Nikolaj Rimskij-Korsakov

"Paraphrases on an Unchanging Theme" is a collection consisting of 24 variations and 17 pieces created by the composers of the Balakirev circle, Shcherbachiov and Liszt. Each piece is based on the simplest theme, called "Coteletten". The theme can be played with one finger, but a pianist is needed to accompany it. The edition is addressed to teachers and pupils of children's music schools and children's schools of arts, as well as all interested in musical literature for piano.

Shedevry fortepiannoj transkriptsii. Vypusk 45. Sergej Kursanov. Transkriptsii romansov russkikh kompozitorov na stikhi A. S. Pushkina. Rakhmaninov, Rubinshtejn, Vlasov, Kjui, Sheremetev, Rimskij-Korsakov, Ljapunov

Eto odna iz samykh "zagadochnykh" oper velikogo russkogo kompozitora. Musorgskij otzyvalsja on nej kak o tom istochnike, iz kotorogo on cherpal svoju intonatsionnuju "pravdu" - zhivoj rechitativnyj potok, chutkij k slovu. Opera Dargomyzhskogo byla, sozdannaja po odnoimennoj "Malenkoj tragedii" A. Pushkina, odno iz samykh novatorskikh proizvedenij russkoj opernoj klassiki. Opera pisalas ne na libretto, a na sam tekst tragedii, chto opredelilo osobennosti vzaimodejstvija v nej slova i muzyki. A eto, v svoju ochered, opredelilo i originalnyj stil vsego sochinenija, kotoryj predvoskhitil mnogie javlenija muzyki XX veka. Premera opery sostojalas 16 fevralja 1872 goda, no vskore ona soshla s teatralnykh podmostkov. Novaja postanovka sostojalas v 1906 godu, uzhe v redaktsii Rimskogo-Korsakova.

The piano heritage of Nikolai Andreevich Rimsky-Korsakov (1844-1908) is relatively small, but in recent years this sphere of his work has attracted increasing attention from both researchers and performers. Didactic works are especially in demand in pedagogical practice, primarily polyphonic opuses (6 Fugues for Piano, op. 17). A separate group is made up of salon pieces (Op. 11, 15, and 38). The works of the concert repertoire include Six Variations on the Theme B-A-C-H for Piano, op. 10. The edition is addressed to senior pupils of children's music schools, students of music colleges and conservatories, performing pianists, lovers of piano music.

This book by N. A. Rimsky-Korsakov first came out in 1913 and, in fact, was immediately translated into many languages. And to this day the book "Principles of Orchestration" is in demand, because it reflects the great composer's valuable experience. This experience will be very useful in training the young musicians. The second volume contains the scores examples for students to study. The book is addressed to students and teachers of music colleges and conservatories.

This book is a reprint of the original edition (published by M. P. Belyaev, 1895), created on the basis of a high-resolution electronic copy, which was cleaned and processed manually, preserving the structure and spelling of the original edition. The quality of print is not as good as in modern publications because this is a reprint version, scanned and printed on demand.

This book by N. A. Rimsky-Korsakov first came out in 1913 and, in fact, was immediately translated into many languages. And to this day the book "Principles of Orchestration" is in demand, because it reflects the great composer's valuable experience. This experience will be very useful in training the young musicians. The book is addressed to students and teachers of music colleges and conservatories.

The genre of romance took a place far from central in the work of N. A. Rimsky-Korsakov (1844-1908). However the composer wrote a significant number of chamber vocal compositions, which played a prominent role in the romance lyrics of the 19th century. Rimsky-Korsakov gave particular preference to the lyrics by Pushkin, A. Tolstoy, Maykov, Fet, Heine. The edition is addressed to performing singers and music lovers.

The "Czar's bride" written in 1898 according to the historical drama of the same name of L. Mey - the most played of Rimsky-Korsakov's operas. For concerts giving musicians, students, teaching and musical libraries.

Reprint of original edition, Muzyka, 1985Attn.! This book is print-on-demand. Please be advised that the quality of print is not like in modern editions.

Ot izdateljaMajskaja noch - opera N. A. Rimskogo-Korsakova v 3-kh dejstvijakh, na sobstvennoe libretto, po motivam odnoimennoj povesti N. V. Gogolja. Obrativshis k povesti Gogolja, kompozitor shiroko ispolzoval ukrainskuju narodnuju pesnju dlja peredachi natsionalnogo kolorita. V opere sopostavlen mir ljudej i rusalok, no i skazochnye obrazy otmecheny realnymi chertami. Muzyka proniknovenno raskryvaet krasotu ukrainskoj prirody, risuet zhizn sela, ee obrjadovuju i bytovuju storonu. Libretto prednaznacheno dlja solistov-vokalistov opernykh teatrov, studentov i pedagogov vokalnykh otdelenij, a takzhe vsem ljubiteljam opernogo iskusstva.

The collection includes some works by Russian classics of 19-20th centuries: A. Borodin, A. Dyubyuk, N. Rimsky-Korsakov and other composers. These pieces are largely used in educational practice. For students of music collegesContents. A. Borodin. Dance of Polovtsian Maidens. From the opera 'Prince Igor'. Arranged by A. BagrintsevA. Dyubyuk. Tarantella. Arranged by V. BorisovskyN. Rimsky-Korsakov. Flight of the Bumblebee. From the opera 'The Tale of Tzar Saltan'. Arranged by Ye. StrakhovD. Shostakovich. People's Holiday. From the music to the film 'Gadfly'. Arranged by V. Borisovsky