P G Wodehouse

'Wodehouse said letters make "a wonderful oblique form for an autobiography," and Sophie Ratcliffe's expertly edited collection amply proves the point.'SpectatorOne of the funniest and most admired writers of the twentieth century, P.

Right Ho, Jeeves is the second full-length novel featuring the popular characters Jeeves and Bertie Wooster, after Thank You, Jeeves. It was first published in the United Kingdom on 5 October 1934 by Herbert Jenkins, London, and in the United States on 15 October 1934 by Little, Brown and Company, Boston, under the title Brinkley Manor. It had also been sold to the Saturday Evening Post, in which it appeared in serial form from 23 December 1933 to 27 January 1934, and in England in the Grand Magazine from April to September 1934. Wodehouse had already started planning this sequel while working on Thank You, Jeeves. The story is mostly set at Brinkley Court, the home of Bertie's Aunt Dahlia, and introduces the recurring characters Gussie Fink-Nottle and Madeline Bassett. Bertie's friend Tuppy Glossop and cousin Angela Travers also feature in the novel, as does Brinkley Court's prized chef, Anatole.

Jeeves -- my man, you know -- is really a most extraordinary chap. So capable. Honestly, I shouldn't know what to do without him. On broader lines he's like those chappies who sit peering sadly over the marble battlements at the Pennsylvania Station in the place marked "Inquiries." You know the Johnnies I mean. You go up to them and say: "When's the next train for Melonsquashville, Tennessee?" and they reply, without stopping to think, "Two-forty-three, track ten, change at San Francisco." And they're right every time. Well, Jeeves gives you just the same impression of omniscience. . . . In _My Man Jeeves, _ affable, indolent Bertie Wooster and his precise, capable valet, Jeeves -- the ever cool and capable gentleman's gentleman Jeeves who pulls hapless Wooster's fat from the fire time and again -- weave themselves through a series of delightful adventures. But the adventures are almost beside the point: what the Jeevs stories are about is the relationship between these two men of very different classes and temperaments. Where Bertie is impetuous and feeble, Jeeves is cool-headed and poised. A motley clutch of buffoons accompanies Jeeves's accounts of Wooster's misunderstandings, gaffes, and backfiring plans. My Man Jeeves was first published in the United Kingdom in May 1919 by George Newnes. Of the eight stories in the collection, half feature the popular characters Jeeves and Bertie Wooster, while the others concern Reggie Pepper, an early prototype for Wooster." Mr. Wodehouse's idyllic world can never stale." -- Evelyn Waugh

The second full-length novel featuring the popular characters Jeeves and Bertie Wooster, after Thank You, Jeeves. It also features a host of other recurring Wodehouse characters (some of whom it introduces) and is mostly set at Brinkley Court, the home of Bertie's Aunt Dahlia. I would urge you, however, to get hold of the complete novel Right Ho, Jeeves, where you will encounter it fully in context and find that it leaps even more magnificently to life. I don't know if you have had the same experience, but the snag I always come up against when I'm telling a story is this dashed difficult problem of where to begin it. It's a thing you don't want to go wrong over, because one false step and you're sunk. I mean, if you fool about too long at the start, trying to establish atmosphere, as they call it, and all that sort of rot, you fail to grip and the customers walk out on you. Get off the mark, on the other hand, like a scalded cat, and your public is at a loss. It simply raises its eyebrows, and can't make out what you're talking about. And in opening my report of the complex case of Gussie Fink-Nottle, Madeline Bassett, my Cousin Angela, my Aunt Dahlia, my Uncle Thomas, young Tuppy Glossop and the cook, Anatole, with the above spot of dialogue, I see that I have made the second of these two floaters. I shall have to hark back a bit. And taking it for all in all and weighing this against that, I suppose the affair may be said to have had its inception, if inception is the word I want, with that visit of mine to Cannes. If I hadn't gone to Cannes, I shouldn't have met the Bassett or bought that white mess jacket, and Angela wouldn't have met her shark, and Aunt Dahlia wouldn't have played baccarat. Yes, most decidedly, Cannes was the point d'appui. . .

Wodehouse is at his most sparkling in this collection of stories concering members of the Drones Club. Pongo Twistleton and Freddie Widgeon may be small of brain and short of cash but they are always good for ingenious adventures, especially when it comes to falling in love with the wrong girl or cooking up hopeless schemes to make money. They and their contemporaries populate a series of vignettes in which the plot-twists keep you on your toes while the jokes keep on coming.

Sir Pelham Grenville Wodehouse, KBE (15 October 1881 - 14 February 1975) was an English author and one of the most widely read humorists of the 20th century. Born in Guildford, the third son of a British magistrate based in Hong Kong, Wodehouse spent happy teenage years at Dulwich College, to which he remained devoted all his life. After leaving school he was employed by a bank but disliked the work and turned to writing in his spare time. His early novels were mostly school stories, but he later switched to comic fiction, creating several regular characters who became familiar to the public over the years.

Enter the world of Bertie Wooster and his supremely capable valet, Jeeves, in P. G. Wodehouse's "My Man Jeeves." This collection of witty short stories showcases the iconic duo in their earliest adventures, establishing the dynamic that has delighted readers for generations. A cornerstone of British humor, "My Man Jeeves" offers timeless escapism filled with clever dialogue and delightfully absurd situations. Wodehouse's masterful prose and endearing characters make this a literary treat for anyone who appreciates expertly crafted comedic fiction. Dive into the escapades of Bertie as Jeeves effortlessly navigates social faux pas and romantic entanglements, proving himself to be the indispensable valet every gentleman wishes he had. This meticulously prepared print edition preserves the original charm and wit of Wodehouse's beloved stories. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A delightful foray into humorous fiction from the master of wit, P. G. Wodehouse, "The Intrusion of Jimmy" offers a sparkling comedy centered on family relationships and an unexpected brush with the police. This tale blends lighthearted mischief with the classic Wodehouse charm that readers have adored for generations. Categorized as humorous fiction and a captivating amateur sleuth story, this book explores the chaotic dynamics of family life with a playful twist. Dive into a world where misunderstandings and comedic situations abound, all while navigating the intricacies of relationships. "The Intrusion of Jimmy" is a timeless piece, meticulously prepared for print republication. Its enduring appeal lies in its ability to evoke laughter and showcase the lighter side of life, making it a perfect choice for those seeking a genuinely funny and engaging read. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.