Marie Corelli

Barabbas - A Dream of the World's Tragedy: Vol. I is an unchanged, high-quality reprint of the original edition of 1893. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Barabbas - A Dream of the World's Tragedy is an unchanged, high-quality reprint of the original edition of 1894. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Though the film is presumed lost, a surviving synopsis was published in the Moving Picture World on June 25, 1910. It states: "Thelma is a simple Norwegian maiden living alone with her father in the land of the midnight sun. Her father is one of the few remaining Vikings, famous in history. As such he is held in great reverence by his servants, who consider him somewhat in the nature of a king, and his daughter a princess. Outside of the years spent at school, Thelma has spent nearly all her time alone, her mother having died when she was a baby. When on a visit to her mother's grave, Thelma meets Sir Philip Errington, a distinguished young Englishman, who is touring Norway in his private yacht. Sir Philip is instantly attracted to her and, obtaining information as to where she lives, presents himself to Olaf, the Viking, and is finally admitted to his friendship and that of his daughter. Sir Phillip woos and wins the fair Thelma for his bride, and with her sails back to England. In London, Thelma at once creates a favorable impression and is cordially welcomed by all of Sir Philip's friends, who comprise the nobility and aristocracy of the metropolis. Lady Clara, alone, of all Sir Philip's old friends, wishes Thelma harm. She has long felt an affection for Sir Phillip, and resents the fact that he spurned her love and chose his bride in far-off Norway. This wicked and designing woman determines to wreck Thelma's happiness, and force her to leave England. This she contrives to do, in making Thelma believe that Sir Philip no longer loves her, but that in truth his heart belongs to Lady Clara. As proof of her statement she shows Thelma a letter written to her by Sir Philip in which he pleads the cause of his friend, who is in love with Lady Clara, and wishes her to become his wife. This Lady Clara claims is a love letter written by Sir Philip to her. Thelma, heartbroken, believing she has lost her husband's love, returns to Norway, just as her father, the Viking, breathes his last. She, with his faithful followers, complies with his last wishes, which are that he shall be buried as his forefathers were before him - sent out to sea in his burning ship. This form of burial had been that accorded to all Vikings for centuries past. After straining her eyes for a final look at the departing ship, Thelma retraces her steps to her mother's grave, and there, feeling that she is alone, prays for the strength to live. Here in a rocky dell before the tomb of her mother, where first she met the man who won her heart, Sir Philip again finds Thelma. A few words suffice to show her how she has been tricked, and a fervent protestation of his love convinces her that she still has a place in his heart. In Sir Philip's arms, she finds comfort for the loss of her father; she starts out bravely to again face the world, now sure of his unending love

"May I assist you?" She was silent, eyeing him with a keen glance which had something in it of disfavor and suspicion. "I suppose she doesn't understand English," he thought, "and I can't speak a word of Norwegian. I must talk by signs." And forthwith he went through a labored pantomime of gesture, sufficiently ludicrous in itself, yet at the same time expressive of his meaning. The girl broke into a laugh-a laugh of sweet amusement which brought a thousand new sparkles of light into her lovely eyes.

The Sorrows of Satan is an 1895 faustian novel by Marie Corelli. It is widely regarded as one of the world's first bestsellers, partly due to an upheaval in the system British libraries used to purchase their books and partly due to its popular appeal. Roundly condemned by critics for Corelli's moralistic and prosaic style it nonetheless had strong supporters in Oscar Wilde and various members of royalty. Widely ignored in literary circles, it is increasingly regarded as an influential fin de si cle text. The book is occasionally subtitled "Or the Strange Experience of one Geoffrey Tempest, Millionaire".

The Sorrows of Satan is an 1895 Faustian novel by Marie Corelli. It is widely regarded as one of the world's first bestsellers - partly due to an upheaval in the system British libraries used to purchase their books, and partly due to its popular appeal. Roundly condemned by contemporary literary critics for Corelli's moralistic and prosaic style, it nonetheless had strong supporters, including Oscar Wilde and various members of royalty. Widely ignored in literary circles, it is increasingly regarded as an influential fin de si cle text. The book is occasionally subtitled "Or the Strange Experience of One Geoffrey Tempest, Millionaire".

The Sorrows of Satan is an 1895 Faustian novel by Marie Corelli. It is widely regarded as one of the world's first bestsellers - partly due to an upheaval in the system British libraries used to purchase their books, and partly due to its popular appeal. Roundly condemned by contemporary literary critics for Corelli's moralistic and prosaic style, 1] it nonetheless had strong supporters, including Oscar Wilde and various members of royalty. Widely ignored in literary circles, it is increasingly regarded as an influential fin de si cle text. The book is occasionally subtitled "Or the Strange Experience of One Geoffrey Tempest, Millionaire". On the surface the plot follows the story of a penniless, starving author called Geoffrey Tempest. So poor that he is behind on his rent and can barely afford light in his room, he receives three letters. The first is from a friend in Australia who has made his fortune and offers to introduce him to a good friend who might be able to lift him from poverty. The second is a note from a solicitor detailing that he has inherited a fortune from a deceased relative. The third is a letter of introduction from a foreign aristocrat called Lucio, who befriends him and proceeds to be his guide in how to best use his newfound wealth. Tempest remains blissfully unaware throughout the novel, despite warnings from people he meets, that Lucio is the earthly incarnation of the Devil. Over the course of the book, his wealth leads to misery. Eventually, when confronted with the true nature of his companion, he renounces evil and returns to society penniless but content with the chance to purify his soul.