Mark Blacklock

J. G. Ballard's collected nonfiction from 1962 to 2007, mapping the cultural obsessions, experiences, and insights of one of the most original minds of his generation. J. G. Ballard was a colossal figure in English literature and an imaginative force of the twentieth century. Alongside seminal novels—from the notorious Crash (1973) to the semi-autobiographical Empire of the Sun (1984)—Ballard was a sought-after reviewer and commentator, publishing journalism, memoir, and cultural criticism in a variety of forms. This volume collects the most significant short nonfiction of Ballard's fifty-year career, extending the range of the only previous collection of his nonfiction, A User's Guide to the Millennium (1996), which selected essays and reviews published between 1962 and 1995. A decade on from Ballard's death in 2009, a new generation of readers needs a new collection. In the period following A User's Guide, Ballard's writing addressed 9/11, British politics from New Labour onward, and what he termed “the rise of soft fascism”—a diagnosis that maintains its relevance amid a shift toward right populism in European and US politics. Beautifully edited by Ballard scholar and novelist Mark Blacklock, this volume includes Ballard's editorials and manifestos; commentaries on his own work; commentaries on the work of others; reviews; and more. Above all, it makes the case for the currency of Ballard's work at a contemporary juncture at which so many of his diagnoses concerning the media and politics have become apparent.

Howard Hinton and his family are living in Japan, escaping from a scandal. Hinton's obsessions are his work - speculative voyages into the fourth dimension of space - and his wife and sons, each of whom yearns to find escape from entanglement in the strange and unknown landscapes of Hinton's science fictions. A ravishing period piece of late-Victorian social, scientific and domestic life, Hinton is about extraordinary discoveries, and terrible choices. It is about those who discover and map other realms, and the implications for those of us left behind.

The Emergence of the Fourth Dimension describes the development and proliferation of the idea of higher dimensional space in the late nineteenth- and early twentieth-centuries. An idea from mathematics that was appropriated by occultist thought, it emerged in the fin de siècle as a staple of genre fiction and influenced a number of important Modernist writers and artists. Providing a context for thinking of space in dimensional terms, the volume describes an active interplay between self-fashioning disciplines and a key moment in the popularisation of science. It offers new research into spiritualism and the Theosophical Society and studies a series of curious hybrid texts. Examining works by Joseph Conrad, Ford Madox Ford, H. G. Wells, Henry James, H. P. Lovecraft, and others, the volume explores how new theories of the possibilities of time and space influenced fiction writers of the period, and how literature shaped, and was in turn shaped by, the reconfiguration of imaginative space occasioned by the n-dimensional turn. A timely study of the interplay between philosophy, literature, culture, and mathematics, it offers a rich resource for readers interested in nineteenth century literature, Modernist studies, science fiction, and gothic scholarship.