Per Olaf Fjeld

In March of 2008, The National Museum – Architecture opened at Bankplassen 3 in Oslo with an exhibition on Sverre Fehn. He is the architect behind the renovation of Grosch's bank building from the 1800s and the new museum pavilion. Fehn was also active in selecting which projects should be included in the exhibition and this catalogue. In addition to articles, pictures and drawings, this catalogue also includes quotes and project descriptions by Fehn himself.

The summer house Månen (2021) is situated at Hamburgö on the Swedish west coast. . The discovery of two rock shelves at approximately the same height sparked the idea of spanning the hill's natural ravine with a bridge, thus allowing this unique area of the site to remain untouched", as Per Olaf Fjeld reflects in his essay . Full Moon": . The house as a suspended object appears to have just landed or rather docked in place." Manthey Kula partners Beate Hølmebakk and Per Tamsen designed Månen as a home where practice and family life are closely linked. The small, clear cut and precisely detailed wooden building refines a long-term tradition in Norwegian architecture. Spatially, Månen reflects the potentials of the site, an informal program of in- and outdoor living, and explores the architectural ideas of a summer house. This 30th volume of asBuilt presents the full set of drawings for the Månen project, including sketches for the structure by the renowned engineer Finn-Erik Nilsen. Photographs by Karin Björkquist & Sébastien Corbari document the building set in the granite landscape close to the sea. Essay by Per Olaf Fjeld. Edited by Karl Otto Ellefsen and Dagfinn Sagen.

Louis I. Kahn: The Nordic Latitudes is a new and personal reading of the architecture, teachings, and legacy of Louis I. Kahn from Per Olaf Fjeld's perspective as a former student. The book explores Kahn's life and work, offering a unique take on one of the twentieth century's most important architects. Kahn's Nordic and European ties are emphasized in this study that also covers his early childhood in Estonia, his travels, and his relationships with other architects, including the Norwegian architect Arne Korsmo. The authors have gathered personal reflections, archival material, and other student work to offer insight into the wisdom that Kahn imparted to his students in his famous masterclass. Louis I. Kahn: The Nordic Latitudes addresses Kahn's legacy both personally and in terms of the profession, documents a research trip the University of Pennsylvania's Louis I. Kahn Collection, and confronts the affiliation of Kahn's work with postmodernism.