Mojisola Adebayo

National Theatre Connections 2024 draws together ten new plays for young people to perform, from some of the UK's most exciting and popular playwrights. These are plays for a generation of theatre-makers who want to ask questions, challenge assertions and test the boundaries, and for those who love to invent and imagine a world of possibilities. The plays offer young performers an engaging and diverse range of material to perform, read or study. Touching on themes like trans-rights, the mental health crisis, colonial history, disability activism, and climate change, the collection provides topical, pressing subject matter for students to explore in their performance. This 2024 anthology represents the full set of ten plays offered by the National Theatre 2024 Festival (eight brand-new plays, and two returning favourites), as well as comprehensive workshop notes that give insights and inspiration for building characters, running rehearsals and staging a production.

Each year, the National Theatre commissions ten new plays for young people to perform, bringing together some of the UK's most exciting writers with the theatre-makers of tomorrow. This 2021 pack captures the two new plays written for the 2021 festival that are perfect for schools and youth groups to perform and study. Written with flexibility in mind, these are perfect for exploration both virtually and in-person, responding to the restrictions in place due to Covid-19. It also includes National Theatre Connections 2020 anthology which features 9 plays, 8 of which are included in the 2021 festival performances. The plays included in this pack are: Find a Partner by Miriam Battye Like There’s No Tomorrow, created by the Belgrade Young Company with Justine Themen, Claire Procter and Liz Mytton Wind / Rush Generation(s) by Mojisola Adebayo Tuesday by Alison Carr A series of public apologies (in response to an unfortunate incident in the school lavatories) by John Donnelly THE IT by Vivienne Franzmann The Marxist in Heaven by Hattie Naylor Look Up by Andrew Muir Crusaders by Frances Poet Witches Can’t Be Burned by Silva Semerciyan Dungeness by Chris Thompson .

Theatre has a complex history of responding to crises, long before they happen. Through stage plays, contemporary challenges can be presented, explored and even foreshadowed in ways that help audiences understand the world around them. Since the theatre of the Greeks, audiences have turned to live theatre in order to find answers in uncertain political, social and economic times, and through this unique collection questions about This anthology brings together a collection of 20 scenes from 20 playwrights that each respond to the world in crisis. Twenty of the world’s most prolific playwrights were asked to select one scene from across their published work that speaks to the current world situation in 2020. As COVID-19 continues to challenge every aspect of global life, contemporary theatre has long predicted a world on the edge. Through these 20 scenes from plays spanning from 1980 to 2020, we see how theatre and art has the capacity to respond, comment on and grapple with global challenges that in turn speak to the current time in which we are living. Each scene, chosen by the writer, is prefaced by an interview in which they discuss their process, their reason for selection and how their work reflects both the past and the present. From the political plays of Lucy Prebble and James Graham to the polemics of Philip Ridley and Tim Crouch. From bold works by Inua Ellams, Morgan Lloyd Malcom and Tanika Gupta to the social relevance of Hannah Khalil, Zoe Cooper and Simon Stephens this anthology looks at theatre in the present and asks the question: “how can theatre respond to a world in crisis?” The collection is prefaced by an introduction from Edward Bond, one of contemporary theatre’s most prolific dramatists.

National Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical production - from costume and set design to stage management and marketing campaigns. NT Connections have published over 150 original plays and regularly works with 500 theatre companies and 10,000 young people each year. This anthology brings together 9 new plays by some of the UK's most prolific and current writers and artists alongside notes on each of the texts exploring performance for schools and youth groups. Wind / Rush Generation(s) by Mojisola Adebayo Tuesday by Alison CarrA series of public apologies (in response to an unfortunate incident in the school lavatories) by John Donnelly THE IT by Vivienne Franzmann The Marxist in Heaven by Hattie Naylor Look Up by Andrew Muir Crusaders by Frances Poet Witches Can’t Be Burned by Silva Semerciyan Dungeness by Chris Thompson .

Nominated for Outstanding Drama Education Resource at the 2024 Music & Drama Education AwardsA first-of-its-kind anthology, Beyond The Canon’s Plays for Young Activists combines plays, toolkits, and an online guide to empower young people into activism. With award-winning plays from the UK’s most revolutionary female writers of colour, as well as bespoke multimedia learning guides, this collection offers young global activists aged 16+, as well as teachers and creatives at any level, the opportunity to diversify their education and enhance their understanding of politically driven plays, world politics and social justice. Unique in how it amplifies these selected award-winning plays by incorporating learning guides that accommodate different learning styles (be they visual, auditory, reading/writing and kinaesthetic), Beyond The Canon dares readers to take a deeper dive into the world of the play, be inspired by the themes and provocations and use the anthology to evolve into the ultimate activist. The plays include: Muhammad Ali and Me by Mojisola Adebayo A Museum in Baghdad by Hannah Khalil Acceptance by Amy Ng With resources like top tips on creating a safe space, practical drama challenges and games, interviews with the writers, research guides and activism test sheets, Beyond The Canon’s Plays for Young Activists will spark the imagination of any and all readers, likely inspiring the next Mojisola Adebayo, Hannah Khalil and Amy Ng.

Winner of Best New Play at the Offies Awards 2024My husband died and it's taken my whole life but Dr, I've never had one and I want one, before I die... My orgasm has got to be out there - somewhere! I know you all think I'm losing it, that I'm some kind of a space cadet and you might just be right about that! So one last job for you Dr: I'll be needing a medical certificate to prove I am fit for travel. I am going away... Meet Mrs: an old lady who goes into outer space… in search of her own orgasm. Isn’t that where all orgasms go? Her quest is sparked by three encounters: a young neighbour who discloses a secret, an old friend who reveals she is intersex, and a would-be lesbian lover in a launderette who offers Mrs two drops of her own pressed lavender and a smile that says, ‘I handle delicates with care’. Told through one woman, a live DJ, and creative captions, with animations by Candice Purwin: STARS is a moving and joyful, sensitive yet funny, Afrofuturist odyssey. A ‘concept album on stage’, the hugely original STARS is the latest play from internationally acclaimed theatre maker, Alfred Fagon award-winner and George Devine Award 2022 finalist, Mojisola Adebayo. This edition was published to coincide with the Tamasha and ICA co-production in April 2023.

Winner of the 2021 Alfred Fagon AwardIt's a play, a performance, a ritual, about human farming, farming humans, soil and the soul, seeds and cells... nursing the nursery, curing creation, remedies and vaccinations against white supremacist racism; birthing revolution, raising redemption, finding yourself in the forest of futurity, the promise of immortality and the matter of Black lives. Henrietta Lacks is one of most remarkable people in medical history. Her cells were taken without her or her family’s knowledge or permission. Meet Anarcha, Betsey, Lucy and three NHS nurses in the pandemic, each denied their place in history. Now is the time for their incredible legacy to undergo a transformation. To blossom and grow into something beautiful and new. Mojisola Adebayo's Alfred Fagon Award-winning play Family Tree is a beautifully poetic drama about race, health, the environment, and the incredible legacy of one of the most influential women of modern times. This edition was published to coincide with the Actors Touring Company co-production with the Belgrade Theatre, Coventry and Brixton House, in March 2023.

A bold play collection representing Lesbian, Gay, Bisexual, Trans, Intersex and Queer (LGBTIQ+) experiences, from Black British perspectives, this anthology contains seven radical plays by Black writers that change the face of theatre in Britain. With an international reach connecting Africa, the Caribbean and the Diaspora, these plays address themes including same-sex love, sex, homophobia, apartheid, migration and space travel. The collection captures the historical scope and range of Black British LGBTIQ+ theatre, from the 1980s to 2021. Including a range of forms, from monologue to musicals, realist drama to club-performance, readers will journey through the development of Black Queer theatre in Britain. Through a helpful critical introduction, this book provides important socio-political and historical context, highlighting and illuminating key themes in the plays. Each play is preceded by an intergenerational ‘in-conversation’ piece between two Black British LGBTIQ+ artists and writers who will talk about their own work in relation to the play, looking back at the history and on into the future. Through these rare conversations with highly acclaimed award-winning practitioners, readers will also gain an insight into the theatre industry, funding, producing, venues as well as the politics of identity, the diversity of LGBTIQ+ lives and the richness of Black British cultures.

A bold play collection representing Lesbian, Gay, Bisexual, Trans, Intersex and Queer (LGBTIQ+) experiences, from Black British perspectives, this anthology contains seven radical plays by Black writers that change the face of theatre in Britain. With an international reach connecting Africa, the Caribbean and the Diaspora, these plays address themes including same-sex love, sex, homophobia, apartheid, migration and space travel. The collection captures the historical scope and range of Black British LGBTIQ+ theatre, from the 1980s to 2021. Including a range of forms, from monologue to musicals, realist drama to club-performance, readers will journey through the development of Black Queer theatre in Britain. Through a helpful critical introduction, this book provides important socio-political and historical context, highlighting and illuminating key themes in the plays. Each play is preceded by an intergenerational ‘in-conversation’ piece between two Black British LGBTIQ+ artists and writers who will talk about their own work in relation to the play, looking back at the history and on into the future. Through these rare conversations with highly acclaimed award-winning practitioners, readers will also gain an insight into the theatre industry, funding, producing, venues as well as the politics of identity, the diversity of LGBTIQ+ lives and the richness of Black British cultures.

‘These five plays represent the diverse scope and content of Mojisola’s work, and demonstrate an ongoing commitment to an artistic practice that is both stylistically innovative and politically astute.’ – Lynette Goddard, from her introductionThe plays collected here showcase Adebayo’s varied talents through her unflinching political writing about race, gender, sex and sexuality, feminist history and politics. With settings spanning from South Africa to the Middle East, the United States, a mythical kingdom, South London and outer space, the five plays included are:I Stand Corrected: a soulful artistic response to the phenomenon of ‘corrective’ hate rape and murder of lesbians and trans men in South AfricaAsara and the Sea-Monstress: a play for young people about a left-handed girl growing up in a mythical right-handed KingdomOranges and Stones (previously 48 Minutes for Palestine): an exploration of one woman’s life under occupation in Palestine The Interrogation of Sandra Bland: a verbatim play transcribing the dash cam recording of Sandra Bland’s arrest into a choral performance by black womenSTARS: a space odyssey telling the story of a very old lady who goes into outer space in search of her own orgasm

Includes the plays Moj of the Antarctic, Desert Boy, Matt Henson: North Star and Muhammad Ali and MeThis collection signals the emergence of a distinctive new voice on the British theatre landscape. Moj of the Antarctic is inspired by the true story of an African American woman who cross-dresses as a white man to escape slavery; taken on a fantastical odyssey to Antarctica. Time Out Critics’ Choice‘The language is rich and densely poetic. Reveling in the materiality and playfulness of words, cracking open complex ideas like eggshells.’ - Total Theatre MagazineMuhammad Ali and Me is a lyrical coming of age story, following the parallel struggles of a gay girl child growing up in foster care and the black Muslim boxing hero’s fight against racism and the Vietnam war.‘As a piece of stagecraft, an entertaining kaleidoscope of social and political history, only one description will do: this is a play that ‘floatslike a butterfly and stings like a bee.’ - WhatsOnStageDesert Boy, a time-travelling a capella musical, offers a sharp twist on the subject of knife crime, black youth and absent fathers.‘…a spiralling journey through colonial history not unlike Dante’s introduction to the Inferno. The juxtapositions are sometimes startling, and often quite comic.’ - Guardian Matt Henson, North Star is a biographical tale of Arctic betrayal, mixed with Greenlandic folk tales; all about love, climate and change. These plays queer the boundaries of sex and race, fact and fiction, history and geography, poetry and politics to illuminate contemporary themes through a dynamic African Diasporic theatrical aesthetic that leaps off the page.