Paul Dutton

Chelsea: The Complete Record is the definitive account of one of the world's most popular and powerful clubs, recounting every conceivable detail of its 110 year-long history. Encompassing five league titles, seven FA Cups and five European trophies, Chelsea are one of the most successful clubs in English football's modern history. Chelsea official historian Rick Glanvill and club statistician Paul Dutton have spent years trawling through the archives to uncover every conceivable fact and figure about the club. In this monumental work they have painstakingly provided details of every game, line up, goalscorer, attendance and result, as well as a plethora of other facts and figures. Weighing in at 550 pages and with full appendixes detailing the careers of the hundreds of players to have turned out for the club as well as a season by season narrative account of Chelsea's history, this is the must-read book for every fan of one of European football's modern powerhouses.

A bundle of Laurier Poetry books for course use that includes Fierce Departures (Dionne Brand); Sonosyntactics (Paul Dutton); The More Easily Kept Illusions (Al Purdy); False Laws of Narrative (Fred Wah0; and Sohkeyihta (Louise Bernice Halfe).

Laurier Poetry Pack #4 consists of 5 volumes from the Laurier Poetry series. Volumes contained in Laurier Poetry Pack #4: 9780889204904 The More Easily Kept Illusions; 9781554580385 Fierce Departures; 9781771121323 Sonosyntactics; 9781554580460 The False Laws of Narrative; 9781771124119 Social Poesis.

If you've ever wanted to... Make a difference... If you've ever thought... Things could be better... If you've ever wished for ... A bit of help along the way... This book's for you.

Sonosyntactics introduces the reader to over forty-five years of Paul Dutton's diverse and inventive poetry, ranging from lyrics, prose poems, and visual work to performance texts and scores. Perhaps best known for his acclaimed solo sound performances and his contributions to the iconic sound poetry group The Four Horsemen, Dutton is a surprising, witty, sensitive, and innovative explorer of language and of the human. This volume gathers a representative selection of his most significant and characteristic poetry together with a generous selection of uncollected new work. Sonosyntactics demonstrates Dutton's willingness to (re)invent and stretch language and to listen for new possibilities while at the same time engaging with his perennial concerns - love, sex, music, time, thought, humour, the materiality of language, and poetry itself. Gary Barwin's introduction outlines the major subjects and techniques of Dutton's poetry: an intricate weaving of thought and language, sound and emotion, sound and sense, and the unfolding of a text through the logic of language play such as puns, paradoxes, ambiguity, and sound relations. In an afterword by Dutton himself, the poet insightfully lays out the terms of his engagement with the materiality - both visual and aural - of language, often beyond the purely recountable, representational, or depictive.