Michael Johnston

How corrupt is the United States of America? While the US presents itself as an exemplar of democratic government and politics, many citizens see it as highly corrupt. In this book, Oguzhan Dincer and Michael Johnston explore corruption across a range of policy areas in all fifty states using two major forms of corruption – legal and illegal – via three proxy measures of corruption. They not only estimate the pervasiveness of such corruption in each state, but also compare and contrast their causes, consequences, and implications for contemporary issues including racial inequities, public health policy, and the environment, while also highlighting issues of citizen participation and trust in political processes. The book presents no reform toolkits or quick fixes for American corruption problems, but frames key challenges of institutional change and democratic political revival that can be used in the struggle to build a more just, and better-governed, society.

How corrupt is the United States of America? While the US presents itself as an exemplar of democratic government and politics, many citizens see it as highly corrupt. In this book, Oguzhan Dincer and Michael Johnston explore corruption across a range of policy areas in all fifty states using two major forms of corruption – legal and illegal – via three proxy measures of corruption. They not only estimate the pervasiveness of such corruption in each state, but also compare and contrast their causes, consequences, and implications for contemporary issues including racial inequities, public health policy, and the environment, while also highlighting issues of citizen participation and trust in political processes. The book presents no reform toolkits or quick fixes for American corruption problems, but frames key challenges of institutional change and democratic political revival that can be used in the struggle to build a more just, and better-governed, society.

Michael Johnston's unruly and hysterical novel follows a cast of characters from the '90s rock band, Texas Flip: their story told through various concerts during the band's two-plus-decade career, each leap in time connected by a fine thread of rushed quarter notes, broken strings, and free drink tickets. Amongst them is Zach Long, guitarist and overseer of their dogged pursuit of musical excellence. Luke Strange, lead singer and bass player whose sex addiction has ruined more than one performance. A manager, Todd Shift, clutching at the group's frayed coattails for as long as their ride will last. Collected, these musicians deliver the playbook of what life in a band used to be like--navigating a world without GPS, social media, or legal marijuana, with a thirst for only the next gig or riff, with amusement and passion and simplicity. Regarded as an early classic, Why Does Everyone Steal My Lighter? is right away comical and entertaining, wholly funny and justly memorable.

The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue--in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science--but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. The Middle English Book addresses a series of questions about the copying and circulation of literature in late medieval England: How do we make sense of the variety of manuscripts surviving from this period? Who copied and disseminated these diverse manuscripts? Who read the literary texts that they transmit? And what was the relationship between those copying literature and those reading it? To answer these questions, this book examines 202 literary manuscripts from the period 1350 to 1500. First, this study suggests that most surviving manuscripts fall into four categories, depending on the proximity and relationship of that manuscript's scribes and readers. But beyond proposing these new categories, this book also looks at the history of writing practices, and demonstrates the ubiquity of bureaucracies within late medieval England. As a result, The Middle English Book argues that literary production was a decentered affair, one that took place within these numerous, modest, yet complex, bureaucracies. But this book also argues that, because literary production arose in such scattered bureaucracies, manuscripts were local products, produced within the cultural and economic milieu of their users. Manuscripts thus form a fundamentally different sort of cultural artefact than the printed books with which we are familiar--a form of centralized, urbanized, and commercialized textual production that was just over the historical horizon in late medieval England.

This book argues that it is time to step back and reassess the anti-corruption movement, which despite its many opportunities and great resources has ended up with a track record that is indifferent at best. Drawing on many years of experience and research, the authors critique many of the major strategies and tactics employed by anti-corruption actors, arguing that they have made the mistake of holding on to problematical assumptions, ideas, and strategies, rather than addressing the power imbalances that enable and sustain corruption. The book argues that progress against corruption is still possible but requires a focus on justice and fairness, considerable tolerance for political contention, and a willingness to stick with the reform cause over a very long process of thoroughgoing, sometimes discontinuous political change. Ultimately, the purpose of the book is not to tell people that they are doing things all wrong. Instead, the authors present new ways of thinking about familiar dilemmas of corruption, politics, contention, and reform. These valuable insights from two of the top thinkers in the field will be useful for policymakers, reform groups, grant-awarding bodies, academic researchers, NGO officers, and students.

This book argues that it is time to step back and reassess the anti-corruption movement, which despite its many opportunities and great resources has ended up with a track record that is indifferent at best. Drawing on many years of experience and research, the authors critique many of the major strategies and tactics employed by anti-corruption actors, arguing that they have made the mistake of holding on to problematical assumptions, ideas, and strategies, rather than addressing the power imbalances that enable and sustain corruption. The book argues that progress against corruption is still possible but requires a focus on justice and fairness, considerable tolerance for political contention, and a willingness to stick with the reform cause over a very long process of thoroughgoing, sometimes discontinuous political change. Ultimately, the purpose of the book is not to tell people that they are doing things all wrong. Instead, the authors present new ways of thinking about familiar dilemmas of corruption, politics, contention, and reform. These valuable insights from two of the top thinkers in the field will be useful for policymakers, reform groups, grant-awarding bodies, academic researchers, NGO officers, and students.

Fight, Kid is a novella told through the eyes of Benny Schultz; an old trainer living in a new world that left him behind. Expressed in humorous language and contemporary tone, it is a story of goals missed inside--and out--of the ring. Keith Way, Benny's young and impressionable fighter, is moving up weight classes to fight heavyweight Buster Davis. During training sessions, diner-cooked meals, and bouts of tough love, we learn early on that Keith is an optimist; and that Benny is not. The reader, brought on a journey of low-level, low-reward boxing in northern New Jersey, and shown how both try to avoid the daily struggles with the devices of our new social world, Fight, Kid travels to the heart of what it is to be a fighter, and what it means to be human.

Congenital or early-onset disorders of the nervous system have a profound and lifelong impact on the lives of children and their families. Diseases of the Nervous System in Childhood provides up-to-date information on the full range of these neurological disorders, from fetal and neonatal neurology to adolescence. Movement disorders, epilepsies and seizure disorders, metabolic diseases, auditory and visual disorders, and genetic anomalies are among the many topics covered in this text. Extensive reference lists at the end of each chapter guide the clinician to further relevant reading. This fourth edition retains the patient-focussed, clinical approach of its predecessors. The international team of editors and contributors has honoured the request of the late Jean Aicardi, that his book remain ‘resolutely clinical’, which distinguishes Diseases of the Nervous System in Childhood from other texts in the field. This edition: Is completely revised and updatedIncludes latest developments in genetic advancesContains new chapters on basal ganglia diseases and psychogenic disordersHas an easy-to-use one volume format with full-colour illustrations

Michael Johnston brings you the first in a new epic fantasy series inspired by ancient Egyptian history and King Lear. The ruling family of the Soleri Empire has been in power longer than even the calendars that stretch back 2,826 years. Those records tell a history of conquest and domination by a people descended from gods, older than anything in the known world. No living person has seen them for centuries, yet their grip on their four subjugate kingdoms remains tighter than ever. On the day of the annual eclipse, the Harkan king, Arko-Hark Wadi, sets off on a hunt and shirks his duty rather than bow to the emperor. Ren, his son and heir, is a prisoner in the capital, while his daughters struggle against their own chains. Merit, the eldest, has found a way to stand against imperial law and marry the man she desires, but needs her sister's help, and Kepi has her own ideas. Meanwhile, Sarra Amunet, Mother Priestess of the sun god's cult, holds the keys to the end of an empire and a past betrayal that could shatter her family. Detailed and historical, vast in scope and intricate in conception, Soleri bristles with primal magic and unexpected violence. It is a world of ancient and elaborate rites, of unseen power and kingdoms ravaged by war, where victory comes with a price, and every truth conceals a deeper secret.

Michael Johnston brings you the first in a new epic fantasy series inspired by ancient Egyptian history and King Lear. The ruling family of the Soleri Empire has been in power longer than even the calendars that stretch back 2,826 years. Those records tell a history of conquest and domination by a people descended from gods, older than anything in the known world. No living person has seen them for centuries, yet their grip on their four subjugate kingdoms remains tighter than ever. On the day of the annual eclipse, the Harkan king, Arko-Hark Wadi, sets off on a hunt and shirks his duty rather than bow to the emperor. Ren, his son and heir, is a prisoner in the capital, while his daughters struggle against their own chains. Merit, the eldest, has found a way to stand against imperial law and marry the man she desires, but needs her sister's help, and Kepi has her own ideas. Meanwhile, Sarra Amunet, Mother Priestess of the sun god's cult, holds the keys to the end of an empire and a past betrayal that could shatter her family. Detailed and historical, vast in scope and intricate in conception, Soleri bristles with primal magic and unexpected violence. It is a world of ancient and elaborate rites, of unseen power and kingdoms ravaged by war, where victory comes with a price, and every truth conceals a deeper secret.

Romance and the Gentry in Late Medieval England offers a new history of Middle English romance, the most popular genre of secular literature in the English Middle Ages. Michael Johnston argues that many of the romances composed in England from 1350-1500 arose in response to the specific socio-economic concerns of the gentry, the class of English landowners who lacked titles of nobility and hence occupied the lower rungs of the aristocracy. The end of the fourteenth century in England witnessed power devolving to the gentry, who became one of the dominant political and economic forces in provincial society. As Johnston demonstrates, this social change also affected England's literary culture, particularly the composition and readership of romance. Romance and the Gentry in Late Medieval England identifies a series of new topoi in Middle English that responded to the gentry's economic interests. But beyond social history and literary criticism, it also speaks to manuscript studies, showing that most of the codices of the "gentry romances" were produced by those in the immediate employ of the gentry. By bringing together literary criticism and manuscript studies, this book speaks to two scholarly communities often insulated from one another: it invites manuscript scholars to pay closer attention to the cultural resonances of the texts within medieval codices; simultaneously, it encourages literary scholars to be more attentive to the cultural resonances of surviving medieval codices.

Michael Johnston argues that corruption will persist, and even be the rule rather than the exception, until those with a stake in ending it can act in ways that cannot be ignored. This is the key principle of 'deep democratization', enabling citizens to defend their interests by political means. The author analyses four syndromes of corruption in light of this principle: official moguls in Egypt and Tunisia, oligarchs and clans in the Philippines, elite cartels in Argentina, and influence markets in France, Australia and the US. Johnston argues that different kinds of corruption require distinctive responses, each bearing specific risks. Focusing on recent events, including the global economic crisis and the Arab Spring, he shows that we can assess vulnerabilities to corruption and the effects of reforms, and use this information to identify new practices. His book offers a fundamental reappraisal of ways to check abuses of wealth and power.

Michael Johnston argues that corruption will persist, and even be the rule rather than the exception, until those with a stake in ending it can act in ways that cannot be ignored. This is the key principle of 'deep democratization', enabling citizens to defend their interests by political means. The author analyses four syndromes of corruption in light of this principle: official moguls in Egypt and Tunisia, oligarchs and clans in the Philippines, elite cartels in Argentina, and influence markets in France, Australia and the US. Johnston argues that different kinds of corruption require distinctive responses, each bearing specific risks. Focusing on recent events, including the global economic crisis and the Arab Spring, he shows that we can assess vulnerabilities to corruption and the effects of reforms, and use this information to identify new practices. His book offers a fundamental reappraisal of ways to check abuses of wealth and power.

How to make angels, candleholders, suncatchers, mirrors, picture frames, garden ornaments and more beautiful stained glass projects from easy to more complex. Full size patterns for all 40 projects plus two bonus patterns. Detailed instructions illustrated with step-by-step photos. Includes pro tips from an experienced stained glass artist on soldering, working with lead and foil, building 3-D projects, and more. Over 1000 colour photographs.

This book is illustrated with step-by-step instructions on techniques to make a variety of beautiful and practical stained glass boxes. It presents photos that show exactly how to assemble corners, attach hinges and lids, work with mirrored glass, create shelves and compartments, and add feet and lips. It offers detailed information for the beginner or more experienced glass artist.

Step-by-step photos and expert instruction focuses on creating a variety of beautiful lamp shades using stained glass. Includes full-size patterns.

Corruption is a threat to democracy and economic development in many societies. It arises in the ways people pursue, use and exchange wealth and power, and in the strength or weakness of the state, political and social institutions that sustain and restrain those processes. Differences in these factors, Michael Johnston argues, give rise to four major syndromes of corruption: Influence Markets, Elite Cartels, Oligarchs and Clans, and Official Moguls. In this 2005 book, Johnston uses statistical measures to identify societies in each group, and case studies to show that the expected syndromes do arise. Countries studied include the United States, Japan and Germany (Influence Markets); Italy, Korea and Botswana (Elite Cartels); Russia, the Philippines and Mexico (Oligarchs and Clans); and China, Kenya, and Indonesia (Offical Moguls). A concluding chapter explores reform, emphasising the ways familiar measures should be applied - or withheld, lest they do harm - with an emphasis upon the value of 'deep democratisation'.