Nan Shepherd

An internationally bestselling classic on the power of the natural world--"part memoir, part field notebook, part lyrical meditation on nature and our relationship with it, evocative of Rachel Carson and Henry Beston and John Muir" (The New York Times). Now with a new introduction by Jenny Odell, this masterpiece of nature writing by Nan Shepherd describes her journeys into "the high and holy places" of the Cairngorm Mountains of Scotland. There she encounters a world of spectacular cliffs, deep silences, and lakes so clear that they cannot be imagined. As she walks through clouds, endures blizzards, and watches the great spirals of eagles in flight, Shepherd comes to know something about the hidden life of this remarkable landscape--and also herself. The Living Mountain is the result of one woman's lifetime spent in search of the essential nature of the wild world around her. Composed during World War II, Shepherd's manuscript lay untouched for almost four decades, nearly lost to time, before it was finally published. In the decades since, audiences and critics of all generations have embraced it as a classic, an enduring testament to the magnificence of mountains and our communion with the environment.

"In a world of self-help, this is true inspiration, deeply admirable without the distance of heroism, bracing without stridency and, ultimately, generous. The mountain, Shepherd tells us, is 'a corrective of glib assessment.' So is its book." --The New York Times Book Review An internationally bestselling classic on the power of the natural world--"part memoir, part field notebook, part lyrical meditation on nature and our relationship with it, evocative of Rachel Carson and Henry Beston and John Muir" (Maria Popova, The New York Times). This masterpiece of nature writing by Nan Shepherd describes her journeys into "the high and holy places" of the Cairngorm Mountains of Scotland. There she encounters a world of spectacular cliffs, deep silences, and lakes so clear that they cannot be imagined. As she walks through clouds, endures blizzards, and watches the great spirals of eagles in flight, Shepherd comes to know something about the hidden life of this remarkable landscape--and also herself. The Living Mountain is the result of one woman's lifetime spent in search of the essential nature of the wild world around her. Composed during World War II, Shepherd's manuscript lay untouched for almost four decades, nearly lost to time, before it was finally published. In the decades since, audiences and critics of all generations have embraced it as a classic, an enduring testament to the magnificence of mountains and our communion with the environment.

I Det levende bjerg beskriver Nan Shepherd sine ture i Cairngorm-bjergene i Skotland. Her møder hun en verden, der på en gang er betagende smuk og chokerende brutal. Hendes intense, poetiske prosa registrerer og udforsker klipper, floder, skabninger og skjulte aspekter af dette bemærkelsesværdige landskab. Shepherd tilbragte et helt liv på jagt efter Cairngorms 'egentlige natur'; hendes søgen førte hende til at skrive denne klassiske meditation om bjergenes storslåethed og om vores forestillingsverdens forhold til den vilde verden omkring os. Ligesom Cibulka og Maeterlinck foregriber Shepherd med sin blanding af essayisme, personlig beretning og fokus på naturen populære værker som Åleevangeliet, Havbogen og H for Høg. Den skotske forfatterinde Anna (Nan) Shepherd blev født i Aberdeen i 1893, hvor hun døde i 1981. Hendes omdømme som forfatter skyldes især de tre romaner The Quarry Wood (1928), The Weatherhouse (1930) og A Pass in the Grampians (1933). Hun var levende optaget af natur og brugte en stor del af sit liv på at vandre i de skotske bjerge, især området vest for Aberdeen og Cairngorm-bjergene. I dag huskes hun først og fremmest for Det levende bjerg, der blev skrevet under 2. Verdenskrig og først udgivet i 1977.

'The finest book ever written on nature and landscape in Britain' GuardianIntroduction by Robert Macfarlane. Afterword by Jeanette WintersonIn this masterpiece of nature writing, Nan Shepherd describes her journeys into the Cairngorm mountains of Scotland. There she encounters a world that can be breathtakingly beautiful at times and shockingly harsh at others. Her intense, poetic prose explores and records the rocks, rivers, creatures and hidden aspects of this remarkable landscape. Shepherd spent a lifetime in search of the 'essential nature' of the Cairngorms; her quest led her to write this classic meditation on the magnificence of mountains, and on our imaginative relationship with the wild world around us. Composed during the Second World War, the manuscript of The Living Mountain lay untouched for more than thirty years before it was finally published.

When Martha accepts a place at university, her decision is met with a mixture of hostility and pride by her uncomprehending family. This is the story of a young woman's journey to maturity and independence, struggling to cope with the intellectual and emotional challenges that surround her, at a time when such space was rarely given freely to women. In The Quarry Wood, Nan Shepherd's subtle prose is matched with intense and memorable descriptions of the natural world, and a dry sense of humour. Ninety years after the first publication, it remains as fresh and original today.

The women of the tiny town of Fetter-Rothnie have grown used to a life without men, and none more so than the tangle of mothers and daughters, spinsters and widows living at the Weatherhouse. Returned from war with shellshock, Garry Forbes is drawn into their circle as he struggles to build a new understanding of the world from the ruins of his grief. In The Weatherhouse Nan Shepherd paints an exquisite portrait of a community coming to terms with the brutal losses of war, and the small tragedies, yearnings and delusions that make up a life.

'The finest book ever written on nature and landscape in Britain' GuardianIntroduction by Robert Macfarlane. Afterword by Jeanette WintersonIn this masterpiece of nature writing, Nan Shepherd describes her journeys into the Cairngorm mountains of Scotland. There she encounters a world that can be breathtakingly beautiful at times and shockingly harsh at others. Her intense, poetic prose explores and records the rocks, rivers, creatures and hidden aspects of this remarkable landscape. Shepherd spent a lifetime in search of the 'essential nature' of the Cairngorms; her quest led her to write this classic meditation on the magnificence of mountains, and on our imaginative relationship with the wild world around us. Composed during the Second World War, the manuscript of The Living Mountain lay untouched for more than thirty years before it was finally published.

The Quarry Wood, although published well before Sunset Song, inhabits a similar world; the progress of its heroine could almost be the alternative story of a Chris Guthrie who did go to university. Compassionate and humorous, the grace and style of Shepherd's prose is heightened by a superb ear for the vigorous language of the north-east. The Weatherhouse, Shepherd's masterpiece, is an even more substantial achievement which belongs to the great line of Scottish fiction dealing with the complex interactions of small communities, and especially the community of women - a touching and hilarious network of mothers, daughters, spinsters and widows. It is also a striking meditation on the nature of truth, the power of human longing and the mystery of being. The third and final novel, A Pass in the Grampians, describes Jenny Kilgour's coming of age as she has to choose between the kindly harshness of her grandfather's life on a remote hill farm, and the vulgar and glorious energy of Bella Cassie, a local girl who left the community to pursue success as a singer, and has now returned to scandalise them all. The Living Mountain is a lyrical testament in praise of the Cairngorms. It is a work deeply rooted in Shepherd's knowledge of the natural world, and a poetic and philosophical meditation on our longing for high and holy places. This omnibus edition of Shepherd's prose works reveals how her sensitivity and powers of observation raise her work far above the status of regional literature and into the front rank of Scottish writing.