Mark Holborn

A striking interpretation of Killip’s work in the Northeast of England and Ireland between 1975 and 1986, featuring many previously unpublished photographs. From Huddersfield to fishing communities on the North Yorkshire coast and the fury of the miners’ strike, Chris Killip’s lens captured the divisions and communities that define England. Born in the Isle of Man in 1946, he spent much of his career documenting life in the North of England, shining a light on the economic and social difficulties that haunted those communities. While operating in the documentary tradition, Killip’s work is marked by tenderness, by a refusal to cast his subjects as easily dismissible stereotypes. As Killip himself stated: ‘I wanted to record people's lives because I valued them. I wanted them to be remembered.’ It is precisely this approach that lends Killip’s work its timelessness, with his images reminding us of the divisions that still exist in Britain. With almost half its images published here for the very first time, Chris Killip: North is an evocative guide to the photographer's work across Northeastern England, alongside a selection of images from Ireland and the Isle of Man. Edited by Mark Holborn and produced with exclusive access to Killip’s archive, this is an essential publication for not just Killip’s many fans, but for all those interested in the social power of photography. As Holborn notes, ‘we live in a world as fractured as that Killip witnessed forty or fifty years ago. Our consciousness is stalked by the fury of our divisions.’

The first comprehensive English-language retrospective of one of Japan's greatest living visual artists, Tadanori Yokoo. Mixing psychedelia, Pop Art, sexual iconography and references to Japanese historical tradition such as ukiyoe prints, Tadanori Yokoo’s work has become synonymous with post-war Japan. Coming to prominence in Tokyo during the 1960s, his subversive designs were popular with the city’s radical youth groups. Focusing on the full breadth of his work, this expansive book shines a necessary light on Yokoo’s paintings, offering fresh insight into the pioneering artist’s creative process and practice. Positioning Yokoo's work against pivotal social and political events, the book offers both a history of a nation and an artist. It features an essay by Mark Holborn and a translation of the seminal text ‘Popcorn Minimalism’ by iconoclastic Japanese writer Yukio Mishima. Quotes from Yokoo himself appear throughout, providing an intimate appreciation of his creative process. Extensively illustrated, this publication will be the ultimate guide for all those interested in Yokoo’s work.

An anthology of the four seminal photobooks that form the foundation of Daido Moriyama's photographic career: Japan, A Photo Theater, A Hunter, Farewell Photography and Light and Shadow. Once regarded as the most challenging and radical of the photographers to emerge from Japan in the post-war period, Daido Moriyama is now accepted as an international figure. His stream of publications, most notably his ongoing magazine Record, have enabled his original vision, born out of the backstreets of Tokyo, to be cast worldwide. In this anthology, renowned author, curator and editor Mark Holborn presents the four books that underpin Moriyama's artistic journey, with the photobook at the very core of his creative practice. The featured photobooks – Japan, A Photo Theater, A Hunter, Farewell Photography and Light and Shadow – span the fifteen years during which Moriyama honed his techniques and unveiled his distinctive vision and stand as exemplars of some of the most daring photographic publishing ventures in the history of the medium. Rooted in the complexities of Japan during a transformative era from 1968 to the early 1980s, they offer profound insights into the country’s evolving landscape. Harmonizing seamlessly with Moriyama's own aesthetic sensibilities, the book’s design includes excerpts from Moriyama's diaries, journals and memoranda, providing intimate glimpses into his creative process. As with all Moriyama publications, this photobook is eagerly anticipated by a devoted following, reflecting the enduring importance of his work.

The direct sequel to a classic photobook: an exceptional selection of photographs from Daido Moriyama's seminal magazine publication from 2017 to today. Between June 1972 and July 1973, Daido Moriyama produced his own magazine publication, Kiroku, which was then referred to as Record. It became a diaristic journal of his work as it developed. In 2006, encouraged by the Japanese publisher Akio Nagasawa, Moriyama was able to resume publication of Record. The first thirty issues of Record were edited by Mark Holborn into the now classic 2017 photobook of the same title. Daido Moriyama: Record 2, also edited by Mark Holborn, picks up from where the original left off, with a selection of images and texts by Moriyama from issues thirty-one to fifty of the magazine. With Moriyama now in his eighties, Record 2 will likely be the end of the story. But despite his advancing years, the work is unmistakably Moriyama's aesthetic – fiercely contrasted images with fragmentary, intensely composed frames that express the vision of one of the greatest photographers.

A spectacular pictorial history of astronomical exploration, for anyone who has gazed at the sky and wondered what lies beyond From the beginning of time, human beings have looked up at the stars and speculated on other worlds. Published to mark the fiftieth anniversary of the first moon landing, Sun and Moon tells the story of that burning human need to comprehend the universe, from Neolithic observatories that mark the solstice to the latest space telescopes. It shows, for the first time, how the development of photography and cartography – the means of documenting other worlds – is linked indelibly to the charting of the heavens, from the first image on a glass plate to the Hubble Space Telescope.

On the occasion of the centenary of World War I in August 2014--an unprecedented, spectacular pictorial history of the first global war in 380 black-and-white photographs, many never seen before, from Imperial War Museums in London. This monumental, dramatic photographic narrative captures the war from the early arms race that developed around the massing of prewar battleship fleets to the final moments of the conflict with the sinking of the German fleet in Scapa. The photographs span the many battlefronts throughout the world: from the British Isles to the south Atlantic, across Europe and the Ottoman Empire, Sudan and East Africa, Jerusalem and Damascus. Here are soldiers from across the globe, vast battleships, dirigibles overhead, the streets of London, the first battle of Ypres, German submarines at sea, the beaches of Gallipoli, the battle of Jutland, the battle of the Somme trenches, and much, much more.

The Ballad of Sexual Dependency is a visual diary chronicling the struggle for intimacy and understanding between friends, family, and lovers-collectively described by Goldin as her "tribe." Her work describes a world that is visceral, charged, and seething with life. First published in 1986, this reissue recognizes the persistent relevance and freshness of Nan Goldin's cutting-edge photography. Her lush color photography and candid style demand that the viewer go beyond the surface to encounter a profound intensity. As Goldin writes: "Real memory, which these pictures trigger, is an invocation of the color, smell, sound, and physical presence, the density and flavor of life." Through an accurate and detailed record of her life, Ballad reveals Goldin's personal odyssey as well as a more universal understanding of the different languages men and women speak, and the struggle between autonomy and dependency. Over the past twenty-five years, the influence of Ballad on photography and other aesthetic realms has continually grown, making the work a contemporary classic. Nan Goldin's story of urban life on the fringe was the swan song of an era that reached its peak in the early eighties. Yet it has captured an important element of humanity that is transcendent: a need to connect. This new edition of Ballad has been printed using new scans and separations created by master-separator Robert Hennessey from Goldin's original transparencies, rendering them with unparalleled sumptuousness and impact.