Molly Lee

"After taking first place in the Sparring Tournament, Tanya Artemiciov and the rest of her party members are invited to the royal soirée. Following a chance encounter with Princess Arianora, they catch a glimpse of Maxwell, the man who sealed Laplace away for 300 years. And the very next morning, Laplace goes missing. What secrets are hiding in Laplace's dark past? What's the REAL reason she was sealed away for so long? And... why does she look so much like Arianora?! Kick off your high heels and loosen that corset, because it's time for revenge: part two!"

"At last, I've found you, my Bondmate." As Flowerfolk, I never dreamed of having a fairy tale romance, but I also didn't expect to be dumped three days after being confessed to by a dragon knight Spurned and angry, I decided to devote my life to my work as the human princess's hairstylist, only to find out that the princess was going off to dragon country to marry the Dragonkin prince and taking me with her. Now I have to serve in the same castle as that jerk who dumped me The princess can have the fairy tale ending, I'm done with romance.

Tanya Artemiciov is a talented Mage-class adventurer who just got kicked out of her party by a sexist scumbag. So what's a girl to do? Go to the wasteland and blow stuff up of course! One small problem though: she inadvertently frees a mythical Sorceress named Laplace who was sealed away for the past 300 years... Surprise! Turns out this so-called "wicked" Sorceress is actually pretty cool. Laplace wants to start a party of her own, Tanya wants revenge, and the solution is obvious: team up. It's time to kick ass, kiss girls, and dismantle the patriarchy!

Baskets made of baleen, the fibrous substance found in the mouths of plankton-eating whales—a malleable and durable material that once had commercial uses equivalent to those of plastics today—were first created by Alaska Natives in the early years of the twentieth century. Because they were made for the tourist trade, they were initially disdained by scholars and collectors, but today they have joined other art forms as a highly prized symbol of native identity. Baskets of exquisite workmanship, often topped with fanciful ivory carvings, have been created for almost a century, contributing significantly to the livelihood of their makers in the Arctic villages of Barrow, Point Hope, Wainwright, and Point Lay, Alaska. Baleen Basketry of the North Alaskan Eskimo, originally published in 1983, was the first book on this unusual basket form. In this completely redesigned edition, it remains the most informative work on baleen baskets, covering their history, characteristics, and construction, as well as profiling their makers. Illustrations of the basketmakers at work and line drawings showing the methods of construction are a charming addition to this book, which belongs in the library of all those with an interest in the art of basketry and in Alaskan Native arts in general.

Baskets made of baleen, the fibrous substance found in the mouths of plankton-eating whales—a malleable and durable material that once had commercial uses equivalent to those of plastics today—were first created by Alaska Natives in the early years of the twentieth century. Because they were made for the tourist trade, they were initially disdained by scholars and collectors, but today they have joined other art forms as a highly prized symbol of native identity. Baskets of exquisite workmanship, often topped with fanciful ivory carvings, have been created for almost a century, contributing significantly to the livelihood of their makers in the Arctic villages of Barrow, Point Hope, Wainwright, and Point Lay, Alaska. Baleen Basketry of the North Alaskan Eskimo, originally published in 1983, was the first book on this unusual basket form. In this completely redesigned edition, it remains the most informative work on baleen baskets, covering their history, characteristics, and construction, as well as profiling their makers. Illustrations of the basketmakers at work and line drawings showing the methods of construction are a charming addition to this book, which belongs in the library of all those with an interest in the art of basketry and in Alaskan Native arts in general.