Margaret Wynne Nevinson

Eunice Romaine-the name took me back down long vistas of years to a convent school at Oxford, to the clanging bells of Tom Tower, to the vibrant note of boys' voices in college chapels, to the scent of flowers and incense at early celebrations, to the high devotions and ideals of youth, to its passionate griefs and joys. Eunice Romaine had been the genius of our school-one of those gifted students in whom knowledge seems innate; her name headed every examination list, and every prize in the form fell to her; other poor plodders had no chance where she was. From school she had gone with many a scholarship and exhibition to Cambridge, where she had taken a high place in the Classical Tripos; later I heard she had gone as Classical Mistress to one of the London High Schools, then our paths had separated, and I heard no more.

The astonishing women involved in the Actresses Franchise League set up their own theatre companies and engaged with the battle for the vote by writing and performing campaigning plays all over the country. They launched themselves onto the political stage with their satirical plays, sketches and monologues whilst at the same time challenging the staid conventions of the Edwardian Theatre of the day. The legacy of their inspiring work to change both theatre and society has survived in the political theatre, agitprop and verbatim theatre we know today. Introduced and set in an historical context by Dr Susan Croft together with a chronology of suffrage drama.