Marguerite La Caze

A philosophical exploration of how modern global cinema represents everyday means of resisting authoritarianism and totalitarianism VÁclav Havel’s concept of “living within the truth” in an authoritarian regime frames Marguerite La Caze’s readings of international cinema, highlighting forms of resistance in which seemingly pre- or nonpolitical aspects of life—such as professional labor, exile, and truth telling—can be recognized as political when seen against a backdrop of general acquiescence. La Caze’s case studies cross genres, historical eras, and national contexts: the apartheid regime in South Africa, in A Dry White Season; post-Suharto Indonesia, in The Look of Silence; 1980s East Germany, in Barbara; the Chilean military dictatorship, in No; contemporary Iran, in A Separation; and current-day Saudi Arabia, in Wadjda. This book explores the films’ use of image, sound, narrative, and character in dialogue with the work of Simone de Beauvoir, AimÉ Cesaire, Hannah Arendt, Sara Ahmed, and W. E. B. Du Bois to reveal how cinema depicts ordinary people enacting their own philosophies of defiance.

A philosophical exploration of how modern global cinema represents everyday means of resisting authoritarianism and totalitarianism VÁclav Havel’s concept of “living within the truth” in an authoritarian regime frames Marguerite La Caze’s readings of international cinema, highlighting forms of resistance in which seemingly pre- or nonpolitical aspects of life—such as professional labor, exile, and truth telling—can be recognized as political when seen against a backdrop of general acquiescence. La Caze’s case studies cross genres, historical eras, and national contexts: the apartheid regime in South Africa, in A Dry White Season; post-Suharto Indonesia, in The Look of Silence; 1980s East Germany, in Barbara; the Chilean military dictatorship, in No; contemporary Iran, in A Separation; and current-day Saudi Arabia, in Wadjda. This book explores the films’ use of image, sound, narrative, and character in dialogue with the work of Simone de Beauvoir, AimÉ Cesaire, Hannah Arendt, Sara Ahmed, and W. E. B. Du Bois to reveal how cinema depicts ordinary people enacting their own philosophies of defiance.

Contemporary political ethics has to face the question of how to repair relations which have broken down after crimes, oppression, and political violence. The book employs the work of European and feminist philosophers, including Jacques Derrida, Albert Camus, Simone Beauvoir, Hannah Arendt, Karl Jaspers, Jean-Paul Sartre, Giorgio Agamben, Immanuel Kant, Jean Améry, Vladimir Jankélévitch, Margaret Urban Walker and Linda Radzik to engage with historical and recent cases: the post-liberation French purge, post-genocide Rwanda and post-colonial Australia and draws out the negative and positive conditions of ethical political responses in these contexts. It develops a philosophical account of ethical restoration through focusing on just punishment, guilt and shame, rebuilding political trust, forgiveness and reconciliation, remorse and atonement, and self-forgiveness.

This title was first published in 2003. What does it take to be a person of integrity? Could those who commit morally horrendous acts be persons of integrity? Is personal integrity compatible with the kinds of ambivalence and self-doubt characteristic of fragile selves and ordinary lives? This text examines the centrality of integrity in relation to a variety of philosophical and psychological concerns that impinge upon the ethical life. Relating integrity to many standard issues in philosophical and moral psychology - such as self-deception, weakness of will, hypocrisy and relationships - the authors present a comprehensive and accessible study of integrity and its types. Drawing on contemporary work in moral and philosophical psychology, ethics, theories of the self and feminist thought, this book develops an account of integrity as a fundamental virtue - as something that is central to all our lives.

Contemporary political ethics has to face the question of how to repair relations which have broken down after crimes, oppression, and political violence. The book employs the work of European and feminist philosophers, including Jacques Derrida, Albert Camus, Simone Beauvoir, Hannah Arendt, Karl Jaspers, Jean-Paul Sartre, Giorgio Agamben, Immanuel Kant, Jean Améry, Vladimir Jankélévitch, Margaret Urban Walker and Linda Radzik to engage with historical and recent cases: the post-liberation French purge, post-genocide Rwanda and post-colonial Australia and draws out the negative and positive conditions of ethical political responses in these contexts. It develops a philosophical account of ethical restoration through focusing on just punishment, guilt and shame, rebuilding political trust, forgiveness and reconciliation, remorse and atonement, and self-forgiveness.

This title was first published in 2003. What does it take to be a person of integrity? Could those who commit morally horrendous acts be persons of integrity? Is personal integrity compatible with the kinds of ambivalence and self-doubt characteristic of fragile selves and ordinary lives? This text examines the centrality of integrity in relation to a variety of philosophical and psychological concerns that impinge upon the ethical life. Relating integrity to many standard issues in philosophical and moral psychology - such as self-deception, weakness of will, hypocrisy and relationships - the authors present a comprehensive and accessible study of integrity and its types.

The notion of the philosophical imaginary developed by Michéle Le Doeuff refers to the capacity to imagine as well as to the stock of images philosophers employ. Making use of this notion, Marguerite La Caze explores the idea of the imaginary of analytic philosophy. Noting the marked tendency of analytic philosophy to be unselfconscious about the use of figurative language and the levels at which it works, La Caze shows how analytic images can work to define the parameters of debates and exclude differing approaches, including feminist ones. La Caze focuses on five influential types of images in five central areas of contemporary analytic philosophy: analogies and how they are used in the abortion debates; thought experiments in personal identity; the myth of the social contract; Thomas Nagel's use of visual and spatial metaphors in epistemology; and Kendall Walton's use of children's games as a foundational model in aesthetics. The author shows how the image promotes assumptions and conceals tensions in philosophical works, how the image persuades, and how it limits debate and excludes ideas. In providing an analysis of and reflection on the nature of the analytic imaginary, La Caze suggests that a more open-ended and reflexive approach can result in richer, more fruitful, philosophical work.