Mario Tronti

A classic work of political theory by a major twentieth-century figure of the Italian Left. Italian political thinker Mario Tronti is most famous for being the author of Workers and Capital, which became the central theoretical formulation of Italian operaismo or workerism, a current of political thought emerging in the 1960s that revolutionized the institutional and extra-parliamentary Left in Italy and beyond. In The Twilight of Politics, written originally in 1998, Tronti argues that modern politics, which reached its apogee in the twentieth century, has ended. Realism and Utopia, Tronti explains, were the foundational qualities of modern politics, which it always tried to clasp together. But behind this highwater mark of politics was a history over the longue durée, encompassing the wars of religion, Hobbes’ Leviathan, revolution, great individuals, and popular movements, as well as innovations such as the nation-state and the party-form. Historically, the modern period is also a coming together of the categories of the political and the laws of political economy. At the heart of this book is Tronti’s attempt to hold together a view of the course of political history with a critique of the “dictatorship of the present” to help us escape being “chained to the bars of an eternal present . . . which deprives us both of the freedom to look back and to see ahead.”

A classic work of political theory by a major twentieth-century figure of the Italian Left. Italian political thinker Mario Tronti is most famous for being the author of Workers and Capital, which became the central theoretical formulation of Italian operaismo or workerism, a current of political thought emerging in the 1960s that revolutionized the institutional and extra-parliamentary Left in Italy and beyond. In The Twilight of Politics, written originally in 1998, Tronti argues that modern politics, which reached its apogee in the twentieth century, has ended. Realism and Utopia, Tronti explains, were the foundational qualities of modern politics, which it always tried to clasp together. But behind this highwater mark of politics was a history over the longue durée, encompassing the wars of religion, Hobbes’ Leviathan, revolution, great individuals, and popular movements, as well as innovations such as the nation-state and the party-form. Historically, the modern period is also a coming together of the categories of the political and the laws of political economy. At the heart of this book is Tronti’s attempt to hold together a view of the course of political history with a critique of the “dictatorship of the present” to help us escape being “chained to the bars of an eternal present . . . which deprives us both of the freedom to look back and to see ahead.”

Demokratiet er en politisk fiktion. Som stormen på Kongressen i USA understregede, befinder det moderne demokrati—uløseligt knyttet til staten, nationen, folket og markedet—sig i en dyb krise. I et slags væbnet karneval sætter en broget flok US-amerikanske patrioter sig for at redde demokratiet fra sig selv. Men hvad er det for et demokrati, der skal reddes? Og hvorfor? For Marx og den revolutionære bevægelse var det borgerlige demokrati først og fremmest en strategisk kampplads, ikke et politisk mål i sig selv. Trods vigtige sejre viste demokratiet sig hurtigt som en slags politisk fælde, som hver gang kanaliserede den ‘socialistiske’ massevækkelse ind i forbrug for de heldige og for evigt udsatte verdensrevolutionen. I stedet fik vi det liberale markedsdemokrati, hvor venstre- og højrepopulister rituelt slås om definitionsretten på det virkelige demokrati. Andet bind i forlaget Antipyrines serie om “repræsentationskritik” rummer tre nøgletekster om demokrati af hhv. Karl Marx, Claude Lefort og Mario Tronti. Bogen er redigeret og forsynet med forord af Mikkel Bolt og Dominique Routhier.

Mario Tronti was the principal theorist of the radical political movement of the 1960s known in Italy as operaismo and in the Anglophone world as Italian workerism, a current which went on to inform the development of autonomist Marxism. His “Copernican revolution”—the proposal that working class struggles against exploitation propel capitalist development, which can only be understood as a reaction that seeks to harness this antagonism—has inspired dissident leftists around the world. Tronti’s influence as a theorist thus already reaches far beyond Italy to activists and writers working in different sectors on different problems historically and geographically. While his imposing and acclaimed Workers and Capital has only recently appeared in English translation, Tronti has influenced many of the most creative social and political theorists of our time. Antonio Negri and Michael Hardt have long acknowledged the influence of Tronti on their thinking, drawing especially on his inversion of strategy and tactics in their influential collaborations. Tronti’s work in the 1960s also furnished important building blocks for a Marxist feminist critique of unwaged labor—as developed by Mariarosa dalla Costa, Silvia Federici, and many others working on social reproduction theory—as Tronti showed how capitalist control extends beyond the factory to all of society. Fred Moten and Stefano Harney have echoed Tronti’s calls for a radical antagonism “within and against” institutions and the state. The Weapon of Organization is a crucial introduction to Tronti, presenting a variety of never-before-translated texts—personal letters, public talks, published articles. With an incisive and provocative introduction that situates Tronti and highlights his relevance to contemporary political struggle, Anastasi translates and restores key writing from the birth of Italian operaismo—days of street fighting and theorizing for a renewed age of revolution. Tronti’s goal, Anastasi writes, was not to become a revered thinker but to participate in the destruction of capitalist society.

Workers and Capital is universally recognised as the most important work produced by operaismo, a current of political thought emerging in the 1960s that revolutionised the institutional and extra-parliamentary Left in Italy and beyond. In the decade after its first publication in 1966, the debates over Workers and Capital produced new methods of analysis and a new vocabulary for thousands of militants, helping to inform the new forms of workplace, youth and community struggles. Concepts like 'neocapitalism', 'class composition', 'mass-worker', 'the plan of capital', 'workers' inquiry' and 'co-research' became an established part of the Italian Left's political lexicon. Over five decades since it was first published, Workers and Capital is a key text in the history of the international workers' movement, yet only now appears in English translation for the first time. Far from simply an artefact of the intense political conflicts of the 1960s, Tronti's work offers extraordinary tools for understanding the powerful shifts in the nature of work and class composition in recent decades.