Matthew Zapruder

"A document of not only how to make a poem, but how to live in a world where language often fails us." --Ada Lim n, U. S. Poet LaureateMatthew Zapruder had an idea: to write a poem as slowly and intentionally as possible, to preserve its drafts, and record the painstaking, elusively transcendent stuff of its construction. It would be the end cap to a new collection of poetry, and a means to process modern American life in a time of political turmoil, mega fires, and sobriety. What Zapruder didn't anticipate was that this literary project would reveal a deeply personal aspect as well: a way to resolve the unexplored pain and unexpected joys he was confronting in the wake of his son's diagnosis with autism. The result is a remarkable piece of writing, one that explores not just what it means to be a poet and father, but also what it means to be alive on this planet during this turbulent and extraordinary time. By comparing the writing of a poem with his own tangled evolution as a son, husband and father, Zapruder unfolds moments of his own life in the reflection of an increasingly uncanny world. With a wide range of reference points-- from Celan, Li Bai and Frank O'Hara to Whitman, Merwin and Rupi Kaur--we join Zapruder on a poet's journey; that in some alchemy of literature, becomes a journey of our own. Ultimately, the poet asks us to join with him in the search for a crucial answer. In his words: "What world can we imagine, and then make, where we all can live?" With Story of a Poem celebrated poet Matthew Zapruder offers a personal, deeply unguarded examination of a poet's eternal struggle to transform a moment of feeling into verse, as well as a subtle and enthralling roadmap to the practice of poetry and finding its threads in everyday life." Story of a Poem is the luminous, lyrical meditation on wringing beauty from suffering and air, threaded with a singular, moving story about parenting an atypical child. I read it in a single gulp, and you will too." --Mary Karr, Bestselling author of The Liars' Club and Cherry

Matthew Zapruder picks the poems for the 2022 edition of The Best American Poetry, “a ‘best’ anthology that really lives up to its title” (Chicago Tribune). Since 1988, The Best American Poetry series has been “one of the mainstays of the poetry publication world” (Academy of American Poets). Each volume presents a selection of the year’s most brilliant, striking, and innovative poems, with comments from the poets themselves lending insight into their work. For The Best American Poetry 2022 guest editor Matthew Zapruder, whose own poems are “for everyone, everywhere...democratic in [their] insights and feelings” (NPR), has selected the seventy-five new poems that represent American poetry today at its most dynamic. Chosen from print and online magazines, from the popular to the little-known, the selection is sure to capture the attention of both Best American Poetry loyalists and newcomers to the series. The series and guest editors contribute valuable introductory essays that illuminate the current state of American poetry.

Matthew Zapruder picks the poems for the 2022 edition of The Best American Poetry, "a 'best' anthology that really lives up to its title" (Chicago Tribune). Since 1988, The Best American Poetry series has been "one of the mainstays of the poetry publication world" (Academy of American Poets). Each volume presents a selection of the year's most brilliant, striking, and innovative poems, with comments from the poets themselves lending insight into their work. For The Best American Poetry 2022 guest editor Matthew Zapruder, whose own poems are "for everyone, everywhere...democratic in their] insights and feelings" (NPR), has selected the seventy-five new poems that represent American poetry today at its most dynamic. Chosen from print and online magazines, from the popular to the little-known, the selection is sure to capture the attention of both Best American Poetry loyalists and newcomers to the series. The series and guest editors contribute valuable introductory essays that illuminate the current state of American poetry.

As seen in the The New York Times Book Review "In characteristically short lines and pithy, slippery language like predictive text from a lucid dream, Zapruder's fifth collection grapples with fatherhood as well as larger questions of influence and inheritance and obligation." --The New York Times " Zapruder] presents powerfully nuanced and vivid verse about the limitations of poetry to enact meaningful change in a world spiraling into callousness; yet despite poetry's supposed constraints, Zapruder's verse offers solace and an invaluable blueprint for empathy." ―Publishers Weekly, starred review "Zapruder's new book, Father's Day, is firmly situated in its (and our) political moment, and is anchored by a compelling gravity and urgency." ―The Washington Post The poems in Matthew Zapruder's fifth collection ask, how can one be a good father, partner, and citizen in the early twenty-first century? Zapruder deftly improvises upon language and lyricism as he passionately engages with these questions during turbulent, uncertain times. Whether interrogating the personalities of the Supreme Court, watching a child grow off into a distance, or tweaking poetry critics and hipsters alike, Zapruder maintains a deeply generous sense of humor alongside a rich vein of love and moral urgency. The poems in Father's Day harbor a radical belief in the power of wonder and awe to sustain the human project while guiding it forward.

An impassioned call for a return to reading poetry and an incisive argument for poetry's accessibility to all readers, by critically acclaimed poet Matthew ZapruderIn Why Poetry, award-winning poet Matthew Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. He takes on what it is that poetry--and poetry alone--can do. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with a poem. Zapruder explores what poems are and how we can read them so that we can, as Whitman wrote, "possess the origin of all poems" without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder's personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While providing a simple reading method for approaching poems and illuminating concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.

Zapruder's poems don't merely attempt beauty; they attain it.--The Boston ReviewMatthew Zapruder has a razor eye for the remnants and revenants of modern culture.--The New York TimesWith dynamic, logically complex sentences, Zapruder posits a world that is both extraordinary and refreshingly ordinary.--BOMBMatthew Zapruder's poems begin in the faint inkling, in the bloom of thought, and then unfold into wide-reaching meditations on what it means to live in the contemporary moment, among plastic, statistics, and diet soda. Written in a direct, conversational style, the poems in Sun Bear display full-force why Zapruder is one of the most popular poets in America. From I Drink Bronze Light: Great American summer lakesright now I am flying above youthrough a rare cloudless transparent skyback to the city where it is alwayscold even in summerthe round hole I press my face againstshows only a blue expansewith white sails belowspeckled exactly the waythe Aegean would have beenthree thousand years agoif one could have seen it from abovemaybe riding in the dark clawof a god who didn't care. . . . Matthew Zapruder is a poet, translator, and editor at Wave Books. He is the author of three collections of poetry, and his book The Pajamaist won the William Carlos Williams Award. His poems, essays, and translations have appeared in many publications, including BOMB, Harvard Review, Paris Review, the New Yorker, McSweeney's, and the Believer. He lives in San Francisco, California.

Charming, melancholy, hip.--Publishers Weekly, starred reviewZapruder's innovative style is provocative in its unusual juxtapositions of line, image and enjambments. . . . Highly recommended.--Library JournalMatthew Zapruder's third book mixes humor and invention with love and loss, as when the breath of a lover is compared to a field of titanium gravestones / growing warmer in the sun. The title poem is an elegy for the heroes and mentors in the poet's life--from David Foster Wallace to the poet's father. Zapruder's poems are direct and surprising, and throughout the book he wrestles with the desire to do well, to make art, and to face the vast events of the day. Look out scientists Today the unemployment rateis 9.4 percent. I have no idea what that means. I triedto think about it harder for a while. Thentried standing in an actual stance of mysteryand not knowing towards the world. Which is my job. As is staring at the back yardand for one second believing I am actuallyrising away from myself. Which is maybewhat I have in common right now with you . . . Matthew Zapruder holds degrees from Amherst College, UC Berkeley, and the University of Massachusetts. He is the author of two previous books, including The Pajamaist, which won the William Carlos Williams Award and was honored by Library Journal with a Best Poetry Book of the Year listing. He lives in San Francisco and is an editor at Wave Books.

"Zapruder's hip lyricism offers both the slippery comedy and a surprisingly grave, ultimately winning, commitment to real people, emotions, locales."--Publishers Weekly Matthew Zapruder is a young poet reinvigorating American letters. In his second collection he engages love, mortality, and life in New York City after 9/11. The title piece, a prose-poem synopsis of an unwritten novel, turns all literary forms upon themselves with savvy and flair, while the elegy cycle "Twenty Poems for Noelle" is a compassionate song for a suffering friend. Noelle, somewhere in an apartment symphony number two listens to you breathing. Broken glass in the street. What was once unglowing glows. . . The Pajamaist is an intimate book filled with sly wit and an ever-present, infectious openness to amazement. Zapruder's poems are urbane and constantly, curiously searching.

It is rare to come across a first book that embraces the world the way we see it, and the way it can be imagined—with such a wise and graceful mixture of humor, loss, intelligence, wit, self-deprecation, and hope. American Linden is such a first collection. The poems in this book are valuable, even necessary. They are, in the most important sense, love poems: to people, to ideas, to feelings, and to the mind itself, which by means of language move with honesty, wit, and distinction among the fleeting things of this world.