Percival Everett

In Trout's Lie, Percival Everett explores the semantic relationship between sense and so-called nonsense—and questions whether either is actually possible.

Vietnam veteran David Larson can't go home again. Instead the Georgia native wanders westward into the desolate landscape of Slut's Hole, Wyoming, and seeks to integrate himself amid a hardscrabble cast of memorable locals. David is taken in by Sixbury, a one-legged widow, sheep farmer, and mother to a nearly adult mentally handicapped son. This rough-hewn family unit is later augmented when David becomes the unwilling guardian to Butch, a Vietnamese girl abandoned at a highway rest stop. A tragic turn of events moves the novel into violent territory that bridges western laconic traditions with southern gothic and interrogates our notions of home, family, duty, and the always uncertain responsibilities of the individual in society. First published in 1985, Walk Me to the Distance was Percival Everett's second novel, a hauntingly dark tragicomedy of the modern West, still clinging to a mythical heritage and code of frontier justice. With spare strokes Everett paints a telling landscape of big-sky country, where the mere act of living can be hard, cruel, and heart-stopping. This Southern Revivals edition includes a new introduction by the author and a contextualizing preface from series editor Robert H. Brinkmeyer, director of the University of South Carolina Institute for Southern Studies.

A hilarious, ground-breaking and insightful novel, Glyph successfully blends the feverish plot of a thriller with the philosophical depth of Barthes. Narrated by a baby genius Ralph; a baby with an IQ of 475, who is much more at home with the post-modernist thought of Voltaire than reading Goldilocks and the Three Bears. However, word soon spreads about this miracle gift, and Ralph is soon kidnapped and held hostage by a child psychologist, who runs tests on him. What follows is a number of successive kidnaps, and a linguistic adventure unlike any other.

Percival Everett's blistering satire about race and publishing, now adapted for the screen as AMERICAN FICTION, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies--his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before. In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is--under the pseudonym Stagg R. Leigh--and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.

A baffling triptych of murder mysteries by the author of I Am Not Sidney PoitierOgden Walker, deputy sheriff of a small New Mexico town, is on the trail of an old woman's murderer. But at the crime scene, his are the only footprints leading up to and away from her door. Something is amiss, and even his mother knows it. As other cases pile up, Ogden gives chase, pursuing flimsy leads for even flimsier reasons. His hunt leads him from the seamier side of Denver to a hippie commune as he seeks the puzzling solution. In Assumption, his follow-up to the wickedly funny I Am Not Sidney Poitier, Percival Everett is in top form as he once again upends our expectations about characters, plot, race, and meaning. A wild ride to the heart of a baffling mystery, Assumption is a literary thriller like no other.

Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation. Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinner table explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: ''What's your name'' a kid would ask. ''Not Sidney, '' I would say. ''Okay, then what is it''

In a literary reversal as deadly serious as it is wickedly satiric, this novel by the acclaimed French-speaking African writer Abdourahman A. Waberi turns the fortunes of the world upside down. On this reimagined globe a stream of sorry humanity flows from the West, from the slums of America and the squalor of Europe, to escape poverty and desperation in the prosperous United States of Africa. It is in this world that an African doctor on a humanitarian mission to France adopts a child. Now a young artist, this girl, Malaïka, travels to the troubled land of her birth in hope of finding her mother—and perhaps something of her lost self. Her search, at times funny and strange, is also deeply poignant, reminding us at every moment of the turns of fate we call truth.

Theodore becomes an object of derision and morbid curiosity to the press, a prized specimen for scientists and Satan incarnate to an obscure religious cult deep in the desert.

A satirical parable and fantasy tale by the author of Erasure finds suicidal college professor Theodore inadvertently dying in a car accident and unexpectedly resurrected during his funeral, a situation that renders him an object of morbid curiosity, embarrassment to his family, and dark worship to an obscure religious cult.