Pete Ward

Tracking music that first arose from a close relationship to the religion of the American South, this book explores the ways in which they have taken on new meanings in a post-religious environment. Divided into two parts, Pete Ward first gives a historical account of the relationship between Old Time and Bluegrass Music and Religion. These chapters explore how Bluegrass Music has been shaped and influenced by Christian experience and practice. Drawing on archival research, the book connects findings around the music to research on and the development of evangelicalism into the 20th Century and reactions against belief that were common in the folk revival. The second part of the book is based on ethnographic field work, from both the US and the UK, including textual analysis of songs and participant observation of concerts and interviews with performers. The differences of context between the US and the UK are considered as they relate to issues of post Christian sensibilities and non-religion. A particular focus is how what were specifically Christian songs become relocated in post Christian environment. Pete Ward explores how Bluegrass raises a number of troubling political issues, and what it means for the changing nature of the sacred and notions of non-religion. A key issue discussed is the continued significance of this music and why ‘roots’ or ‘nostalgia’ play a role and indeed how and why this might be the case in the UK as well as in the US.

In this groundbreaking book exploring Christianity and contemporary culture, internationally-renowned scholars (including David Martin, Alister McGrath, Billy Abraham, Billy Kay and Pete Ward), interface with the legacy of Andrew Walker’s work and look forward in their own predictions of trends. Following Walker’s special interests in house churches, charismatic renewal, culture and faith, this book picks up on these themes and also looks more broadly at topics such as Pentecostalism, Alpha and post-Evangelicalism.

Celebrity Worship provides an introduction to the fascinating study of celebrity culture and religion. The book argues for celebrity as a foundational component for any consideration of the relationship between religion, media and culture. Celebrity worship is seen as a vibrant and interactive discourse of the sacred self in contemporary society. Topics discussed include: Celebrity culture. Celebrity worship and project of the self as the new sacred. Social media and the democratisation of celebrity. Reactions to celebrity death. Celebrities as theologians of the self. Christian celebrity. Using contemporary case studies, such as lifestyle television, the religious vision of Oprah Winfrey and the death of David Bowie, this book is a gripping read for those with an interest in celebrity culture, cultural studies, media studies, religion in the media and the role of religion in society.

Celebrity Worship provides an introduction to the fascinating study of celebrity culture and religion. The book argues for celebrity as a foundational component for any consideration of the relationship between religion, media and culture. Celebrity worship is seen as a vibrant and interactive discourse of the sacred self in contemporary society. Topics discussed include: Celebrity culture. Celebrity worship and project of the self as the new sacred. Social media and the democratisation of celebrity. Reactions to celebrity death. Celebrities as theologians of the self. Christian celebrity. Using contemporary case studies, such as lifestyle television, the religious vision of Oprah Winfrey and the death of David Bowie, this book is a gripping read for those with an interest in celebrity culture, cultural studies, media studies, religion in the media and the role of religion in society.

This introduction to the field of practical theology reclaims a theological vision for the life and work of the church. Pete Ward dispels the myth that practical theology is a distraction from the "real" tasks of ministry or from serious academic theological work. He argues that practical theology is part of the everyday life of the church and that there are a variety of possible approaches, helping readers evaluate the approach that is most appropriate to their ministerial context and theological tradition. This reliable, accessible resource will work well for those in training or in ministry.

In Liquid Ecclesiology Pete Ward explores the theological contours of the turn to ethnography in the study of the Christian Church. His approach rests on a theology of culture that holds in tension and paradox the expression of the Church and divine presence. This theological framework is then developed through an extended qualitative empirical case study examining the communicative practices of the contemporary evangelical Church. The case study examines how the evangelical Gospel through expression has become marginalised in the everyday life of communities being replaced by a new more individual and personalised theology seen in worship songs. The final section of the book returns to the debates around ethnographic forms of theology and the question of normativity. This book will be of interest to all those engaged in empirical and theological work, as well as those researching the contemporary Church and evangelicalism

In this groundbreaking book exploring Christianity and contemporary culture, internationally-renowned scholars (including David Martin, Alister McGrath, Billy Abraham, Billy Kay and Pete Ward), interface with the legacy of Andrew Walker’s work and look forward in their own predictions of trends. Following Walker’s special interests in house churches, charismatic renewal, culture and faith, this book picks up on these themes and also looks more broadly at topics such as Pentecostalism, Alpha and post-Evangelicalism.

From Britney and Brangelina to Tiger Woods and Michael Jackson, Western society is obsessed with its American idols and gods of the red carpet. We worship their triumphs, judge their sins, and maintain vigil at their deaths. Can our fixation on and devotion to celebrity culture itself be considered a religion? If not, why do we use religious terminology to describe these stars and our actions towards them? Gods Behaving Badly examines the blurred boundary between popular culture and religion—one that has given way to an often confounding fusion of the sacred and the profane. Flipping through pages of tabloid media and looking underneath the veil of Hollywood's glamour, Pete Ward exposes how, in its consumer life, Western society elevates celebrity to the theological and, in so doing, creates a new para-religion. Inevitably, whether despised or extolled, individual celebrities evoke public moral judgment, creating fertile ground for theological innovation. Plucked straight from the headlines, the narratives in Gods Behaving Badly give concrete evidence of how the religious themes of incarnation, revelation, sin, judgment, and redemption are all woven into narratives we construct about our most cherished—and most villainized—personalities.

Pete Ward argues that to make sense of the contemporary nature of the Church we must understand the way that encounter with God is mediated by cultural expression. Through participation in expression the contemporary Church is both a lived-in 'culture' while it is also 'in-dwelt' by the Trinitarian God. He offers a theoretical approach to practical theology which will be of use to practitioners rather than merely to other practical theologians.