Perry Anderson

Where does the idea of the postmodern come from? Who first conceived, and who developed it? How have its meanings changed? What purposes do they serve? These are the questions addressed in The Origins of Postmodernity. The answers take us from Lima to Angkor, to Paris and Munich, to China and the stars. At the center of the story is the figure of Fredric Jameson, theorist supreme of postmodernism. What happens to art, time, politics, in the age of the spectacle? What has ended, and what has begun?

The texts in this volume offer critical assessments of a number of leading figures in contemporary intellectual life, who are in different ways thinkers at the intersection of history and politics. They include Roberto Unger, advocate of plasticity; the historians of antiquity and of revolution, Geoffrey de Ste. Croix and Isaac Deutscher; the philosophers of liberalism, Norberto Bobbio and Isaiah Berlin; the sociologists of power, Michael Mann and W. G. Runciman; the exponents of national identity, Andreas Hillgruber and Fernand Braudel; the ironists of science, Max Weber and Ernest Gellner; Carlo Ginzburg, explorer of cultural continuity, and Marshall Berman, herald of modernity. A concluding chapter looks at the idea of the end of history, recently advanced by Francis Fukuyama, in its successive versions from the nineteenth century to the present, and considers the situation of socialism today in the light of it.

A set of reflections on British society and culture, this volume falls into two principal parts. The first consists of a pair of essays published in New Left Review in the sixties; "Origins of the Present Crisis," which suggested a general schema for the analysis of class and power in modern Britain and their relation to its decline; and "Components of the National Culture," which looked at the pattern of intellectual disciplines associated with the post-war political consensus. One premise of these accounts was a conception of bourgeois revolution, whose critique is sketched in a short intermezzo from the mid seventies. The second part contains two essays published in the late eighties which review the conjectures of the original texts in the light of developments-political and intellectual-of the subsequent decades. "The Figures of Descent" reconsiders the problem of national decline; "A Culture in Contraflow" traces some of the intellectual reversals of the recent period. The book concludes with a survey of the political conjuncture after the fall of Thatcher, which considers the prospects of the Labour Party within the context of the wider changes that have reshaped European social democracy in these years.

En storslagen exposé över den 'västerländska' marxismens utveckling från 1918. Boken tar upp alla de viktiga traditionerna, från Lukács, Gramsci och Frankfurtskolan fram till Sartre och Althusser. Ett centralt tema i boken är också en diskussion om marxismens kris samt en uppgörelse med strukturalistiskt och poststrukturalistiskt tänkande.

What have been the major changes in the intellectual landscape of the left since the mid seventies? Have they on balance represented an emancipation or a retreat for socialist culture as a whole? In the Tracks of Historical Materialism looks at some of the paradoxes in the evolution of Marxist thought in this period. It starts by considering the remarkable and variegated growth of historical materialism in the Anglo-American world, spreading across a broad field from history to economics, politics to literature, sociology to philosophy. By contrast, the same years have seen a drastic recession of Marxist influences in the Latin cultures where it was traditionally strong-France or Italy. Its main theoretical challengers there proved to be successive forms of structuralism and post-structuralism. The common coordinates of these-tracing the outer bounds of the work of Levi-Strauss or Lacan, Foucault or Derrida-are surveyed and criticized, in the light of the inherent limitations of the language model from which they derived. In Germany, on the other hand, the theoretical scene has been largely dominated by the accumulating work of Habermas, with its roots in the Frankfurt School. Yet Habermas's philosophy also reveals unexpected affinities with the trend of prevalent Parisian concerns, in its unifying emphasis on communication-while at the same time diverging from them in the constancy of its political commitments. The historical background of international class struggles against which these variant fates of Marxism in the west were played out is then explored, with special attention to the interconnection between the destinies of Maoism and Eurocommunism. What, finally, is the nature of the relationship between Marxism as a theory and socialism as a goal? A conclusion reviews the wider issues posed for the labour movement by the rise of the peace movement and the women's movement, and suggests a range of priorities for the further development of Marxist thought in the eighties.

Den absoluta statens utveckling är den andra delen i Perry Andersons storslagna projekt att ge en samlad framställning av de europeiska statsbildningarnas utveckling från antiken till modern tid. Den första delen var Övergångar från antiken till feodalismen. I bokens första del undersöks absolutismen som ett allmänt statssystem i Västeuropa från renässansen och framåt. I centrum står absolutismens utveckling i de dominerande västeuropeiska länderna -- Spanien, Frankrike, England och Sverige. Särskilt uppmärksammar författaren det problematiska förhållandet mellan monarki och adel, som satte sin prägel på detta skede. Bokens andra del ägnas åt absolutismens utveckling i Östeuropa. Anderson försöker förklara varförde olikartade sociala förhållandena i denna mer efterblivna del trots allt gav upphov till politiska system som påminde om dem i det mer utvecklade Västeuropa. I det sammahnaget studerar han särskilt monarkierna i Preussen, Österrike och Ryssland och jämför dem med den annorlunda utvecklingen i Polen. Ett centralt resultat av Perry Andersons undersökning är att absolutismen måste ses som en unik europeisk företeelse.

The characteristic form taken by English Marxism since the war has been the study of history. No writer exemplifies its achievements better than Edward Thompson, whose Making of the English Working Class is probably the most influential single work of historical scholarship by a socialist today. An editor of The New Reasoner in 1957-59, a founder of the New Left in 1960, now an eloquent champion of civil rights, Thompson has most recently aroused widespread interest with the appearance of his Poverty of Theory, which combines philosophical and political polemic with Louis Althusser, and powerful advocacy of the historian's craft. Arguments Within English Marxism is an assessment of its central theses that relates them to Thompson's major historical writings themselves. Thus the role of human agency-the part of the conscious choice and active will-in history is discussed through consideration of its treatment in The Making of the English Working Class. The problems of base and superstructure in historical materialism, and of affiliation to values in the past, are reviewed in the light of Whigs and Hunters. The claims of utopian imagination are illustrated from the findings of William Morris. Questions of socialist strategy are broached in part through the articles now collected in Writing by Candlelight. Exploring at once differences and convergences between New Left Review and one of its founders, the essay concludes by suggesting the virtues of diversity within a common socialist culture.

This synoptic essay considers the nature and evolution of the Marxist theory that developed in Western Europe, after the defeat of the proletarian rebellions in the West and the isolation of the Russian Revolution in the East in the early 1920s. It focuses particularly on the work of Lukács, Korsch and Gramsci; Adorno, Marcuse and Benjamin; Sartre and Althusser; and Della Volpe and Colletti, together with other figures within Western Marxism from 1920 to 1975. The theoretical production of each of these thinkers is related simultaneously to the practical fate of working-class struggles and to the cultural mutations of bourgeois thought in their time. The philosophical antecedents of the various school within this tradition - Lukácsian, Gramscian, Frankfurt, Sartrean, Althusserian and Della Volpean - are compared, and the specific innovations of their respective systems surveyed. The structural unity of 'Western Marxism', beyond the diversity of its individual thinkers, is then assessed, in a balance-sheet that contrasts its heritage with the tradition of 'classical' Marxism that preceded it, and with the commanding problems which will confront any historical materialism to succeed it.