Nigel J Morgan

The Gulbenkian Museum published its long-awaited catalogue of Calouste Gulbenkian’s collection of illuminated manuscripts, marking the culmination of several years of research and collaboration by a group of international scholars. This group of works, which was particularly prized by the collector, was acquired for his own personal enjoyment and kept at his home in Paris before being transferred to Portugal. In the 1960s, when they were housed at the Marques de Pombal Palace in Oeiras, the codices were damaged by flooding. The restoration work that allowed these specimens to be studied and exhibited at long last was only completed in 2014. The first article, by Manuela Fidalgo, the emeritus curator of this group of works from the collection, explores the milestone moments in the creation of the collection, homing in on Gulbenkian’s choices and the way in which he sought to preserve his books. She has also written a brief account of the flooding of 1967 and the restoration of the damaged specimens. The second essay, by François Avril, former curator of the Manuscripts Department at the Bibliothèque nationale de France, an expert in medieval manuscript volumes and the scientific coordinator of this catalogue, takes an in-depth look at the specimens that make up the collection, plotting the timeline of the acquisitions and uncovering their provenance. The catalogue, which covers 27 books and 10 fragments, was coordinated by Angela Dillon Bussi, a specialist in medieval history and former assistant director of the Biblioteca nazionale Marciana, Venice and the Biblioteca Medicea-Laurenziana in Florence. The catalogue entries, which are all illustrated, divide the codices into two sections. The first puts forward a codicological study by Angela Dillon Bussi, in collaboration with Davide Baldi Bellini. The second explores the history, content and artistic importance of the pieces, with contributions from renowned experts such as Angela Dillon Bussi, Federica Toniolo, François Avril, Giordana Mariani Canova, James Marrow, Jonathan Alexander, Lieve de Kessel and Nigel J. Morgan.

This publication is the first to appear in a major new series of catalogues covering all Western medieval illuminated manuscripts in Cambridge, excluding only the manuscripts in the University Library which are being catalogued separately. The entries are based on the most recent studies undertaken by the Cambridge Illuminations Research Project; they are organised geographically by place of origin, and, within that grouping, listed chronologically. The present two-volume catalogue deals with the early manuscripts produced in the Frankish Kingdoms, the splendid, richly illustrated books from the Northern and Southern Netherlands ranging from the thirteenth to the sixteenth century, illuminations from the Meuse region, manuscripts both in Latin and the vernacular from the late eleventh to the end of the sixteenth century from Germany, and lastly an interesting group of books from Bohemia, Austria and Hungary. The focus of the catalogue is on the illumination, and includes detailed listings of all miniatures, decoration and ornamentation, which are made easily accessible by the inclusion of an exhaustive iconographic index. Entries also include much information on the textual contents of the manuscripts and on their provenance, as well as the most recent bibliographical references. Every manuscript catalogued is also illustrated, generally with several images, providing readers with a corpus of some 750 illustrations which are all reproducedin full colour

Edition of rare surviving litanies from the middle ages, providing evidence for monastic worship. The litanies of the monastic orders in England, above all those of the Benedictines, are key witnesses of devotion to the saints of the British Isles, whose relics and shrines were mostly in Benedictine abbeys and cathedral priories. However, although many of the calendars of the Benedictines have been published, litanies are more rare, and the majority of those within this volume are presented as text editions for the first time. The majority of the textsare Benedictine, but the few surviving litanies from the other monastic orders, Carthusians, Cistercians and Cluniacs, are included, and also those of the Order of Fontevrault. This volume, the second of a set of three, contains the litanies from the Cluniac Priory of Pontefract to York, St Mary's Abbey. Nigel Morgan is Honorary Emeritus Professor of the History of Art at the University of Cambridge and a Fellow of Corpus Christi College.

Edition of rare surviving litanies from the middle ages, providing evidence for monastic worship. The litanies of the monastic orders in England, above all those of the Benedictines, are key witnesses of devotion to the saints of the British Isles, whose relics and shrines were mostly in Benedictine abbeys and cathedral priories. However, although many of the calendars of the Benedictines have been published, litanies are more rare, and the majority of those within this volume are presented as text editions for the first time. The majority of the textsare Benedictine, but the few surviving litanies from the other monastic orders, Carthusians, Cistercians and Cluniacs, are included, and also those of the Order of Fontevrault. This is the first of two volumes and covers the abbeys and priories from Abbotsbury to Peterborough. The second volume will contain the litanies from the Cluniac Priory of Pontefract to York, St Mary's Abbey. Nigel Morgan is Honorary Emeritus Professor of the History ofArt at the University of Cambridge and a Fellow of Corpus Christi College.

The seaside is the twentieth century's pre-eminent global tourism site and this is the first book of its kind to examine political and power relations in modern seaside resort development. As an historical study of seaside tourism in Devon-England's most popular domestic holiday destination-it reveals the complex interplay between ideology, class and power and the consumption of landscape and place. Drawing on rich local, regional and national sources and bringing together approaches from history, sociology, geography and cultural studies, the book addresses the seaside holiday as an historical and sociological phenomenon. It locates seaside tourism within the wider leisure experience and suggests that the seaside manifests and reinforces the wider social, economic and political power relations which shape society.