Mark Dawidziak

It is a moment shrouded in horror and mystery. Edgar Allan Poe died on October 7, 1849, at just forty, in a painful, utterly bizarre manner that would not have been out of place in one of his own tales of terror. What was the cause of his untimely death, and what happened to him during the three missing days before he was found, delirious and “in great distress” on the streets of Baltimore, wearing ill-fitting clothes that were not his own? Mystery and horror. One of America's most iconic writers died under eerie circumstances that reflect the two literary genres he took to new heights. There has been a staggering amount of speculation about the cause of death, from rabies and syphilis to suicide, alcoholism, and even murder. But many of these theories are formed on the basis of the caricature we have come to associate with Poe: the gloomy-eyed grandfather of Goth, hunched over a writing desk with a raven perched on one shoulder, drunkenly scribbling his masterpieces. By debunking the myths of how he lived, we come closer to understanding the real Poe - and uncovering the truth behind his mysterious death, as a new theory emerges that could prove the cause of Poe’s death was haunting him all his life. In a compelling dual-timeline narrative alternating between Poe’s increasingly desperate last months and his brief but impactful life, Mark Dawidziak sheds new light on the enigmatic master of macabre.

Many saw the dark side of the American dream, but none wrote about it like Jim Tully. Having spent six years of his childhood in a Cincinnati orphanage, Tully returned to his hometown of St. Marys, Ohio before climbing aboard a freight train in 1901. Drifting across the country as a "road kid," he spent his teens, sleeping in hobo jungles, avoiding railroad cops, and haunting public libraries. After six years on the road, he settled in Kent, Ohio where he boxed professionally and began to write. Following a move to Hollywood where he worked for Charlie Chaplin, Tully issued a stream of critically acclaimed books that serve as a dark and astonishing chronicle of the American underclass. Having established himself as a major American author, he turned his attention to Hollywood writing dozens of articles about the movies, often shocking the Hollywood establishment. Along the way, he picked up such close friends as W. C. Fields, Jack Dempsey, H. L. Mencken, and Frank Capra. He also memorably crossed paths with Jack London, George Bernard Shaw, James Joyce, and Langston Hughes.

A Mystery of Mysteries is a brilliant biography of Edgar Allan Poe that examines the renowned author's life through the prism of his mysterious death and its many possible causes. It is a moment shrouded in horror and mystery. Edgar Allan Poe died on October 7, 1849, at just forty, in a painful, utterly bizarre manner that would not have been out of place in one of his own tales of terror. What was the cause of his untimely death, and what happened to him during the three missing days before he was found, delirious and "in great distress" on the streets of Baltimore, wearing ill-fitting clothes that were not his own? Mystery and horror. Poe, who remains one of the most iconic of American writers, died under haunting circumstances that reflect the two literary genres he took to new heights. Over the years, there has been a staggering amount of speculation about the cause of death, from rabies and syphilis to suicide, alcoholism, and even murder. But many of these theories are formed on the basis of the caricature we have come to associate with Poe: the gloomy-eyed grandfather of Goth, hunched over a writing desk with a raven perched on one shoulder, drunkenly scribbling his chilling masterpieces. By debunking the myths of how he lived, we come closer to understanding the real Poe--and uncovering the truth behind his mysterious death, as a new theory emerges that could prove the cause of Poe's death was haunting him all his life. In a compelling dual-timeline narrative alternating between Poe's increasingly desperate last months and his brief but impactful life, Mark Dawidziak sheds new light on the enigmatic master of macabre.

A 25th anniversary history and celebration of The Shawshank Redemption, one of the most cherished American films of the late twentieth century and one of the finest movies made from a Stephen King story. The movie not only boasts a great story, it has a great backstory, starting with the dollar deal that eventually led King and co-stars Tim Robbins and Morgan Freeman to put their trust in a largely untested director making his first feature film. Although the film received mostly positive reviews on its release in September 1994, the box office was disappointing and it failed to win many awards. But as Andy tells Red in the film, “no good thing ever dies.” The movie found new life, reaching an ever-growing audience on cable and home video (through word of mouth, it became one of the top-rented movies of 1995). Each year, The Shawshank Redemption rises in polls asking film fans to name their favorite movies. It has become nothing less than this generation’s The Grapes of Wrath, an inspiring story about keeping hope alive in bleak times and under the most horrendous conditions.

A 25th anniversary history and celebration of The Shawshank Redemption, one of the most cherished American films of the late twentieth century and one of the finest movies made from a Stephen King story. The movie not only boasts a great story, it has a great backstory, starting with the dollar deal that eventually led King and co-stars Tim Robbins and Morgan Freeman to put their trust in a largely untested director making his first feature film. Although the film received mostly positive reviews on its release in September 1994, the box office was disappointing and it failed to win many awards. But as Andy tells Red in the film, “no good thing ever dies.” The movie found new life, reaching an ever-growing audience on cable and home video (through word of mouth, it became one of the top-rented movies of 1995). Each year, The Shawshank Redemption rises in polls asking film fans to name their favorite movies. It has become nothing less than this generation’s The Grapes of Wrath, an inspiring story about keeping hope alive in bleak times and under the most horrendous conditions.

The first biography of the vagabond and hard-boiled writer who rocked Hollywood during the Roaring Twenties.

This "Bedside, Bathtub & Armchair Companion" to the world's most famous vampire looks at all aspects of the Dracula phenomenon in often unexpected ways - in true Bedside tradition, including entries on the psychological and sociological implications of the book and the stage plays; the movies; television versions; actors, and, of course, the historical Dracula, Vlad the Impaler. Published in 1897, Bram Stoker's "Dracula" was the last of the nineteenth century's three major horror stories. It followed Mary Shelley's "Frankenstein" and Robert Louis Stevenson's "The Strange Case of Dr. Jekyll and Mr. Hyde", but Stoker's novel had the greater impact on our culture and our nightmares. Count Dracula has been called the king of the vampires, but, in truth, he is the king of all the monsters, and his influence can be seen everywhere today: in everything from the number-obsessed Count on Sesame Street to the vast fandom for Anne Rice's vampire chronicles. He is arguably the most recognized of characters: certainly in his Lugosi incarnation. With Stoker's novel serving as the backbone, this "Bedside, Bathtub & Armchair Companion" to the world's most famous vampire will look at all aspects of the Dracula phenomenon in often unexpected ways - in the Bedside tradition: the book, its author, its psychological and sociological implications, the stage plays, the movies, television versions, the actors, and, of course, the historical Dracula, Vlad the Impaler. More than 150 pictures already have been collected for this companion by author and journalist Mark Dawidziak, who traces his fascination with the Count back to a viewing at age seven of Abbott & Costello Meet Frankenstein, featuring Bela Lugosi's inspired revival of his Dracula." The Bedside, Bathtub & Armchair Companions" are concise, witty, and often unexpected takes on the great authors and other figures who are seemingly all around us, like the air we breathe. Perfect for reading or browsing, for the general reader, for the beginning as well as the advanced student, the "Bedside, Bathtub & Armchair Companions" include plot summaries (no giveaways for the mystery writers!) , biographical information, puzzles, posters, film stills, maps, Web sites, international clubs and societies, and more. Stylish, lavishly illustrated, and imaginatively structured, the "Bedside Companions" currently include volumes on Agatha Christie, Sherlock Holmes, and Shakespeare.

Published in 1982, The Barter Theatre Story: Love Made Visible tells the colorful history of a remarkable American cultural institution. Opened by native Virginian Robert Porterfield in 1933, the Barter Theatre offered the people of Abingdon, Virginia, and the surrounding area entertainment and a much-needed escape from their Depression-era working lives. It became the State Theatre of Virginia in 1946 and it is where the likes of Gregory Peck, Ernest Borgnine, Patricia Neal, Ned Beatty, and Hume Cronyn got their starts. Mark Dawidziak, a journalist from New York who spent much of his twenties in Appalachia and grew to admire the theater, tells the improbable story of the Barter Theatre, which remains one of the last year-round professional resident repertory theaters in the country.