Mary Evans

From its growth in Europe in the nineteenth century, detective fiction has developed into one of the most popular genres of literature and popular culture more widely. In this monograph, Mary Evans examines detective fiction and its complex relationship to the modern and to modernity. She focuses on two key themes: the moral relationship of detection (and the detective) to a particular social world and the attempt to restore and even improve the social world that has been threatened and fractured by a crime, usually that of murder. It is a characteristic of much detective fiction that the detective, the pursuer, is a social outsider: this status creates a complex web of relationships between detective, institutional life and dominant and subversive moralities. Evans questions who and what the detective stands for and suggests that the answer challenges many of our assumptions about the relationship between various moralities in the modern world.

"A brilliant inquiry into culture and society over some seven centuries, Mary Evans explores the origins and trajectories of modernity from the Reformation through the Enlightenment to the contemporary period. Her intellectual control of complex ideas and diverse forms of evidence is consistently impressive. Exploring various pessimistic, dystopian strands in European perspectives on modernity by Friedrich Nietzsche, Max Weber and Theodor Adorno, she defends a balanced view of both the negative and positive consequences of modernization. This is historical sociology at its best: judicious, theoretically informed, carefully crafted, grounded in empirical research, and above all intellectually clever. A Short History of Society will prove to be a valuable companion to the student who needs a concise scholarly and sociological overview of modernity." Bryan Turner, National University of Singapore A Short History of Society is a concise account of the emergence of modern western society. It looks at how successive generations have understood and explained the world in which they lived, and examines significant events since the Enlightenment that have led to the development of society as we know it today. The book spans the period 1500 to the present day and discusses the social world in terms of both its politics and its culture. This book is ideal for undergraduate students in the social sciences who are perplexed by the myriad of events and theories with which their courses are concerned, and who need a historical perspective on the changes that shaped the contemporary world.

"The more it costs, the less it's worth." (Student slogan, London, 2003) "We are told that this world represents our best hope for intellectual vitality and creativity. We are also told that we should pay more to enter it and experience its rich resources. Yet those rich resources are increasingly marginalized by cultures of assessment and regulation, the heavy costs of which (both financial and intellectual) are to be carried by students. Increasingly students are being asked to pay for the costs of the regulation of higher education rather than education itself. Access to Higher Education has become more widely available: the implications of that change are the concern of this book." Mary Evans

Throughout the twentieth century, many critics of bureaucratisation have predicted the increasing loss of intellectual creativity through the growth of institutional forms of direction and control. This book argues that this is now occurring in universities - and occurring in ways which suggest that the ability (and space) to think freely will become more and more a matter of access to power and privilege. Mary Evans demonstrates how this is both profoundly anti-democratic and anti-intellectual and provides suggestions for reversing this destructive trend.

This book explores two aspects of the nature of the apparently socially essential "glue" of love - the sources of our ideas about love, where the concept originated and what its relationship has been to morality and moral systems; and our determination to find love, whatever the costs.

Since the end of the eighteenth century, the pursuit of 'true love' has been enshrined in the expectations of Western societies. We regard this pursuit as our right, and organize our lives around it. However, the possibility that love is becoming more difficult to achieve in the West has begun to attract considerable attention. The consensus is that love is both deeply desirable and extremely difficult to find. This highly original book explores two aspects of the nature of the apparently socially essential 'glue' of love. The first theme concerns the sources of our ideas about love: where the concept originated and, most importantly, what its relationship has been to morality and moral systems. The second theme is our determination to find love: whatever the social and personal costs, the desire for identification with another person drives us to impossible expectations and occasionally damaging alternatives. In a compelling critique, this book rejects the high romantic version of love as well as what could be described as a contractual version of love. In their place, it describes a love that depends upon reasoned care and commitment and argues that we should abandon love in its romanticized and commercialized form.

This introductory textbook offers a concise and lucid account of the main developments in contemporary feminist thinking, and demonstrates the centrality of feminist thought to all areas of intellectual enquiry. In a wide-ranging discussion, Evans argues that most accounts of the world since the Enlightenment have been constructed in terms of a distinction between the public and the private which excluded women. Using both historical and more recent examples, she examines the breadth and complexity of feminist thinking, focusing on key themes such as the body, representation, engendering knowledge, and the relationship between women and the state. Evans argues that feminist thought seeks less to add to existing theory than to re-theorize the social and symbolic worlds; no contemporary account of these worlds, she suggests, is complete without a discussion of the implications of gender difference. This book offers a clear and coherent guide to contemporary feminism for students of women's studies, gender studies, sociology, social theory and literary theory.

Auto/biography is currently one of the most popular literary genres, widely supposed to illuminate the study of the individual and his or her personal circumstances. Missing Persons suggests that auto/biography is, in fact, based on fictions, both about the person and about what it is possible to know about any one individual. Organised into chapters which consider particular kinds of auto/biographical writing, such as work on the British Royal Family and auto/biographies of twentieth-century men, this book demonstrates the absences and evasions - indeed the `missing persons - of auto/biography. Mary Evans' book will provide invaluable reading for students of womens studies, sociology and cultural studies courses.

Auto/biography is currently one of the most popular literary genres, widely supposed to illuminate the study of the individual and his or her personal circumstances. Missing Persons suggests that auto/biography is, in fact, based on fictions, both about the person and about what it is possible to know about any one individual. Organised into chapters which consider particular kinds of auto/biographical writing, such as work on the British Royal Family and auto/biographies of twentieth-century men, this book demonstrates the absences and evasions - indeed the `missing persons - of auto/biography. Mary Evans' book will provide invaluable reading for students of womens studies, sociology and cultural studies courses.

It is generally accepted that Britain was held together during the second world war by a spirit of national democratic `consensus'. But whose interests did the consensus serve? And how did it unravel in the years immediately after victory? This well observed and powerfully argued book overturns many of our assumptions about the national spirit of 1939-45. It shows that the current return to right-wing politics in Britain was prefigured by ideologies of change during and immediately after the war.