Nicholas Martin

To address concerns that warfare could extend to space, the national security space community has taken steps to enhance space mission assurance (SMA), leading to an increasing demand for assessments of SMA. The authors describe decisionmaker needs for assessments of SMA, challenges for conducting assessments, the shortfalls that may result from the challenges, and options for addressing the shortfalls.

This is the true story of Florence Foster Jenkins--now the basis of a major motion picture starring Academy Award-winning actress Meryl Streep She was a woman with a dream. Nobody believed in her talent. But nothing could stop her. . . She had no pitch, no rhythm, and no tone. Still, Florence Foster Jenkins (Streep) became one of America's best-known sopranos. Born in 1868, Florence was a talented young pianist whose wealthy father refused to let her continue her musical studies in Europe. In retaliation, Florence eloped with Dr. Frank Jenkins, a man twice her age, and moved to New York. But when her father died and left her a large sum of money, Florence finally had a chance to pursue her one true passion: Singing. But first she would have to learn how to become a great singer. Years of lessons and a chance meeting with St. Clair Bayfield (Hugh Grant), who would become her manager and common-law husband, would help launch Florence's career and entry into New York's prestigious classical musical societies, culminating in her giving a recital, at the age of seventy-six, at Carnegie Hall. This is story of a woman who was not afraid to recreate herself into the person she wished to become--and achieve her own version of the American Dream.

People may say that I couldn't sing. But no one can say that I didn't sing.'Despite lacking pitch, rhythm or tone, Florence Foster Jenkins became one of America's best-known sopranos, celebrated for her unique recordings and her sell-out concert at Carnegie Hall. Born in 1868 to wealthy Pennsylvanian parents, Florence was a talented young pianist but her life was thrown into turmoil when she eloped with Frank Jenkins, a man twice her age. The marriage proved a disaster and, in order to survive, Florence was forced to abandon her dreams of a musical career and teach the piano. Then her father died in 1909 and, newly installed in New York, she used a considerable inheritance to fund her passion. She set up a prestigious amateur music club and began staging operas. Aided by her English common-law husband, St Clair Bayfield, she worked tirelessly to support the city's musical life. Many young singers owed their start to Florence, but she too yearned to perform and began giving regular recitals that quickly attracted a cult following. And yet nothing could prepare the world for the astonishing climax of her career when, at the age of seventy-six, she performed at the most hallowed concert hall in America. In Florence Foster Jenkins, Jasper Rees tells her extraordinary story, which inspired the film starring Meryl Streep and Hugh Grant, and directed by Stephen Frears. This remarkable book also includes Nicholas Martin's funny, moving and inspirational screenplay.

When there is a child with special needs in your family, it can be easy to overlook your own needs, desires, and dreams, or those of the ones you love. Long-awaited and much-needed, this book addresses the real-life impact a special needs child has on family relationships. Author Nick Martin gives well-researched and heartfelt advice on avoiding the 'blame game', finding support and guidance for all family members, managing financial challenges, improving communication, sharing responsibilities, being intimate, and more. Stories and testimonies from real couples further validate Nick's sound advice. Taking the time to repair and strengthen your family's relationships will benefit all involved.

Nietzsche's Die Geburt der Tragodie and Schiller's Asthetische Briefe are two texts which make a vital contribution to the history of aesthetic and cultural theory. This is the first work to make a comparative study of the texts, bringing a mutually illuminating perspective to bear on them. Dr Martin counters the widespread belief that Nietzsche and Schiller represent a black-and-white contrast, showing the wide extent of the early Nietzsche's debt to Schiller's aesthetics, and drawing a convincing picture of the common aesthetic ground shared by the two writers. The four key aspects of their aesthetic theories are compared: the brilliant diagnoses of cultural crisis; the historical framework of each theory; the catalytic function of the Greek experience in both theories; and the metaphysical and psychological underpinnings by which the theories stand or fall. At the heart of the study lie the claims of both Nietzsche and Schiller for the `untimeliness' of their texts. Dr Martin concludes that, whatever the shortcomings of the texts, they remain outstanding and enduringly relevant contributions both to aesthetic theory and to our understanding of what it is to be human.