Paul Scott

Loyal to the party's central vision of a unified free India, his incarceration is a symptom of the growing deterioration of Anglo-Indian relations. For the long-serving British family, the Laytons, the political and social ramifications are immediate, disturbing and tragic.

BOOK FOUR OF THE RAJ QUARTETThe British Raj in India is in its final days. And for the British families still residing in India, decisions about their future must be made and final goodbyes must be said, all against the backdrop of one of the most turbulent periods of social change the world has ever seen.

The third novel in Paul Scott's sequence of novels about the last years of British rule in India.

Given the chance to return 'home' when Tusker, once a Colonel in the British Army, retired, they chose instead to remain in the small hill town of Pangkot, with its eccentric inhabitants and archaic rituals left over from the days of the Empire.

In this sequel to The Raj Quartet, Colonel Tusker and Lucy Smalley stay on in the hills of Pankot after Indian independence deprives them of their colonial status. Finally fed up with accommodating her husband, Lucy claims a degree of independence herself. Eloquent and hilarious, she and Tusker act out class tensions among the British of the Raj and give voice to the loneliness, rage, and stubborn affection in their marriage. Staying On won the Booker Prize and was made into a motion picture starring Trevor Howard and Celia Johnson in 1979. "Staying On far transcends the events of its central action...[The work] should help win for Scott ...the reputation he deserves--as one of the best novelists to emerge from Britain's silver age."--Robert Towers, Newsweek "Scott's vision is both precise and painterly. Like an engraver cross-hatching in the illusion of fullness, he selects nuances that will make his characters take on depth and poignancy."--Jean G. Zorn, New York Times Book Review "A graceful comic coda to the earlier song of India... No one writing knows or can evoke an Anglo-Indian setting better than Scott."--Paul Gray, Time

This volume follows the fate of the Laytons and the retired missionary techer, who can forsee the end of the Raj, and both welcome and lament its passing.

In The Day of the Scorpion, Scott draws us deeper in to his epic of India at the close of World War II. With force and subtlety, he recreates both private ambition and perversity, and the politics of an entire subcontinent at a turning point in history. As the scorpian, encircled by a ring of fire, will sting itself to death, so does the British raj hasten its own destruction when threatened by the flames of Indian independence. Brutal repression and imprisonment of India's leaders cannot still the cry for home rule. And in the midst of chaos, the English Laytons withdraw from a world they no longer know to seek solace in denial, drink, and madness.

After exploiting India's divisions for years, the British depart in such haste that no one is prepared for the Hindu-Muslim riots of 1947. The twilight of the raj turns bloody. Against the backdrop of the violent partition of India and Pakistan, A Division of the Spoils illuminates one last bittersweet romance, revealing the divided loyalties of the British as they flee, retreat from, or cling to India.

No set of novels so richly recreates the last days of India under British rule-"two nations locked in an imperial embrace"-as Paul Scott's historical tour de force, The Raj Quartet. The Jewel in the Crown opens in 1942 as the British fear both Japanese invasion and Indian demands for independence. On the night after the Indian Congress Party votes to support Ghandi, riots break out and an ambitious police sargeant arrests a young Indian for the alleged rape of the woman they both love.

World War II has shown that the British are not invincible and the self-rule lobby is gaining supporters. Against this background, Daphne Manners, an English girl, is raped. The racism, brutality and hatred launched upon the head of her Indian lover echo the violence perpetrated on Daphne and reveal the desperate state of Anglo-Indian relations.