Michael J. Chan

"Packed with useful information. It deserves a place on every undergraduate religion major's shelf."--Christian CenturyThis lively, engaging introduction to the Old Testament is critical and theological, lavishly illustrated, and accompanied by a variety of pedagogical aids. It serves as the Old Testament counterpart to Mark Allan Powell's successful Introducing the New Testament (over 105,000 copies sold). Introducing the Old Testament presents disputed and controversial issues fairly, neither dictating conclusions nor privileging skepticism over faith-based perspectives. The full-color interior is illustrated with photographs and fine art and includes sidebars, maps, a glossary, and further reading suggestions. A companion website through Baker Academic's Textbook eSources features a wealth of additional resources for students and instructors. Resources for students include chapter objectives, study questions, flash cards, and self-quizzes. Resources for professors include chapter objectives, discussion prompts, pedagogical suggestions, PowerPoint slides, and a test/quiz bank.

Michael J. Chan argues, on a methodological level, for the deeper integration of iconographic materials into the task of tradition history-a method that has tended to focus on textual evidence alone. Following the work of O. H. Steck, however, "tradition" is understood in more flexible terms, to refer to inherited concepts and constellations, which can exist across multiple media. The author undertakes a tradition-historical study of the "Wealth of Nations Tradition" - a series of texts in which the foreign nations of the earth bring their wealth to Zion (1 Kgs 10:1-10, 13, 15//2 Chr 9:1-9, 12, 14; 1 Kgs 10:23-25//2 Chr 9:22-24; Pss 68:19, 29-32; 72:10-11; 76:12; 96:7-8//1 Chr 16:28-29; Isa 18:7; 45:14; 60:4-17; 61:5-6; 66:12; Zeph 3:10; 2 Chr 32:23). The Wealth of Nations tradition is found throughout the ancient Near East. Michael J. Chan shows that in some cases, the biblical texts reflect this tradition with little to no modification while in others the tradition is recast in creative and disruptive ways.