping the New Testament

Sound Mapping the New Testament

Margaret Ellen Lee; Bernard Brandon Scott

Polebridge Press
2009
nidottu
In the Hellenistic world, writings were read aloud, heard and remembered. But modern exegesis assumes a silent text. According to Margaret Lee & Brandon Scott, the disjuncture between ancient and modern approaches to literature obscures the beauty and meaning in writings such as the New Testament. Further, the structure of a Hellenistic Greek composition derives from its sounds and not from the meaning of its words. Analysis of the sound dimension, they argue, is therefore foundational to interpreting the composition. ""Sound Mapping the New Testament"" opens with an exploration of writing technology in the Greco-Roman world. It then turns to Hellenistic literary criticism for descriptions of grammar as a science of sound and literary composition as a woven fabric of speech. Based on these perspectives and a close analysis of writings from the four gospels, Paul, and Q it advances a theory of sound analysis that will enable modern readers to hear the New Testament afresh.