Michael Keane

This guide to the emerging language of creative industries field is a valuable resource for researchers and students alike. Concise, extensively referenced, and accessible, this this is an exceptionally useful reference work. - Gauti Sigthorsson, Greenwich University "There could be no better guides to the conceptual map of the creative industries than John Hartley and his colleagues, pioneers in the field. This book is a clear, comprehensive and accessible tool-kit of ideas, concepts, questions and discussions which will be invaluable to students and practitioners alike. Key Concepts in Creative Industries is set to become the corner stone of an expanding and exciting field of study" - Chris Barker, University of Wollongong Creativity is an attribute of individual people, but also a feature of organizations like firms, cultural institutions and social networks. In the knowledge economy of today, creativity is of increasing value, for developing, emergent and advanced countries, and for competing cities. This book is the first to present an organized study of the key concepts that underlie and motivate the field of creative industries. Written by a world-leading team of experts, it presents readers with compact accounts of the history of terms, the debates and tensions associated with their usage, and examples of how they apply to the creative industries around the world. Crisp and relevant, this is an invaluable text for students of the creative industries across a range of disciplines, especially media, communication, economics, sociology, creative and performing arts and regional studies.

This guide to the emerging language of creative industries field is a valuable resource for researchers and students alike. Concise, extensively referenced, and accessible, this this is an exceptionally useful reference work. - Gauti Sigthorsson, Greenwich University "There could be no better guides to the conceptual map of the creative industries than John Hartley and his colleagues, pioneers in the field. This book is a clear, comprehensive and accessible tool-kit of ideas, concepts, questions and discussions which will be invaluable to students and practitioners alike. Key Concepts in Creative Industries is set to become the corner stone of an expanding and exciting field of study" - Chris Barker, University of Wollongong Creativity is an attribute of individual people, but also a feature of organizations like firms, cultural institutions and social networks. In the knowledge economy of today, creativity is of increasing value, for developing, emergent and advanced countries, and for competing cities. This book is the first to present an organized study of the key concepts that underlie and motivate the field of creative industries. Written by a world-leading team of experts, it presents readers with compact accounts of the history of terms, the debates and tensions associated with their usage, and examples of how they apply to the creative industries around the world. Crisp and relevant, this is an invaluable text for students of the creative industries across a range of disciplines, especially media, communication, economics, sociology, creative and performing arts and regional studies.

70 Years of NORAD Tracking Santa Claus! *Special edition perfect for military families!* Every Christmas millions of kids and adults track Santa on the NORAD Santa Tracker. Now, author Michael Keane brings to life this fun tradition with his children's book Operation: Santa Claus. Written in the iconic style of “The Night Before Christmas,” Operation Santa Clause begins on a blustery and treacherous Christmas Eve as Santa sets off to deliver toys to good little boys and girls everywhere. As always, NORAD is faithfully tracking him to make sure no harm comes his way. But when Santa disappears from their radar screen, NORAD’s skills and resources are put to the test as they scramble to find Santa and save Christmas. Entertaining and educational, Operation: Santa Clause will delight parents and children alike while teaching kids about our military, team work, and the true spirit of Christmas.

Professor and cultural historian Michael Keane reveals much in this nostalgia-inducing book packed with original research and interviews. Keane compellingly shows that the ultimate broadcast of the Christmas special-given its incredibly tight five-month production schedule and the decidedly unfavourable reception it received by the skeptical network executives who first screened it-was nothing short of a miracle. Keane explains why the show, despite its technical shortcomings, has become an uplifting and enduring triumph embraced by millions of families every Christmas season, even more than fifty years after its premiere. This gripping and joyful behind-the-scenes story of how the creators of A Charlie Brown Christmas struggled to bring the program to life will also help readers (and loyal fans) understand how America's favourite Christmas special changed our popular culture forever. Keane masterfully weaves the momentous events of 1965 (the turbulent year of the program's production) into his story, providing critical context for a profound new understanding of the program's famous climactic scene, Linus's spot-lit soliloquy answering the question repeatedly posed by Charlie Brown-"Isn't there anyone who knows what Christmas is all about?"

China’s Digital Presence in the Asia-Pacific explores China’s digital presence in the Asia-Pacific region. Drawing on political economy of the media, industry analysis, platform studies and cultural policy studies, the book shows that China’s commercial digital platforms are increasingly recognized outside China and can disseminate Chinese culture more effectively than government supported media. It illustrates how these platforms are contributing to Chinese cultural influence, their perceived reputation and obstacles in the region while pursuing a combined approach of culture+, industry+, internet+, and platform+. In considering the multi-layered rise of the China argument, the book considers its growing technological status as an innovative nation through four policy approaches: culture+, industry+, Internet+ and platform+. Other + characterizations include intelligent+ and social+. These + characterizations show how China is rejuvenating, drawing technological knowhow from the region and adding to its cultural (and soft) power. The book focuses on six locations: Hong Kong, Taiwan, Singapore, Malaysia, Australia and New Zealand. The authors analyse Beijing’s changing policies towards the governance of culture, Internet technologies and digital platforms, as well as examining consumer perceptions of China and Chinese products in the Asia-Pacific region. In using the + characterizations, the authors provide a comprehensive analysis of how Chinese cultural and creative industries became digital, as well as investigating the key players and the leading platforms including Alibaba, Tencent, ByteDance, TikTok, Baidu, iQiyi and Meituan.

China’s Digital Presence in the Asia-Pacific explores China’s digital presence in the Asia-Pacific region. Drawing on political economy of the media, industry analysis, platform studies and cultural policy studies, the book shows that China’s commercial digital platforms are increasingly recognized outside China and can disseminate Chinese culture more effectively than government supported media. It illustrates how these platforms are contributing to Chinese cultural influence, their perceived reputation and obstacles in the region while pursuing a combined approach of culture+, industry+, internet+, and platform+. In considering the multi-layered rise of the China argument, the book considers its growing technological status as an innovative nation through four policy approaches: culture+, industry+, Internet+ and platform+. Other + characterizations include intelligent+ and social+. These + characterizations show how China is rejuvenating, drawing technological knowhow from the region and adding to its cultural (and soft) power. The book focuses on six locations: Hong Kong, Taiwan, Singapore, Malaysia, Australia and New Zealand. The authors analyse Beijing’s changing policies towards the governance of culture, Internet technologies and digital platforms, as well as examining consumer perceptions of China and Chinese products in the Asia-Pacific region. In using the + characterizations, the authors provide a comprehensive analysis of how Chinese cultural and creative industries became digital, as well as investigating the key players and the leading platforms including Alibaba, Tencent, ByteDance, TikTok, Baidu, iQiyi and Meituan.

Do you remember a time when footballers’ perms were tighter than their shorts? When supporters still swayed on terraces? When a chain-smoking doctor played central midfield for Brazil? Take a nostalgic stroll back to an era when football on TV was still an occasional treat, when almost anyone could finish runners-up to Liverpool and when finishing fourth in the top flight was not a cause for celebration but a sackable offence! Football in the 1980s is an affectionate look at all the essential facts, stats and anecdotes from the decade before the national game was commercially rebranded. Including both some of modern football’s darkest days and its most memorable matches, Football in the 1980s will take you back to a time of tough tackles, muddy pitches and cheap seats. Read on for a grandstand view . . .

This is the only trivia book a Sky Blues fan could ever need, packed with facts, stats, anecdotes and history about Coventry City. From cult heroes and extraordinary escapes to FA Cup glory and championships, it’s all here – can you afford not to own a copy? FIND OUT . . . Which City star was once allegedly arrested for espionage. How a lick of paint once kept City in the top flight. Which star striker has been busy inventing a whole new sound. How Jimmy Greaves helped City win the FA Cup. Which competition City are unbeaten in for 30 years.

This is the ultimate quiz book on Coventry City Football Club. The perfect gift for Sky Blues fans of all ages, it is sure to brighten up long match-day journeys and provide some entertaining trips down memory lane. From the earliest days of Singers FC, to the glory-filled promotion years under Jimmy Hill, from cup calamities to winning at Wembley, and from the thirty four unbroken years of top-flight football to recent relegations, all Coventry City topics are covered here. This book will test your knowledge of all shades of Sky Blue history. If you know it, or think you know it, check it out here and settle your Sky Blue scores.

*Special edition perfect for military families!* Every Christmas millions of kids and adults track Santa on the NORAD Santa Tracker. Now, author Michael Keane brings to life this fun tradition with his children's book The Night Santa Got Lost: How NORAD Saved Christmas. Written in the iconic style of ? The Night Before Christmas,” The Night Santa Got Lost begins on a blustery and treacherous Christmas Eve as Santa sets off to deliver toys to good little boys and girls everywhere. As always, NORAD is faithfully tracking him to make sure no harm comes his way. But when Santa disappears from their radar screen, NORAD’s skills and resources are put to the test as they scramble to find Santa and save Christmas. Entertaining and educational, The Night Santa Got Lost will delight parents and children alike while teaching kids about our military, team work, and the true spirit of Christmas.

The dansant in the dark side of the mind;book five in the Black Ice Poetry series, taking you to a better place. Enjoy the poetry. The dansant in the dark sideOf the mind;gather around the Warmth of the open heart fireIn a rust of rustic bliss. The old man puffing in a cloud Of sweet smoke, clutching theClay pipe, pondering in a vipersHiss of saliva into the heart ofThe open fire, waiting for theBreak of day to beam a ray ofGlorious light down the chimneyOf the open heart fire, draggingThe feet of the old man through The brittle crust of the dusty floor;Taking him away to float inThe supernova of the crab nebula, Bursting in a fiery sea of energyAcross the uni

Television is a massive industry in China, yet fewer people are watching television screens. This ground-breaking study explores how television content is changing, how the Chinese government is responding to the challenges presented by digital media, and how businesses are brokering alliances in both traditional and new media sectors.

Black Ice Poetry 4 is part of the Black Ice Poetry series, mostly short poems of fifty three poems a book. The dansant in the dark sideOf the mind;the red breasted Robin chirping for the perfectSeason and a better place. The gurgling water of the coldStream dancing on the slipperyRocks, flowing to the freedom ofThe encapsulated sea;deep inThe blue tranquility of a calamitousCalm, drifting all along the muse ofA forgotten place in a welcomeBeacon for the old man to come ho

Recognising that creativity is a major driving force in the post-industrial economy, the Chinese government has recently established a range of "creative clusters" – industrial parks devoted to media industries, and arts districts – in order to promote the development of the creative industries. This book examines these new creative clusters, outlining their nature and purpose, and assessing their effectiveness. Drawing on case studies of a range of cluster models, and comparing them with international examples, the book demonstrates that creativity, both in China and internationally, is in fact a process of fitting new ideas to existing patterns, models and formats. It shows how large and exceptionally impressive creative clusters have been successfully established, but raises the important questions of whether profit or culture is the driving force, and of whether the bringing together of independent-minded, creative people, entrepreneurial businessmen, preferential policies and foreign investment may in time lead to unintended changes in social and political attitudes in China, including a weakening of state bureaucratic power. An important contribution to the existing literature on the subject, this book will be of great interest to scholars of urban studies, cultural geography, cultural economics and Asian studies.

Creative industries in China provides a fresh account of China’s emerging commercial cultural sector. The author shows how developments in Chinese art, design and media industries are reflected in policy, in market activity, and grassroots participation. Never has the attraction of being a media producer, an artist, or a designer in China been so enticing. National and regional governments offer financial incentives; consumption of cultural goods and services have increased; creative workers from Europe, North America and Asia are moving to Chinese cities; culture is increasingly positioned as a pillar industry. But what does this mean for our understanding of Chinese society? Can culture be industrialised following the low-cost model of China’s manufacturing economy. Is the national government really committed to social liberalisation? This engaging book is a valuable resource for students and scholars interested in social change in China. It draws on leading Chinese scholarship together with insights from global media studies, economic geography and cultural studies.

Creative industries in China provides a fresh account of China’s emerging commercial cultural sector. The author shows how developments in Chinese art, design and media industries are reflected in policy, in market activity, and grassroots participation. Never has the attraction of being a media producer, an artist, or a designer in China been so enticing. National and regional governments offer financial incentives; consumption of cultural goods and services have increased; creative workers from Europe, North America and Asia are moving to Chinese cities; culture is increasingly positioned as a pillar industry. But what does this mean for our understanding of Chinese society? Can culture be industrialised following the low-cost model of China’s manufacturing economy. Is the national government really committed to social liberalisation? This engaging book is a valuable resource for students and scholars interested in social change in China. It draws on leading Chinese scholarship together with insights from global media studies, economic geography and cultural studies.

The FA Cup Miscellany collects together all the vital information you never knew you needed to know about the world's oldest cup competition. In these pages you will find irresistible anecdotes and the most mindblowing stats and facts. Heard the one about the referee who had to hide in a broom cupboard from a furious, naked goalkeeper? How about the gypsy curse that lasted for decades? Or the time Jeremy Paxman tackled Kenny Dalglish? Do you know how an FA Cup quarter-final between Notts County and Stoke changed football forever? Which current player has a winner's medal for every day of the week? Or how a fragile corner flag stopped some Spartans from marching on? All these stories and hundreds more appear in a brilliantly researched collection of trivia - essential for any football fan who holds the riches of almost 140 years of Cup culture close to their heart.

Recognising that creativity is a major driving force in the post-industrial economy, the Chinese government has recently established a range of "creative clusters" – industrial parks devoted to media industries, and arts districts – in order to promote the development of the creative industries. This book examines these new creative clusters, outlining their nature and purpose, and assessing their effectiveness. Drawing on case studies of a range of cluster models, and comparing them with international examples, the book demonstrates that creativity, both in China and internationally, is in fact a process of fitting new ideas to existing patterns, models and formats. It shows how large and exceptionally impressive creative clusters have been successfully established, but raises the important questions of whether profit or culture is the driving force, and of whether the bringing together of independent-minded, creative people, entrepreneurial businessmen, preferential policies and foreign investment may in time lead to unintended changes in social and political attitudes in China, including a weakening of state bureaucratic power. An important contribution to the existing literature on the subject, this book will be of great interest to scholars of urban studies, cultural geography, cultural economics and Asian studies.