Mark Z. Danielewski

Discover the nightmarish tale of a house that is bigger on the inside than the outside that still inspires devotion among an army of fans... Experimental in terms of design, typography, structure and content, this is a fully immersive and novel reading experience you won't be able to forget. Perfect for fans of Twin Peaks, Black Mirror, Stranger Things and IT.'House of Leaves has continued to reward readers prepared to navigate its labyrinth, with a community of fans ready to support them if they ever get lost in the dark' - Guardian'At once a genuinely scary chiller, a satire on the business of criticism and a meditation on the way we read' - Observer'Thrillingly alive, sublimely creepy, distressingly scary, breathtakingly intelligent' - BRET EASTON ELLISWHAT READERS ARE SAYING:'I've never read anything like it' - 5 STARS'Strange, highly addictive and slowly creepy' - 5 STARS'A book like no other' - 5 STARS'The creativity and originality is astonishing' - 5 STARS'Unreservedly recommended' - 5 STARS'Buy it, read it, and explore it' - 5 STARS********************************************************************************************A young couple - Pulitzer Prize-winning journalist Will Navidson and his partner Karen Green - move into a small home on Ash Tree Lane. But something is terribly wrong - their house is bigger on the inside than it is on the outside. Neither Will nor Karen are prepared to face the consequences of this impossibility. What happens next is loosely recorded on videotapes and interviews, leading to a compilation of the definitive work on the events on Ash Tree Lane, unveiling a thrilling and terrifying history. Loose sheets, stained napkins and crammed notebooks prove to be far more than the ramblings of a crazy old man . . .___________________Winner of the New York Public Library's Young Lions Fiction Award

Hard to figure how so much awful horror could've started out with just them two horses and not a one yet named... From the bestselling author of House of Leaves comes a magisterial novel about two friends determined to rescue a pair of horses set for slaughter. While folks still like to focus on the crimes that shocked the small city of Orvop, Utah, back in the fall of 1982, not to mention the trials that followed, far more remember the adventure that took place beyond municipal lines. For sure no one expected the dead to rise, but they did. No one expected the mountain to fall either, but it did. No one expected an act of courage so great, and likewise so appalling, that it still staggers the heart and mind of anyone who knows anything about the Katanogos massif, to say nothing of Pillars Meadow. As one Orvop high school teacher described that extraordinary feat just days before she died, Fer sure no one expected Kalin March to look Old Porch in the eye and tell him: You get what you deserve when you ride with cowards.

*Special hardback edition with foil cover*The first-ever UK hardback publication of the cult horror classic, featuring a special embossed ‘maze’ case design and full-colour text. Get ready to (re)discover the terrifying, thrilling, and mind-expanding immersive classic horror that redefines the boundaries of a novel . . .'Phenomenal . . . thrillingly alive, sublimely creepy, distressingly scary, breathtakingly intelligent.' Bret Easton Ellis, author of American Psycho'A genuinely scary chiller, a satire on the business of criticism and a meditation on the way we read.' OBSERVER'I've never read anything like it' ***** Reader reviewA young couple - Pulitzer Prize-winning photojournalist Will Navidson and his partner Karen Green - move into a small house on Ash Tree Lane. It soon becomes clear that something is terribly wrong - their new home is bigger on the inside than it is on the outside . . . Neither Will nor Karen are prepared to face the consequences of this impossibility until the day their two small children wander off, and their voices eerily begin to tell another story - of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams and create nightmares. What happened next is loosely recorded on videotapes and in interviews, and impelled an eccentric old man to compile - on loose sheets of paper, stained napkins, crammed notebooks - a definitive account of what took place at Ash Tree Lane that seems to unveil a thrilling and terrifying history. Because these scraps prove to be far more than the deranged ramblings of a reclusive old man . . . Immensely imaginative. Impossible to put down. Impossible to forget. House of Leaves is thrilling, terrifying and unlike anything you have read before. Praise for House of Leaves:'Genuinely clever and learned, often funny, brilliantly constructed and surprisingly touching . . . a debut of scintillating intelligence and scope.' Mail on Sunday‘An astonishing book . . . buy it, read it, be scared. – SFX‘Intricate, erudite and deeply frightening.’ – Wall Street Journal‘A fascinatingly insane triumph.’ – Independent on Sunday‘Demonically brilliant’ - Jonathan Lethem, author of Motherless Brooklyn'Strange, highly addictive and slowly creepy' ***** Reader review‘Genuinely chilling… I can't recommend this book highly enough.’ ***** Reader review'The creativity and originality is astonishing' ***** Reader review

We all have fears, but if we can't face the small ones how will we face the big ones? Kai is afraid to fly a little blue kite. But Kai is also very, very brave, and overcoming this small fear will lead him on a great adventure. Remember: all great adventures start with one little moment. You know the one. It's like a gentle breeze whispering in your ear what you already know by heart: not even the sky is the limit . . . The only other thing you might want to know about this book is that there are at least three ways to read it. The first way takes only a few minutes. Just follow the rainbow-colored words. The second takes only a little bit longer. Just follow the words haloed with blue and red and the rainbow words too. For the third way, just start at the beginning.

The Season One finale of this riveting multisensory masterpiece from the visionary author of House of Leaves. The Familiar Volume 1 Wherein the cat is found . . . The Familiar Volume 2 Wherein the cat is hungry . . . The Familiar Volume 3 Wherein the cat is blind . . . The Familiar Volume 4 Wherein the cat is toothless . . . The Familiar Volume 5 Wherein the cat is named . . . The astonishing series about a young girl who befriends a cat hunting humanity continues with Volume 5, and the Season One finale, in which the consequences of how we encounter one another come into poignant and terrifying relief--especially on one September night, when an unexpected phone call demanding the return of the little white cat challenges everything the Ibrahims hold dear. They are not alone. Jingjing must contend with a rival he could never have anticipated, while Xanther must relinquish all she thought she knew as a far greater responsibility is set before her. Light wavers and pomegranates reveal their price as the effects of a great transition start to reverberate around everyone, Shnorhk's efforts to resume playing music cannot escape history's ghosts. Cas, in upstate New York, comes face-to-face with her lifelong nemesis in a candlelit rendezvous that presages the international crisis soon to come. As more lines tangle, zg r and Luther brawl with a future that may have chosen them long ago, and Isand rno crosses a line that will force him over the border into a country he has until now steadfastly refused. All the while, a terrible power roaming the world continues to grow . . .

Mark Z. Danielewski's The Familiar, Volume 4 brilliantly combines inventive visuals and a paradigm-shifting narrative to create a stunning multisensory reading experience. The Familiar Volume 1 Wherein the cat is found . . . The Familiar Volume 2 Wherein the cat is hungry . . . The Familiar Volume 3 Wherein the cat is blind . . . The Familiar Volume 4 Wherein the cat is toothless . . . When a viral video puts twelve-year-old Xanther under a spotlight of scrutiny at school, her little white cat--still slumbering, still unnamed--offers the only escape, though it comes at a price. Not even Xanther's parents can deny the strange currents now shuddering around their eldest, touching off inexplicable happenings. Entities troubling the dreams of the twins seem to have singled out Freya. Despite invitations to a gala at The Met, Anwar fears the solution to their financial difficulties might expose more than just his family to dangerous consequences. Something greater is at hand, something terrible is at stake. And all the while, faces unfamiliar to the Ibrahims draw closer and closer: Jingjing, in Singapore, clutching charms, boards a plane for Los Angeles; Cas and Bobby, with visions of Xanther in Mefisto's Orb, must elude attacks from the sky. Strangers collide . . . though will those intersections lead to alliances or war? And does the dance at the center of Volume 4 augur the liberation of our better angels or the release of a creature set to feast on the wings of hope? THE FAMILIAR continues The Familiar Volume 5 Wherein the cat is named . . .

The Familiar Volume 1 Wherein the cat is found . . . The Familiar Volume 2 Wherein the cat is hungry . . . The Familiar Volume 3 Wherein the cat is blind . . . Released for the summer from the perils of school, Xanther and her nameless cat are settling into a comfortable routine at home. However, the rest of the Ibrahim family is growing more and more unsettled. Astair fears their stretched finances are already at a breaking point. Not even a visit from an old friend can mitigate Anwar's feeling that he's failing to support those he loves and that even worse things are to come. The twins, Freya and Shasti, sense something too and blame their older sister. Honeysuckles haunt the air and smell of offerings . . . Meanwhile, Cas and Bobby's survival may depend on facing the one person they fear most. And on the other side of the world, Jingjing and Tian Li set out to find what was lost: their missing cat. With spectacular visuals and the vibrant wordplay that are his trademark, The Familiar (Volume 3) is a beautiful and singular reading experience that could come only from the imagination of Mark Z. Danielewski. THE FAMILIAR continues The Familiar Volume 4 Wherein the cat is toothless . . . The Familiar Volume 5 Wherein the cat is named . . .

The Familiar, Volume 1 Wherein the cat is found . . . The Familiar, Volume 2 Wherein the cat is hungry . . . From the universally acclaimed, genre-busting author of House of Leaves comes the second volume of The Familiar, a "novel which] goes beyond the experimental into the visionary, creating a language and style that expands the horizon of meaning . . . hint ing] at an evolved form of literature."* In The Familiar, Volume 2: Into the Forest, the lives of the disparate and dynamic nine characters introduced in "One Rainy Day in May" begin to intersect in inexplicable ways, finding harmonies and echoes in each other. What once seemed remote and disconnected draws closer--slowly, steadily--toward something inevitable. . . . At the center of it all is Xanther, a twelve-year-old girl, for whom the world around her seems to be opening, exposing doors and windows, visions and sounds, questions and ideas previously unknown. With each passing day, she begins to glimpse something she does not understand but unequivocally craves--the only thing that will bring her relief and keep her new friend alive. (With full-color illustrations throughout.) *Library Journal, starred review THE FAMILIAR continues... The Familiar Volume 3 Wherein the cat is blind . . . The Familiar Volume 4 Wherein the cat is toothless . . . The Familiar Volume 5 Wherein the cat is named . . .

"The Familiar (Volume 1) "ranges from Mexico to Southeast Asia, from Venice, Italy, to Venice, California, with nine lives hanging in the balance, each called upon to make a terrifying choice. They include a therapist-in-training grappling with daughters as demanding as her patients; an ambitious East L. A. gang member contracted for violence; two scientists in Marfa, Texas, on the run from an organization powerful beyond imagining; plus a recovering addict in Singapore summoned at midnight by a desperate billionaire; and a programmer near Silicon Beach whose game engine might unleash consequences far exceeding the entertainment he intends. At the very heart, though, is a twelve-year-old girl named Xanther who one rainy day in May sets out with her father to get a dog, only to end up trying to save a creature as fragile as it is dangerous . . . which will change not only her life and the lives of those she has yet to encounter, but this world, too--or at least the world we think we know and the future we take for granted. (With full-color illustrations throughout.)

Nachdem Navidson bei einer ersten Erkundung dieser Räume fast den Rückweg nicht mehr findet, holt er Hilfe - ein Ingenieur und ein professioneller Höhlenforscher sollen die unermesslichen Räume im Hausinneren erforschen helfen. Und immer läuft die Kamera mit - und zeichnet auf, was über den Verstand aller Beteiligten geht und ganze Generationen von Filmkritikern und Kinogängern schaudern lassen wird. ... "Willkommen in der Hölle. Es erwartet Sie das volle Programm." Mark Z. Danielewski "Ein großartiger Roman. Ein phänomenales Debüt. Hinreißend lebendig, auf erhabene Weise unheimlich, in erschütterndem Maße furchteinflößend, atemberaubend intelligent - es lässt fast alle anderen Werke bedeutungslos erscheinen ..." Bret Easton Ellis Pressestimmen "Wie Melvilles "Moby Dick", Joyces "Ulysses" und Nabokovs "Fahles Feuer" ist Danielewskis "Das Haus - House of Leaves" ein ausgesprochen kühnes vielschichtiges Werk. Sein formaler Einfallsreichtum und das unglaubliche Erzähltempo stellen alles in den Schatten." San Diego Union Tribune "Danielewskis wunderbarer erster Roman ist komisch, bewegend, erotisch, großartig erzählt ..." New York Times Book Review "Dieser Roman mag zwar aussehen wie Frankensteins Monster, wie ein einziges großes Flickenwerk, aber er lebt. Er lebt!" Washington Post "Dieser Roman ist ein großes Lesevergnügen, eine Art postmodernes Spiegelkabinett, in dem der Leser zum Komplizen des Autors wird." Newsweek

Sam: They were with us before Romeo & Juliet. And long after too. Because they're forever around. Or so both claim, carolling gleefully: We're allways sixteen. Sam & Hailey, powered by an ever-rotating fleet of cars, from Model T to Lincoln Continental, career from the Civil War to the Cold War, barrelling down through the Appalachians, up the Mississippi River, across the Badlands, finally cutting a nation in half as they try to outrace History itself. By turns beguiling and gripping, finally worldwrecking, Only Revolutions is unlike anything ever published before, a remarkable feat of heart and intellect, moving us with the journey of two kids, perpetually of summer, perpetually sixteen, who give up everything except each other. Hailey: They were with us before Tristan & Isolde. And long after too. Because they're forever around. Or so both claim, gleefully carolling: We're allways sixteen. Hailey & Sam, powered by an ever-rotating fleet of cars, from Shelby Mustang to Sumover Linx, careen from the Civil Rights Movement to the Iraq War, tearing down to New Orleans, up the Mississippi River, across Montana, finally cutting a nation in half as they try to outrace History itself. By turns enticing and exhilarating, finally breathtaking, Only Revolutions is unlike anything ever conceived before, a remarkable feat of heart and intellect, moving us with the journey of two kids, perpetually of summer, perpetually sixteen, who give up everything except each other.

Between 1982 and 1989, Pelafina H. Li vre sent her son, Johnny Truant, a series of letters from The Three Attic Whalestoe Institute, a psychiatric facility in Ohio where she spent the final years of her life. Beautiful, heartfelt, and tragic, this correspondence reveals the powerful and deeply moving relationship between a brilliant though mentally ill mother and the precocious, gifted young son she never ceases to love. Originally contained within the monumental House of Leaves, this collection stands alone as a stunning portrait of mother and child. It is presented here along with a foreword by Walden D. Wyhrta and eleven previously unavailable letters.

THE MIND-BENDING CULT CLASSIC ABOUT A HOUSE THAT'S LARGER ON THE INSIDE THAN ON THE OUTSIDE - A masterpiece of horror and an astonishingly immersive, maze-like reading experience that redefines the boundaries of a novel.''Simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious." --Michiko Kakutani, The New York Times "Thrillingly alive, sublimely creepy, distressingly scary, breathtakingly intelligent--it renders most other fiction meaningless." --Bret Easton Ellis, bestselling author of American Psycho "This demonically brilliant book is impossible to ignore." --Jonathan Lethem, award-winning author of Motherless Brooklyn One of The Atlantic's Great American Novels of the Past 100 Years Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth--musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies--the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices, the story remains unchanged. Similarly, the cultural fascination with House of Leaves remains as fervent and as imaginative as ever. The novel has gone on to inspire doctorate-level courses and masters theses, cultural phenomena like the online urban legend of "the backrooms," and incredible works of art in entirely unrealted mediums from music to video games. Neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of the impossibility of their new home, until the day their two little children wandered off and their voices eerily began to return another story--of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

THE MIND-BENDING CULT CLASSIC ABOUT A HOUSE THAT'S LARGER ON THE INSIDE THAN ON THE OUTSIDE - A masterpiece of horror and an astonishingly immersive, maze-like reading experience that redefines the boundaries of a novel.''Simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious." --Michiko Kakutani, The New York Times "Thrillingly alive, sublimely creepy, distressingly scary, breathtakingly intelligent--it renders most other fiction meaningless." --Bret Easton Ellis, bestselling author of American Psycho "This demonically brilliant book is impossible to ignore." --Jonathan Lethem, award-winning author of Motherless Brooklyn One of The Atlantic's Great American Novels of the Past 100 Years Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth--musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies--the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices, the story remains unchanged. Similarly, the cultural fascination with House of Leaves remains as fervent and as imaginative as ever. The novel has gone on to inspire doctorate-level courses and masters theses, cultural phenomena like the online urban legend of "the backrooms," and incredible works of art in entirely unrealted mediums from music to video games. Neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of the impossibility of their new home, until the day their two little children wandered off and their voices eerily began to return another story--of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.