Markus Sebastian Braun

A caf is a place "where time and space are consumed, but only the coffee is found on the bill" - that's how UNESCO described the Viennese caf culture in 2011 as it was named an "Intangible Cultural Heritage." Places of coffee consumption of very different kinds are now indispensable as part of urban life all over the world. Such premises are constantly being redefined, reconceived and restaged - especially now through the "Third Wave of Coffee." This publication shows how caf s, coffee houses and coffee shops are designed today: whether as a grand caf , a living room mock-up or a nonchalant co-working space, whether in retro style or more casual. In addition to the 60 examples from all over the world, articles and essays tell the reader about very different aspects of coffee (house) culture in the past and present.

Creativity and workmanship under a single roof, yet neither a university nor a factory - labs, studios and workshops are hubs of creative innovation and practical implementation. These two premises are the constants that define them as a place in which new things are developed. This volume examines the question of how the spaces for this process are actually created

Embracing seaside lifestyles across the globe lving near the sea promises an intense experience of nature. The view of waves breaking on the shore or of the vast horizon behind steep cliffs determines the alignment of the building. Sunsets and spectacular cloud formations are very present on the interior, while balconies, terraces and winter gardens serve as elevated lookout points. These are the constants that constitute the basis of the various solutions that distinguish the residences presented in this book. Whether modern and understated to turn the attention primarily to the magnificent landscape, or indulging in a world of shapes and materials that reflect the surrounding context - all presented beach houses enchantingly highlight the magic of nature.

Architecture in Europe has always been characterized by an inimitable variety of style. Also current architecture, from Estonia to Spain, between Norway, Germany and Greece is inspired by the creative interaction of interna - tional design trends with the unparalleled and individual architectural language unique for each country – for private homes and office complexes, religious and cultural buildings, or sports facilities and airports. The building technology of today is also marked by an exciting heterogeneity. Innovations like 3D printing are being applied as well as traditional brick construction, translucent high-tech concrete roofs as well as greened façades. The Atlas of European Architecture showcases the exciting esthetical, technical and typological diversity

This compedium is a detailed and comprehensive portrayal of the best and newest interior projects from accross the globe. From the pragmatism of North America and the minimalism of Northern Europe to the regionalism of Asian design and lavish Mediterranean interiors, a global diversity of styles are on show. Moreover, this volume will act as inspiration for designers seeking a balance between globalized trends and personalised projects. Readers are offered a visual feast with a collection of 500 masterpieces of interior design, separated into typological categories. The Atlas of World Interior Design will serve as a source of pleasure and inspiration to all its readers. From the contents: Nevai Hotel in Verbier, Switzerland (Mahmoudi Design) CarriageWorks Contemporary Performing Arts Centre in Redfern, NSW, Australia (Tonkin Zulaikha Greer) Ørestad College in Denmark (3XN Architects) Club House in Punta Del Parque, Mexico (Diametros Arquitectos) Cafe Tetote in Ozaka, Japan (Katsuya Iwamoto)