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Niccolo Machiavelli
Kirjat ja teokset yhdessä paikassa: 586 kirjaa, julkaisuja vuosilta 1908–2027, suosituimpiin kuuluu Sotataidosta. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.
Nimi esiintyy myös muodoissa: Niccolò Machiavelli, Niccoló Machiavelli, Niccolo` Machiavelli, Niccolõ Machiavelli
A new series of beautiful hardcover nonfiction classics, with covers designed by Coralie Bickford-Smith World-changing ideas meet eye-catching design: the best titles of the extraordinarily successful Great Ideas series are now packaged in Coralie Bickford-Smith's distinctive, award-winning covers. Whether on a well-curated shelf or in your back pocket, these timeless works of philosophical, political, and psychological thought are absolute musthaves for book collectors as well as design enthusiasts.
Il principe es un tratado de doctrina pol tica compuesto por Nicol s Maquiavelo en 1513 mientras se encontraba en San Casciano confinado por la acusaci n de haber conspirado en contra de los Medici. Maquiavelo dedic la obra a Lorenzo II de Medici, hijo de Pedro II de Medici, con la esperanza de reconquistar el encargo de Secretario de la Rep blica, y fue publicada p stumamente en 1532. Se trata sin duda de su obra con m s renombre, aquella por la cual ha nacido el sustantivo "maquiavelismo" y el adjetivo "maquiav lico".
"Der F rst" ist ein Klassiker unter den staatsphilosophischen Schriften der Neuzeit. F rsten und Staatsm nnern diente er als Handbuch der Politik. Bis heute hat er an Bedeutung nichts eingeb t - in Managerkursen gilt er als Pflichtlekt re. In seinem Hauptwerk beschreibt Machiavelli die Regeln des Machtspiels und der Machtaus bung. Im Mittelpunkt des Interesses steht der Herrschende. Klugheit, Gerechtigkeit und Entschlossenheit sind die Maximen des Handelns - doch auch der Wille, sich gegen andere durchzusetzen. Wer heute in der freien Wirtschaft, in Industrie und Politik Verantwortung bernimmt, findet hier wichtige Hinweise.
Machiavelli's best-known book, Il Principe, contains a number of maxims concerning politics, but rather than the more traditional subject of a hereditary prince, it concentrates on the possibility of a "new prince". To retain power, the hereditary prince must carefully maintain the sociopolitical institutions to which the people are accustomed; whereas a new prince has the more difficult task in ruling, since he must first stabilize his newfound power in order to build an enduring political structure. He asserted that social benefits of stability and security could be achieved in the face of moral corruption. Aside from that, Machiavelli believed that public and private morality had to be understood as two different things in order to rule well. As a result, a ruler must be concerned not only with reputation, but also must be positively willing to act immorally at the right times. As a political scientist, Machiavelli emphasized the occasional need for the methodical exercise of brute force or deceit.
At the end of an industrious political career in conflictriven Italy, the Florentine diplomat Niccolo Machiavelli composed his masterpiece The Prince, a classic study of power and politics, and a manual of ruthlessness for any ambitious ruler. Controversial in his own time, The Prince made Machiavelli's name a byword for manipulative scheming, and had an impact on such major figures as Napoleon and Frederick the Great. It contains principles as true today as when they were first written almost five centuries ago.
A play about marriage, lust, adultery, corruption and deceit - all aided by the Mandrake Infusion. It is Machiavelli's greatest sex farce, and a landmark of the Italian Renaissance. This adaptation opened at the Jack Studio Theatre in London on 28 May 2013. "I'm not sure what liberties were applied in bringing a hit from the 1520s to the 21st century stage, but Mandrake had a timeless yet timely vibe about it - like a smart Shakespearean production. It was fresh and contemporary brimming with universal and relevant themes and a humour that's stood the test of time." Chris Osburn Tikichris.com. "Howard Colyer's latest twist on a classic is a wonderfully watchable romp that packs a political punch to go with its comic cuts." Gary Naylor Broadwayworld.com
