Michael Long

Drawing on the work of Allan Schnaiberg, this book returns political economy to green criminology and examines how the expansion of capitalism shapes environmental law, crime and justice. The book is organized around crimes of ecological withdrawals and ecological additions. The Treadmill of Crime is written by acclaimed experts on the subject of green criminology and examines issues such as the crime in the energy sector as well as the release of toxic waste into the environment and its impact on ecosystems. This book also sets a new research agenda by highlighting problems of ecological disorganization for animal abuse and social disorganization. This book will be of interest to students, researchers and academics in the fields of criminology, political science, environmental sociology, and natural resources.

Fifty years after its original publication in 1976, this excellent analysis of the psycho-social dimensions of Shakespearean tragedy shows how the Shakespearean tragedies develop the idea of a conflict between nature and social structure. The idea has its roots in Shakespearean comedy, to which the book makes continuous reference. Both the comedies and the tragic theorists are used to help describe a coherent vision which is seen to animate all Shakespeare’s tragic plays. Michael Long’s interpretation draws on a wide range of modern thinking as well as Elizabethan ideas of comedy, holiday and misrule. The author argues that the plays, including those which are sometimes categorized as ‘Problem Plays’, create a tragic vision which always remains inter linked with the vision of the comedies.

The extraordinary royal history of the village of Kings Langley and its medieval royal court. The real-life Game of Thrones Palace Lives is a book about a remarkable medieval royal palace which no longer exists. But this is no mythical Camelot, even though you will find precious few physical remains of the Royal Palace at Langley above the ground. Such exceptional history therefore now exists only on a few written pages and the memory and imagination of those who know its story. However, defining elements of our common heritage were seeded within its stone and flint walls. Not least, because the creators of this once magnificent Royal Palace, were the mighty Plantagenet rulers of thirteenth and fourteenth-century England, who favoured it as a royal residence for one-hundred-and-twenty-five years. Very deliberately, each of the historical personages featured in Palace Lives had their own affinity with Langley. For some, it was home; for others, the location of their birth or death; others were laid to rest in the Church beside it.

From the March on Washington to March for Our Lives to Black Lives Matter, the powerful stories of kid-led protest in America. ? Kids have always been activists. They have even launched movements. Long before they could vote, kids have spoken up, walked out, gone on strike, and marched for racial justice, climate protection, gun control, world peace, and more.? Kids on the March tells the stories of?these protests, from the March of the Mill Children, who walked out of factories in 1903 for a shorter work week, to 1951’s Strike for a Better School, which helped build the case for Brown v. Board of Education, to the twenty-first century’s most iconic movements, including March for Our Lives, the Climate Strike, and the recent Black Lives Matter protests reshaping our nation. ? Powerfully told and inspiring, Kids on the March shows how standing up, speaking out, and marching for what you believe in can advance the causes of justice, and that no one is too small or too young to make a difference.

The past 50 years have witnessed achievement of a set of widely attested empirical findings on major research issues in SLA. They pertain to such matters as cross-linguistic influence; processes and sequences in interlanguage development; age effects; incidental and intentional, learning and implicit and explicit knowledge; the role of the linguistic environment and of the broader social context as sources of positive and negative evidence and of opportunities for input, interaction and output; and effects of individual differences in language aptitudes and other cognitive and affect variables. Robust findings in any scientific field constitute empirical ‘problems’ that require explanation and motivate theoretical work. In this inaugural volume of Brill Research Perspectives in Multilingualism and Second Language Acquisition, Michael Long, Gisela Granena and Yucel Yilmaz review work on a selection of these issues, and note implications of some of the work for language teaching, educational language planning, human migration, and other important matters of social concern.

Fred Rogers was one of the most radical pacifists of contemporary history. We do not usually think of him as radical, partly because he wore colorful, soft sweaters made by his mother. Nor do we usually imagine him as a pacifist; that adjective seems way too political to describe the host of a children's program known for its focus on feelings. We have restricted Fred Rogers to the realm of entertainment, children, and feelings, and we've ripped him out of his political and religious context. Rogers was an ordained Presbyterian minister, and although he rarely shared his religious convictions on his program, he fervently believed in a God who accepts us as we are and who desires a world marked by peace and wholeness. With this progressive spirituality as his inspiration, Rogers used his children's program as a platform for sharing countercultural beliefs about caring nonviolently for one another, animals, and the earth. To critics who dared call him “namby-pamby,� Rogers said, “Only people who take the time to see our work can begin to understand the depth of it.� This is the invitation of Peaceful Neighbor, to see and understand Rogers's convictions and their expression through his program. Mister Rogers' Neighborhood, it turns out, is far from sappy, sentimental, and shallow; it's a sharp political response to a civil and political society poised to kill.

Drawing on the work of Allan Schnaiberg, this book returns political economy to green criminology and examines how the expansion of capitalism shapes environmental law, crime and justice. The book is organized around crimes of ecological withdrawals and ecological additions. The Treadmill of Crime is written by acclaimed experts on the subject of green criminology and examines issues such as the crime in the energy sector as well as the release of toxic waste into the environment and its impact on ecosystems. This book also sets a new research agenda by highlighting problems of ecological disorganization for animal abuse and social disorganization. This book will be of interest to students, researchers and academics in the fields of criminology, political science, environmental sociology, and natural resources.

This book collects the columns which baseball legend Jackie Robinson wrote for the New York Post and the New York Amsterdam News, as well as excerpts of letters between Robinson and politicians such as Lyndon Johnson and John F. Kennedy. The brevity of the columns and Robinson's vivid imagery and compelling voice make this an absorbing and very moving read.

"Beautiful Monsters" explores the ways in which 'classical' music made its way into late twentieth-century American mainstream culture - in pop songs, movie scores, and print media. Beginning in the 1960s, Michael Long's entertaining and illuminating book surveys a complex cultural field and draws connections between 'classical music' (as the phrase is understood in the United States) and selected 'monster hits' of popular music. Addressing such wide-ranging subjects as surf music, Yiddish theater, Hollywood film scores, Freddie Mercury, Alfred Hitchcock, psychedelic, rap, disco, and video games, Long proposes a holistic musicology in which disparate musical elements might be brought together in dynamic and humane conversation. "Beautiful Monsters" brilliantly considers the ways in which critical commonplaces like nostalgia, sentiment, triviality, and excess might be applied with greater nuance to musical media and media reception. It takes into account twentieth-century media's capacity to suggest visual and acoustical depth and the redemptive possibilities that lie beyond the surface elements of filmic narrative or musical style, showing us what a truly global view of late twentieth-century music in its manifold cultural and social contexts might be like.

This authoritative and comprehensive anthology contains classic, ground-breaking articles which present the rationale behind current methodology and identify specific applications suitable for a wide range of teaching situations. Introductory notes, written by the volume editors, precede each section and provide a cohesive overview of subjects treated. Discussion questions and suggestions for further reading give in-depth attention to each topic and alert readers to important differences of opinion.