Nigel Bertram

Worldwide, more and more people are living in cities, with suburbs conceived as appendages to the city, rather than being part of the city system, which is densely populated and offers a full range of services. But suburbs are not the city spread too thin, and in fact hold potential for a lived complexity as satisfying as that assumed to be available in inner cities. Just as the ecological function of wetlands was ignored by modernist planning, and swamps once-drained are now recognised as vital to water cycles, suburbs are increasingly recognised as part of a city’s wellbeing with their own alternative ideology and opportunities for urbanity and ecological sustainability. Suburbia Reimagined shows how such subdivision structures can offer new possibilities for sustainably integrating living between generations and between established and arriving migrant communities. The authors worked locally and internationally with university campuses, shopping centres, hospitals, airports, and other large entities spread through suburbia, to identify a broad range of suburban situations that have been modified to ensure that residents have a full access to amenities and services. The book addresses the history and design of suburbia, from the post-war soldier settlements of the 40s and 50s to the university hinterlands of Silicon Valley in order to reappraise the locked potential within such subdivision patterns. The authors propose a new model forward, examining case studies ranging from repurposed malls and railways for ecological sustainability to cul-de-sacs as social units and post-industrial factory conversions, ultimately showing the nascent patterns in suburbia that have the potential to support a rich life for all age groups.

Worldwide, more and more people are living in cities, with suburbs conceived as appendages to the city, rather than being part of the city system, which is densely populated and offers a full range of services. But suburbs are not the city spread too thin, and in fact hold potential for a lived complexity as satisfying as that assumed to be available in inner cities. Just as the ecological function of wetlands was ignored by modernist planning, and swamps once-drained are now recognised as vital to water cycles, suburbs are increasingly recognised as part of a city’s wellbeing with their own alternative ideology and opportunities for urbanity and ecological sustainability. Suburbia Reimagined shows how such subdivision structures can offer new possibilities for sustainably integrating living between generations and between established and arriving migrant communities. The authors worked locally and internationally with university campuses, shopping centres, hospitals, airports, and other large entities spread through suburbia, to identify a broad range of suburban situations that have been modified to ensure that residents have a full access to amenities and services. The book addresses the history and design of suburbia, from the post-war soldier settlements of the 40s and 50s to the university hinterlands of Silicon Valley in order to reappraise the locked potential within such subdivision patterns. The authors propose a new model forward, examining case studies ranging from repurposed malls and railways for ecological sustainability to cul-de-sacs as social units and post-industrial factory conversions, ultimately showing the nascent patterns in suburbia that have the potential to support a rich life for all age groups.

Observation and analysis are types of invention. They make things apparent which perhaps were invisible. By noticing, drawing and naming something we bring it into being. On the other hand, building and making can be thought of as analytical observations, pointing out what had not been so clear before and revealing the potential for other actions yet to occur. This book is a collection of urban research and architectural projects by award-winning architects Nigel Bertram / NMBW Architecture Studio, using observation as a design tool and design as an observational method. Through this process, a position on the making of architecture and on the role of architecture within the wider urban environment is established; embracing the full messy reality of the present, finding delight in the everyday and developing sensitivity to a range of found environments. By taking pre-existing conditions seriously, each project, architectural or analytical, large or small, becomes understood as the strategic renovation of a continuing state. This method of working operates by thinking simultaneously at different scales, from furniture to structure and infrastructure, searching for combinations of what might normally be separated into different categories, moving between the many small and ad-hoc actions of individuals to wider systems of collective organisation. Thinking about the effects of small moves on the larger urban field (and vice-versa), the role of unplanned or uncontrolled events in relation to the inward focus of design; thinking about the combinatory effect of what is newly made with what is already there, for example, enables architecture and the city to be understood in relative terms - in terms of relationships. Between people, groups of people, things, and parts of things, actions and groups of actions: urban architecture is the social arrangement of activity with the physical arrangement of large and small parts of its environment. But what people do also change

This book presents documentation, reflection and critical analysis of two award-winning projects Monash Steps and Stawell Steps. These linked projects were designed and built by Monash Architecture students under the leadership of Hiroshi Nakao and Nigel Bertram. The works were developed in close collaboration with the town of Stawell, through partnership with local brick maker Krause bricks and civil engineers at the Northern Grampians Shire council. Monash Steps and the associated exhibition were installed at the Monash University Museum of Art in 2012, making a temporary occupiable space using dry-stacked bricks. Stawell Steps is a permanent installation on the banks of Cato Lake in the centre of Stawell. It acts as permanent flood-relief infrastructure for the town, and provides a new type of community space within the park. The book includes specially commissioned photographic material of the works, significant historic buildings and landscapes in Stawell, and the Krause brickworks. Original drawings and conceptual material are combined with post-occupancy images and texts from a range of different viewpoints. About the authors: Nigel Bertram is a Director of NMBW Architecture Studio in Melbourne and Practice Professor of Architecture at Monash University, where his current research projects address urban housing and infrastructure for water-sensitive cities. NMBW's architectural work has been published and awarded across categories including urban design, housing, small public works, adaptive re-use of existing buildings and peripheral urban design strategies. Hiroshi Nakao is Professor of Multidisciplinary Design Science at the Shonan Institute of Technology. He studied architecture at the Kyoto Institute of Technology and art at the Tsukuba University, and works across the border between art and architecture, with solo exhibitions in Tokyo, Oslo, London and Hamburg to his credit. (Series: Monash Architecture Booklets - Vol. 1) Subject: Architecture]

Observation and analysis are types of invention. They make things apparent which perhaps were invisible. By noticing, drawing and naming something we bring it into being. On the other hand, building and making can be thought of as analytical observations, pointing out what had not been so clear before and revealing the potential for other actions yet to occur. This book is a collection of urban research and architectural projects by award-winning architects Nigel Bertram / NMBW Architecture Studio, using observation as a design tool and design as an observational method. Through this process, a position on the making of architecture and on the role of architecture within the wider urban environment is established; embracing the full messy reality of the present, finding delight in the everyday and developing sensitivity to a range of found environments. By taking pre-existing conditions seriously, each project, architectural or analytical, large or small, becomes understood as the strategic renovation of a continuing state. This method of working operates by thinking simultaneously at different scales, from furniture to structure and infrastructure, searching for combinations of what might normally be separated into different categories, moving between the many small and ad-hoc actions of individuals to wider systems of collective organisation. Thinking about the effects of small moves on the larger urban field (and vice-versa), the role of unplanned or uncontrolled events in relation to the inward focus of design; thinking about the combinatory effect of what is newly made with what is already there, for example, enables architecture and the city to be understood in relative terms - in terms of relationships. Between people, groups of people, things, and parts of things, actions and groups of actions: urban architecture is the social arrangement of activity with the physical arrangement of large and small parts of its environment. But what people do also changes the place in which they do it. Considering different scales and types of relationships between individuals and groups, insiders and outsiders, expected and unexpected actions can be a way of crossing categories and establishing new relations. Breaking down components of a given situation or brief, before re-grouping, can be used to flatten and redistribute hierarchies embedded within. Similarly, finding ways of carefully observing things just as they are in the present, helps to see around the presuppositions of familiarity, without worrying about cause or effect. These aims, techniques and thoughts are presented through the discipline of the architectural project, where precise strategies must in the end be found to define an exact physical arrangement and materiality, usually at minimum cost. This collection of works researches the manner in which such precision can also generate openness and indeterminacy, allowing and provoking the engagement of others.