Martin Robertson

This open access book explores the expectations surrounding dementia, what it ‘looks like’ and how people have been treated by others. It aims to raise awareness of the different types of dementia, and how they impact the brain, body, and lived experience, including experience of Alzheimer’s disease, Vascular Dementia, Posterior Cortical Atrophy, Frontotemporal Dementia, Semantic Dementia, and Lewy Body Dementia. The co-authors reflect on their experience with informal and formal care, before finishing with a focus on the spectrum of dementia research from clinical trials to user-led research. Throughout the book, co-authors have shared personal stories of how dementia has affected them and people with lived experience of dementia share what they wish people knew about living with the disease. Co-produced by people with lived experience of dementia, academics and health care professionals, this book is an accessible resource about dementia from the perspective of people actively involved in the field and essential reading for healthcare professionals wishing to learn more about the experience of this neuroprogressive condition, as well as policymakers, and members of the public.

In his new book, Professor Martin Robertson - author of A History of Greek Art (CUP 1975) and A Shorter History of Greek Art (CUP 1981) - draws together the results of a lifetime’s study of Greek vase-painting, tracing the history of figure-drawing on Athenian pottery from the invention of the ‘red-figure’ technique in the later archaic period to the abandonment of figured vase-decoration two hundred years later. The book covers red-figure and also work produced over the same period in the same workshops in black-figure and other techniques, especially that of drawing in outline on a white ground. The book is intended as a companion volume to Sir John Beazley’s The Development of Attic Black-figure (originally published in 1951 by California University Press), and as an examination and defence of Beazley’s methods and achievements. This book is a major contribution to the history of Greek vase-painting and anyone seriously interested in the subject - whether scholar, student, curator, collector or amateur - will find it essential reading.

First published in 1981, this is the shorter work of the two volume set A History of Greek Art, intended for a general readership. The abbreviation has been achieved by the selection of fewer objects for discussion rather than by a more summary treatment and the particular qualities of the larger History have been preserved.

A large scale illustrated history of Greek art from the Archaic to the Hellenistic period. Professor Robertson's treatment is chronological rather than topical; he presents changes in the different branches of representational art as aspects of a single historical developement, concentrating on the genuinely Greek and markedly different artistic tradition whose first impulse appears at about 1000 BC and that atrophies eventually in the first century BC.