Kirjojen hintavertailu – 12 903 725 kirjaa ja 27 kauppaa

Kirjailija

Paul Gordon

Kirjat ja teokset yhdessä paikassa: 22 kirjaa, julkaisuja vuosilta 1994–2023, suosituimpiin kuuluu Who Shot Van Gogh?. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

22 kirjaa

Kirjojen julkaisuvuodet: 1994–2023.

Between Psychotherapy and Philosophy

Between Psychotherapy and Philosophy

Paul Gordon; Rosalind Mayo

Whurr Publishers Ltd
2004
nidottu
Since its formation in 1965, the Philadelphia Association has carved out a unique position in the world of psychotherapy, particularly through its engagement with philosophy, especially phenomenology and post-phenomenology. It has also developed and maintained a critical and sceptical questioning of much that is taken for granted both in the theory of psychoanalysis and in the various practices of psychotherapy. With contributions from leading members, this book shows some of the rich and provocative thinking within the Philadelphia Association today and constitutes an intervention on a number of questions central to the development of psychotherapy. For example, John Heaton questions psychotherapy's concepts of normality while Peter Lomas questions psychotherapy's lack of a sense of wonder and its need for what he calls re-enchantment. Guy Thompson subjects the idea of the unconscious to a rigorous scrutiny from a Heideggerian position and Barbara Latham looks at the much-neglected but crucial issue of language in therapy from the standpoint of someone who is not just a therapist but a writer of stories. This book will be of interest to psychotherapists and counsellors who have an interest in philosophical issues. It will also be of interest to anyone looking for new and challenging perspectives on therapeutic matters.
The Critical Double

The Critical Double

Paul Gordon

The University of Alabama Press
1994
sidottu
Over 25 centuries ago, the Greek philosopher Protagoras declared: ""on every question there are two opposing answers, including this one"". This work sets out to demonstrate that Protagoras' statement constitutes one of the fundamental principles of aesthetic and rhetorical theory.