Meyer Schapiro

Arshile Gorky by Ethel Schwabacher is a comprehensive biography of the Armenian-American artist, Arshile Gorky. The book delves into Gorky's life and career, from his childhood in Armenia to his artistic training in the United States and his later years as a prominent figure in the New York art scene. Schwabacher provides insight into Gorky's artistic influences, including the Surrealist movement, and explores his unique style, which combined elements of abstraction and figuration. The book also discusses Gorky's personal life, including his relationships with his family, friends, and fellow artists, as well as his struggles with depression and illness. Arshile Gorky is a must-read for anyone interested in modern art and the life of one of its most important figures. Study Of This Important American Painter By One Of His Students. This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Considered the master of the essay, Meyer Schapiro approached scholarship with a great deal of imaginative historical perception, as well as an "unashamed passion for the works of art before him," rendering his writings highly engaging and appealing to a broad range of readers. A rich diversity of writing can be found within this collection, which offers studies of individual artists (C zanne, Picasso, Mondrian, and Seurat) as well as essays on the reception and social meanings of modern art. Yet, even in his most aesthetic analyses, Schapiro never lost sight of the heroic efforts of the individual artists and of the cultural contexts in which their works were made and received. Modern Art won the National Book Critics Circle Award (1978) and the Mitchell Prize for Art History (1979) and was a nominee for a National Book Award (1979).

Meyer Schapiro (1904-96), renowned for his critical essays on nineteenth- and twentieth-century painting, also played a decisive role as a young scholar in defining the style of art and architecture known as Romanesque. And, appropriately, when he was invited to deliver the prestigious Charles Eliot Norton Lectures at Harvard, he chose Romanesque architectural sculpture as his topic. These lectures, acclaimed for the verve and freshness with which Schapiro delivered them, languished unpublished for decades. But Linda Seidel, who knew Schapiro well and attended the 1967 lectures, has now expertly transcribed and edited them, presenting them for the first time to an audience beyond the halls of Harvard. In editing the lectures, Seidel closely followed the recordings of the originals. Sentences are rendered as Schapiro spoke them, affording readers a unique opportunity to experience the legendary teacher as he rarely appears in print: forming his thoughts spontaneously, interrupting himself to develop related ideas, and responding to the audience’s interests by introducing humorous asides. Nonetheless, these lectures are carefully constructed, demonstrating Schapiro’s commitment to the originality and value of artistic production and affirming his lifelong belief in artists’ engagement with their cultures. Amply illustrated with many key works and augmented with Seidel’s indispensable introduction, this long-awaited volume will delight students and scholars of art history, as well as anyone interested in seeing a new side of a profoundly influential mind.

Presents selected portraits, self-portraits, still lifes, and landscapes by the Dutch artist, with an assessment and background profile of each work.

This volume presents three of Meyer Schapiro's finest essays on Pablo Picasso (1881-1973). Given that we esteem artists whose work epitomizes particular styles, how can we likewise value Picasso, an artist who demonstrates a wide range of artistic styles? In his first essay, The Unity of Picasso's Art, Schapiro dismantles this apparent paradox by finding unity through hidden associations among seemingly disparate works and unsuspected ties to Picasso's personal experiences. In Einstein and Cubism: Science and Art, Schapiro investigates potential connections between the two most important radical innovations in science and art of the early 20th century: Einstein's 1905 Theory of Relativity and Braque and Picasso's Cubism at the end of the same decade. Schapiro uses the assumed relationship between the two to analyse the classic themes of space, time and movement in art, celebrating the innovations of both Relativity and Cubism as models of the searching, questioning mind, in short, of freedom of thought. In the final essay, Schapiro shows that Guernica, although the greatest political work of art of the 20th century, nevertheless embodied many of Picasso's artistic and personal obessions. This book offers comprehensive analysis of the 20th century's most prolific artist - Pablo Picasso. It will appeal to all those who have followed Picasso's career and to those intrigued by the multi-faceted connections between art and social changes.