Paul Verhaeghe

The great arc or arc de cercle (Arch of Hysteria) with its ambivalence of loss of control and domination, is a seductive motif that has a long tradition in the history of art and culture. It can be found in representations of dance and acrobatics, though it also describes physical or psychological illnesses: the overextended (female) body expresses ecstatic rapture or even a psychotic disorder, yet in dance it stands for virtuoso body control and expressiveness. With Arch of Hysteria , the Museum der Moderne, Salzburg, centers an exhibition entirely on this powerful visual motif. Works of art from the last one hundred years and various contexts, are on display, tracing the variety of expressive possibilities inherent in the pose - to the point of transforming it into abstract, yet expressive and therefore unmistakable forms. The book and the exhibition illuminate the (art) historical roots of the motif as well as current adaptations in painting, drawing, sculpture, photography, and video and performance art. Among the protagonists are Denis Darzacq, Max Ernst, Gustav Klimt, Alfred Kubin, Auguste Rodin, Alexandra Bircken, Louise Bourgeois, Valie Export and many others.

The first essay, "The Impossible Couple", is both a humorous and razor-sharp analysis of the contemporary relationship between man and woman. In the second essay, "Fleeing Fathers", the author demonstrates that today the Freudian Oedipus complex has disappeared, with a resulting shattering of classic gender roles. Post-modern morals are strange

The central argument of On Being Normal and Other Disorders is that psychic identity is acquired through one's primary intersubjective relationships. Thus, the diagnosis of potential pathologies must also be founded on this relation. Given that the efficacy of all forms of treatment depends upon the therapeutic relation, a diagnostic of

According to current thinking, anyone who fails to succeed must have something wrong with them. The pressure to achieve and be happy is taking a heavy toll, resulting in a warped view of the self, disorientation, and despair. People are lonelier than ever before. Today’s pay-for-performance mentality is turning institutions such as schools, universities, and hospitals into businesses — even individuals are being made to think of themselves as one-person enterprises. Love is increasingly hard to find, and we struggle to lead meaningful lives. In What about Me?, Paul Verhaeghe’s main concern is how social change has led to this psychic crisis and altered the way we think about ourselves. He investigates the effects of 30 years of neoliberalism, free-market forces, privatisation, and the relationship between our engineered society and individual identity. It turns out that who we are is, as always, determined by the context in which we live. From his clinical experience as a psychotherapist, Verhaeghe shows the profound impact that social change is having on mental health, even affecting the nature of the disorders from which we suffer. But his book ends on a note of cautious optimism. Can we once again become masters of our fate?