Nathaniel Hawthorne

This Norton Critical Edition of The Blithedale Romance is based on the Centenary Edition of the Works of Nathaniel Hawthorne, widely considered the best available edition. It is accompanied by explanatory annotations to help readers with Hawthorne’s many historical and literary references as well as with other possible sources of difficulty in the text. “Contexts” is thematically organized and includes a rich and varied selection of materials, both public and private, focusing on Hawthorne’s inspirations for the novel. Included are letters, excerpts from journals, published accounts of Brook Farm and the growth of antebellum social reform, Hawthorne’s letters to Sophia Peabody and Louisa Hawthorne about his first days at Brook Farm, and later letters describing his growing reservations about and decision to leave the utopian community. The Blithedale Romance raises interesting questions about the role of women, the popularity of mesmerism, and the growth of cities in mid-nineteenth-century America. Margaret Fuller, Charles Baudelaire, and Hawthorne, among others, provide invaluable insight. “Criticism” begins with major contemporary reviews by Herman Melville, William B. Pike, George S. Hillard, James T. Fields, Henry Fothergill Chorley, and others that suggest The Blithedale Romance’s initial reception. “Selections from Classic Studies” reprints key excerpts from influential essays published through the 1970s, including those by Henry James, D. H. Lawrence, Irving Howe, and James McIntosh. “Recent Criticism” collects a striking range of scholarly interpretation by Nina Baym, Joel Pfister, Gillian Brown, Richard H. Brodhead, Lauren Berlant, Russ Castronovo, Robert S. Levine, and Richard H. Millington. A Chronology and a Selected Bibliography are also included.

In 1840, Nathaniel Hawthorne, one of America's greatest writers, published Grandfather's Chair, a history of Colonial and post-Revolutionary War America especially for young people. Hawthorne uses a sturdy oak chair, which appears in each of the stories, as a way to make more entertaining the early history of America: Plymouth and the Pilgrims, the founding of Rhode Island, the Salem witch hysteria, Cotton Mather, the Liberty Tree, the Boston Massacre, the Boston Tea Party, the Continental Congress, and the Declaration of Independence. Seventy-one black-and-white illustrations accompany the text.

This enduring novel of crime and retribution vividly reflects the social and moral values of New England in the 1840s. Nathaniel Hawthorne's gripping psychological drama concerns the Pyncheon family, a dynasty founded on pious theft, who live for generations under a dead man's curse until their house is finally exorcised by love. Hawthorne, by birth and education, was instilled with the Puritan belief in America's limitless promise. Yet - in part because of blemishes on his own family history - he also saw the darker side of the young nation. Like his twentieth-century heirs William Faulkner and F. Scott Fitzgerald, Hawthorne peered behind propriety's fa ade and exposed the true human condition.