Peter Grant

The body of former astronaut Eloise Birch is found hanged at Smithfield Market. Detective Inspector Nikki McDonald links the murder to another, that of feminist artist Tilly Webster. The crimes suggest the killer is obsessed with witchcraft and Nikki calls on the expertise of outspoken historian Anna Carr. Nikki’s somewhat dysfunctional team is completed by cynical Sergeant, Dave Finch, and ultra-keen DC, Chloe Wong. Anna confirms the perpetrator’s knowledge of witches as well as links with Biblical misogyny. Then the first communique arrives. The killer gives himself the alias ‘Master Illusionist’, an anagram of ‘Malleus Institoris’ – the title and author of the most infamous of all witchcraft books – the Malleus Maleficarum, usually translated as the Hammer of Witches. Anna begins to piece together the killer’s motives and next moves, as he targets more prominent women and then Anna herself. Combining a compelling plot with themes exploring the Early Modern witch trials and the current incel and misogynist movements, The Hammer of Witches is a gripping psychological thriller with a protagonist forged in the cauldron of today’s cultural politics.

This book challenges scholarship which presents charity and voluntary activity during World War I as marking a downturn from the high point of the late Victorian period. Charitable donations rose to an all-time peak, and the scope and nature of charitable work shifted decisively. Far more working class activists, especially women, became involved, although there were significant differences between the suburban south and industrial north of England and Scotland. The book also corrects the idea that charitably-minded civilians’ efforts alienated the men at the front, in contrast to the degree of negativity that surrounds much previous work on voluntary action in this period. Far from there being an unbridgeable gap in understanding or empathy between soldiers and civilians, the links were strong, and charitable contributions were enormously important in maintaining troop morale. This bond significantly contributed to the development and maintenance of social capital in Britain, which, in turn, strongly supported the war effort. This work draws on previously unused primary sources, notably those regarding the developing role of the UK’s Director General of Voluntary Organizations and the regulatory legislation of the period.

This guide is a truly unique and informative book which is full of reliable and time tested information - written for the admirers and owners of this wonderful breed. Easy-to-read and in-depth in its nature - you will thoroughly enjoy your experience with this training guide. A wealth of reliable methods and procedures, alongside detailed advice for current or soon-to-be-owners is contained within. Contributed to by a series of specialist dog trainers, this book is certainly a must have addition to your collection.

Reprint of the original, first published in 1863.

Reprint of the original, first published in 1863.

Taghri has left the Sultan's army to seek his fortune - and he seizes opportunity when it knocks. In the confusion of a pirate raid on a trading caravan, he kills their leader and captures their ship. The vessel is now his prize of war... but some prizes may be more trouble than they're worth Nestled among the gold coins in the captain's cabin is a stolen Temple sacrificial knife, whose Goddess is now paying close attention - too close - to its new owner. Among the slaves he's freed is a princess, formerly being held for ransom, who comes with political and personal intrigues all her own. Even if he survives the attention of both, there's also a pirate lord out there, hell-bent on avenging the death of his son. It's going to take all of Taghri's skill, experience and cunning to survive winning this prize

This book looks at the role of popular music in constructing the myth of the First World War. Since the late 1950s over 1,500 popular songs from more than forty countries have been recorded that draw inspiration from the War. National Myth and the First World War in Modern Popular Music takes an inter-disciplinary approach that locates popular music within the framework of ‘memory studies’ and analyses how songwriters are influenced by their country’s ‘national myths’. How does popular music help form memory and remembrance of such an event? Why do some songwriters stick rigidly to culturally dominant forms of memory whereas others seek an oppositional or transnational perspective? The huge range of musical examples include the great chansonniers Jacques Brel and Georges Brassens; folk maestros including Al Stewart and Eric Bogle; the socially aware rock of The Kinks and Pink Floyd; metal legends Iron Maiden and Bolt Thrower and female iconoclasts Diamanda Galás and PJ Harvey.

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In late December 1914, German and British soldiers on the western front initiated a series of impromptu, unofficial ceasefires. Enlisted men across No Man's Land abandoned their trenches and crossed enemy lines to sing carols, share food and cigarettes, and even play a little soccer. Collectively known as the Christmas Truce, these fleeting moments of peace occupy a mythical place in remembrances of World War I. Yet new accounts suggest that the heartwarming tale ingrained in the popular imagination bears little resemblance to the truth. In this detailed study, Terri Blom Crocker provides the first comprehensive analysis of both scholarly and popular portrayals of the Christmas Truce from 1914 to present. From books by influential historians to the Oscar-nominated French film Joyeux Noel (2006), this new examination shows how a variety of works have both explored and enshrined this outbreak of peace amid overwhelming violence. The vast majority of these accounts depict the soldiers as acting in defiance of their superiors. Crocker, however, analyzes official accounts as well as private letters that reveal widespread support among officers for the détentes. Furthermore, she finds that truce participants describe the temporary ceasefires not as rebellions by disaffected troops but as acts of humanity and survival by professional soldiers deeply committed to their respective causes. The Christmas Truce studies these ceasefires within the wider war, demonstrating how generations of scholars have promoted interpretations that ignored the nuanced perspectives of the many soldiers who fought. Crocker's groundbreaking, meticulously researched work challenges conventional analyses and sheds new light on the history and popular mythology of the War to End All Wars.

This book looks at the role of popular music in constructing the myth of the First World War. Since the late 1950s over 1,500 popular songs from more than forty countries have been recorded that draw inspiration from the War. National Myth and the First World War in Modern Popular Music takes an inter-disciplinary approach that locates popular music within the framework of ‘memory studies’ and analyses how songwriters are influenced by their country’s ‘national myths’. How does popular music help form memory and remembrance of such an event? Why do some songwriters stick rigidly to culturally dominant forms of memory whereas others seek an oppositional or transnational perspective? The huge range of musical examples include the great chansonniers Jacques Brel and Georges Brassens; folk maestros including Al Stewart and Eric Bogle; the socially aware rock of The Kinks and Pink Floyd; metal legends Iron Maiden and Bolt Thrower and female iconoclasts Diamanda Galás and PJ Harvey.

This book challenges scholarship which presents charity and voluntary activity during World War I as marking a downturn from the high point of the late Victorian period. Charitable donations rose to an all-time peak, and the scope and nature of charitable work shifted decisively. Far more working class activists, especially women, became involved, although there were significant differences between the suburban south and industrial north of England and Scotland. The book also corrects the idea that charitably-minded civilians’ efforts alienated the men at the front, in contrast to the degree of negativity that surrounds much previous work on voluntary action in this period. Far from there being an unbridgeable gap in understanding or empathy between soldiers and civilians, the links were strong, and charitable contributions were enormously important in maintaining troop morale. This bond significantly contributed to the development and maintenance of social capital in Britain, which, in turn, strongly supported the war effort. This work draws on previously unused primary sources, notably those regarding the developing role of the UK’s Director General of Voluntary Organizations and the regulatory legislation of the period.

This book enables Christians to assess their impact on world poverty through their current lifestyles. It then provides practical proposals for action to help reduce poverty, safeguard the environment and promote human rights. Our impact in the world results from the choices that we each make and for which we are responsible to God. Peter Grant writes from a Tearfund perspective and explains simply and clearly the causes of poverty and the action that each of us can take to change our behaviour so that we can have a positive impact. As Tearfund seeks to see a million Christians mobilised in the UK to address poverty, this book aims to be the handbook for that movement.