Olive Schreiner

The Story of an African Farm (1883) is a novel by South African political activist and writer Olive Schreiner. Her first published novel, The Story of an African Farm was a bestseller upon its release despite being criticized for its portrayal of controversial social, religious, and political themes. Part Bildungsroman, part philosophical fiction, the novel is recognized as a groundbreaking work for its exploration of feminism, atheism, and the influence of British imperialism on the peoples of South Africa. Split into three sections, the novel begins with the childhood of its three main characters. Waldo, the son of the German farm-keeper Otto, is an intelligent and introspective boy who struggles with his religious faith and attempts to understand himself in relation to the order of the universe. Lyndall is a deeply philosophical thinker who strives toward independence and resists the gender norms imposed upon her by adults and others who would try to control her. Em, Lyndall’s cousin, is a friendly girl who tends to believe others without questioning authority or intention. When an English businessman named Bonaparte Blenkins arrives at the farm looking for work, the children begin to suffer under his cruelly selective verbal and psychological abuse. As Blenkins attempts to position himself for control of Tant Sannie’s farm, the children gain an informal education in treachery and the dynamics of power, disrupting their seemingly idyllic life in rural South Africa. The novel follows Waldo, Lyndall, and Em into adulthood, tracing their lives through their changing opinions towards romance, faith, and gender while illuminating the love that binds them despite their differences. With a beautifully designed cover and professionally typeset manuscript, this edition of Olive Schreiner’s The Story of an African Farm is a classic of South African literature reimagined for modern readers.

The Story of an African Farm (1883) is a novel by South African political activist and writer Olive Schreiner. Her first published novel, The Story of an African Farm was a bestseller upon its release despite being criticized for its portrayal of controversial social, religious, and political themes. Part Bildungsroman, part philosophical fiction, the novel is recognized as a groundbreaking work for its exploration of feminism, atheism, and the influence of British imperialism on the peoples of South Africa. Split into three sections, the novel begins with the childhood of its three main characters. Waldo, the son of the German farm-keeper Otto, is an intelligent and introspective boy who struggles with his religious faith and attempts to understand himself in relation to the order of the universe. Lyndall is a deeply philosophical thinker who strives toward independence and resists the gender norms imposed upon her by adults and others who would try to control her. Em, Lyndall’s cousin, is a friendly girl who tends to believe others without questioning authority or intention. When an English businessman named Bonaparte Blenkins arrives at the farm looking for work, the children begin to suffer under his cruelly selective verbal and psychological abuse. As Blenkins attempts to position himself for control of Tant Sannie’s farm, the children gain an informal education in treachery and the dynamics of power, disrupting their seemingly idyllic life in rural South Africa. The novel follows Waldo, Lyndall, and Em into adulthood, tracing their lives through their changing opinions towards romance, faith, and gender while illuminating the love that binds them despite their differences. With a beautifully designed cover and professionally typeset manuscript, this edition of Olive Schreiner’s The Story of an African Farm is a classic of South African literature reimagined for modern readers.

LARGE PRINT EDITION. A LARGE PRINT EDITION includes text at a size much larger than a typical paperback. The biggest difference in a LARGE PRINT BOOK is the size of the text, which is much larger than a standard print edition. This larger text makes for an easier reading experience, especially for readers with less-than-perfect eyesight. NEW BOOK. NEW READING. NEW JOY.

LARGE PRINT EDITION. A LARGE PRINT EDITION includes text at a size much larger than a typical paperback. The biggest difference in a LARGE PRINT BOOK is the size of the text, which is much larger than a standard print edition. This larger text makes for an easier reading experience, especially for readers with less-than-perfect eyesight. NEW BOOK. NEW READING. NEW JOY.

LARGE PRINT EDITION. A LARGE PRINT EDITION includes text at a size much larger than a typical paperback. The biggest difference in a LARGE PRINT BOOK is the size of the text, which is much larger than a standard print edition. This larger text makes for an easier reading experience, especially for readers with less-than-perfect eyesight. NEW BOOK. NEW READING. NEW JOY.

The Story of an African Farm - A Novel is an unchanged, high-quality reprint of the original edition of 1892. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Dreams is a work that defies conventional categorization; however, one might best capture its unique formal structure by construing it as a series of prose poems or narrative paintings, a starkly modern text inflected by the far older tradition of the medieval dream vision poem. Arthur Symons praised Dreams by saying, “The words seem to chant themselves to a music which we do not hear.” Though a work of prophecy, it proceeds with a light touch. The sequence of eleven dreams, loosely interlinked, leaves us to wrestle with our doubts; it takes up thorny questions that challenge a culture right where it may tend to be its proudest. The landscape of the work shifts as it moves among the African savannah, congested late-industrial London, and the olive tree-studded hillsides of Italy. The intersectionality of Schreiner’s writing—its concern with gender, sexual orientation, class, nation, and race—makes her a particularly salient voice for today’s students. The appendices to this edition provide an accessible representation of Schreiner’s key contexts, South African and British as well as American. The introduction provides a biographical overview of a writer wrestling with questions of social justice pertinent to her own era, yet relevant to our contemporary moment.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.