Mark Twain

At once a romantic history of a mighty river, an autobiographical account of Twain's early steamboat days, and a storehouse of humorous anecdotes and sketches, here is the raw material from which Mark Twain wrote his finest novel, "Adventures of Huckleberry Finn."

Pudd'nhead Wilson (1894) was Mark Twain's last serious work of fiction, and perhaps the only real novel that he ever produced. Written in a more sombre vein than his other Mississippi writings, the novel reveals the sinister forces that Mark Twain felt to be threatening the American dream. In spite of a plot which includes child swapping, palmistry, and a pair of Italian twins, this astringent work also raises the serious issue of racial differences. This volume also includes two other late works `Those Extraordinary Twins' and `The Man that Corrupted Hadleyburg'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Classic from the year 2009 in the subject American Studies - Literature, -, language: English, abstract: Chapter 1 "TOM!" No answer. "TOM!" No answer. "What's gone with that boy, I wonder? You TOM!" No answer. The old lady pulled her spectacles down and looked over them about the room; then she put them up and looked out under them. She seldom or never looked THROUGH them for so small a thing as a boy; they were her state pair, the pride of her heart, and were built for "style," not service - she could have seen through a pair of stove-lids just as well. She looked perplexed for a moment, and then said, not fiercely, but still loud enough for the furniture to hear: "Well, I lay if I get hold of you I'll - " She did not finish, for by this time she was bending down and punching under the bed with the broom, and so she needed breath to punctuate the punches with. She resurrected nothing but the cat. "I never did see the beat of that boy!" She went to the open door and stood in it and looked out among the tomato vines and "jimpson" weeds that constituted the garden. No Tom. So she lifted up her voice at an angle calculated for distance and shouted: "Y-o-u-u TOM!" There was a slight noise behind her and she turned just in time to seize a small boy by the slack of his roundabout and arrest his flight. "There! I might 'a' thought of that closet. What you been doing in there?" "Nothing." "Nothing! Look at your hands. And look at your mouth. What IS that truck?" "I don't know, aunt." "Well, I know. It's jam - that's what it is. Forty times I've said if you didn't let that jam alone I'd skin you. Hand me that switch." The switch hovered in the air - the peril was desperate - "My! Look behind you, aunt!" The old lady whirled round, and snatched her skirts out of danger. The lad fled on the instant, scrambled up the high board-fence, and disappeared over it. His aunt Polly stood surprised a moment, and then broke into a gentle laugh.[...]

An all-time classic, this is a story that revolves around engrossing childhood stunts and escapades. Tom, the protagonist, is always getting in and out of trouble. One of the most charming characters of juvenile fiction is presented in these pages. The work is bound to inspire children and create nostalgia in elders.