Kirjojen hintavertailu – 12 859 818 kirjaa ja 27 kauppaa

Kirjailija

Nathaniel Lee

Kirjat ja teokset yhdessä paikassa: 61 kirjaa, julkaisuja vuosilta 1967–2025, suosituimpiin kuuluu The Princess of Cleve, Etc. a Tragi-Comedy, in Five Acts, in Prose and in Verse.. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

61 kirjaa

Kirjojen julkaisuvuodet: 1967–2025.

The Princess of Cleve, as it was Acted at the Queen's Theatre in Dorset-Garden. By Nathaniel Lee, Gent
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT044332In: 'The dramatick works of Mr. Nathanael Lee' vol.1, London, 1734. London: printed for W. Feales; A. Wellington; J. Wellington, A. Bettesworth, and F. Clay, in trust for B. Wellington, 1734. 96p.: ill.; 12
The Princess of Cleve. Acted at the Queen's-Theatre in Dorset-Garden. By Nathanael Lee, Gent
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT044331Titlepage in red and black. Apparently a reissue of the text sheets of the 1734 edition. In: 'The dramatick works of Mr. Nathanael Lee' vol.1, London, 1734. London: printed for W. Feales, 1736. 96p.: ill; 12
Plays Wriiten By Mr. Nathaniel Lee

Plays Wriiten By Mr. Nathaniel Lee

Nathaniel Lee

Hutson Street Press
2025
nidottu
Discover the dramatic genius of Nathaniel Lee in this collection of his plays. A prominent figure in the world of Restoration theatre, Lee's works are known for their passionate intensity and exploration of human emotions. This edition offers a glimpse into the theatrical landscape of the late 17th century, showcasing Lee's unique voice and his contributions to the development of English drama. Experience the power and artistry of plays that captivated audiences centuries ago. This collection is essential for students and enthusiasts of theatre history, Restoration literature, and the enduring legacy of English dramatic writing. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Plays Wriiten By Mr. Nathaniel Lee

Plays Wriiten By Mr. Nathaniel Lee

Nathaniel Lee

Hutson Street Press
2025
sidottu
Discover the dramatic genius of Nathaniel Lee in this collection of his plays. A prominent figure in the world of Restoration theatre, Lee's works are known for their passionate intensity and exploration of human emotions. This edition offers a glimpse into the theatrical landscape of the late 17th century, showcasing Lee's unique voice and his contributions to the development of English drama. Experience the power and artistry of plays that captivated audiences centuries ago. This collection is essential for students and enthusiasts of theatre history, Restoration literature, and the enduring legacy of English dramatic writing. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Hollander Chronicles Episode 2
"Of Friends..." Commander Stephens does not believe a vampire is capable of being honest. After a tragic accident proves to Captain Hollander that her faith in her new friend, the vampire Charles, is not unfounded, she orders Commander Stephens to find a way to accept their new passenger as a friend. By the captain's command, Commander Stephens invites Charles for an evening of bonding in the method of men since nearly the beginning of time: Drinking. Ensign Ellison Ducrates witnesses the debacle that follows and manages to cement his place in Captain Hollander's inner circle by proving he is more than just a dutiful sailor. "...and Escalation" A non-natural presence on the Brigadier leads to questions for which the Captain herself can not find an explanation. The threat continues to grow more deadly as the Brigadier draws closer and closer to her destination. Old friends and older enemies gather aboard the Brigadier and form an alliance against a threat the Captain hoped to never face in her lifetime: God.
The Hollander Chronicles Episode 2
"Of Friends..." Commander Stephens does not believe a vampire is capable of being honest. After a tragic accident proves to Captain Hollander that her faith in her new friend, the vampire Charles, is not unfounded, she orders Commander Stephens to find a way to accept their new passenger as a friend. By the captain's command, Commander Stephens invites Charles for an evening of bonding in the method of men since nearly the beginning of time: Drinking. Ensign Ellison Ducrates witnesses the debacle that follows and manages to cement his place in Captain Hollander's inner circle by proving he is more than just a dutiful sailor. "...and Escalation" A non-natural presence on the Brigadier leads to questions for which the Captain herself can not find an explanation. The threat continues to grow more deadly as the Brigadier draws closer and closer to her destination. Old friends and older enemies gather aboard the Brigadier and form an alliance against a threat the Captain hoped to never face in her lifetime: God.
The Hollander Chronicles Episode 1
A peace-loving vampire escapes a brutal tyrant far out in deep space by jumping ship. The legendary Captain Annamantha Hollander of the United Naval Space Force and the crew of her vessel, the Brigadier, find him floating in the deep and pull him in. They thaw him and offer him refuge. Captain Hollander spends time with him. She begins with questions about how he ended up where he was. The description he offers her of the horrors he has been through draws her to him, and she begins telling him about herself and her history as a warrior. In the end, she tells him her role in the Vampire Wars and how brutally effective she had been in that role. The Messiah of Death is a tale of romance, violence, horror, tragedy, and loss. It is also a tale of finding your true calling and learning to hold on to your humanity in the face of unprecedented horror and unspeakable surroundings.
The Hollander Chronicles Episode 1
A peace-loving vampire escapes a brutal tyrant far out in deep space by jumping ship. The legendary Captain Annamantha Hollander of the United Naval Space Force and the crew of her vessel, the Brigadier, find him floating in the deep and pull him in. They thaw him and offer him refuge. Captain Hollander spends time with him. She begins with questions about how he ended up where he was. The description he offers her of the horrors he has been through draws her to him, and she begins telling him about herself and her history as a warrior. In the end, she tells him her role in the Vampire Wars and how brutally effective she had been in that role. The Messiah of Death is a tale of romance, violence, horror, tragedy, and loss. It is also a tale of finding your true calling and learning to hold on to your humanity in the face of unprecedented horror and unspeakable surroundings.
The Rival Queens; or, the Death of Alexander the Great

The Rival Queens; or, the Death of Alexander the Great

Nathaniel Lee

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Cambridge University LibraryN013124London: printed for C. Hitch and L. Hawes, M. and T. Longman, J. Brindley, A. and C. Corbett; and the rest of the proprietors, 1757. 72p.; 12
Sophonisba

Sophonisba

Nathaniel Lee

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Cambridge University LibraryT155698London: printed: and sold by Tho. Astley, 1728. 70p., plate; 12
Mithridates King of Pontus, a Tragedy; Acted at the Theatre-Royal. by Their Majesties Servants, Written by Nat. Lee
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard University Houghton LibraryN004749 London]: Printed for Richard Wellington in St. Paul's Church-yard, 1711. And sold by Francis Fawcet at the Kings-head and Crown, near Durham-yard in the Strand, 1711]. 6],66p.; 4
The Rival Queens, or, the Death of Alexander the Great. As it is Acted at the Theatre-Royal, by his Majesty's Servants. By Nat Lee
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT056755Dublin: printed for J. Exshaw, T. Ewing, and W. Wilson, 1774. 69, 3]p.; 12
Lucius Junius Brutus, the Father of his Country. A Tragedy. By Nathaniel Lee. As Performed First in 1681.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT038769In: 'Bell's British theatre', vol.31, London, 1797. P.55 misnumbered 5. With an additional titlepage, engraved. London: printed for, and under the direction of, George Cawthorn, 1796. 100p., plate; 8
Theodosius

Theodosius

Nathaniel Lee

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT119732In: 'The theatre: or, select works of the British dramatic poets, ' vol.12, Edinburgh, 1768. The final leaf contains the epilogue. Edinburgh: printed by and for Martin & Wotherspoon, 1768. 82, 2]p.; 12