Peter Mountford

Thirty-six of the most interesting writers in the Pacific Northwest came together for a week-long marathon of writing live on stage. The result? Hotel Angeline, a truly inventive novel that surprises at every turn of the page. Something is amiss at the Hotel Angeline, a rickety former mortuary perched atop Capitol Hill in rain-soaked Seattle. Fourteen-year-old Alexis Austin is fixing the plumbing, the tea, and all the problems of the world, it seems, in her landlady mother’s absence. The quirky tenants—a hilarious mix of misfits and rabble-rousers from days gone by—rely on Alexis all the more when they discover a plot to sell the Hotel. Can Alexis save their home? Find her real father? Deal with her surrogate dad’s dicey past? Find true love? Perhaps only their feisty pet crow, Habib, truly knows. Provoking interesting questions about the creative process, this novel is by turns funny, scary, witty, suspenseful, beautiful, thrilling, and unexpected.

Sensorily rich and narratively captivating, the stories in Detonator are utterly addictive. Author Peter Mountford invites readers with a balance of humor, sensuality, and compassion while spanning continents, offering intimate portraits of flawed characters caught in the crosshairs of personal and political upheavals. In "One More Night Behind Walls," set against the early 1980s-onset of Sri Lanka's civil war, the young protagonist observes, "Some say the grown-ups used the war as an excuse to let go, but I think it's more like the war forced them together, and that's what made them go off the rails." Soon, the interpersonal dramas of the expat community beget casual debauchery and fatal consequences during a drunken New Year's Party. In other stories, an American consultant faces personal and professional ruin after fateful decisions concerning Ecuador's post-revolution economy. A divorcee in her forties finds unexpected chemistry with her ex-husband's girlfriend after a Scottish Highland funeral. A married suburban feminist experiments with the escape of a dangerous love affair in Washington, D. C. With remarkable sensitivity and psychological acuity, Mountford positions his characters not at the center of historical events, but at their peripheries -- witnesses to momentous changes they can only partially comprehend. "Our minds were frail, troubled by old wounds that kept calling for help, and we were forever confused and looking in the wrong direction," says the character of the title story, "Detonator," about a man who blows up his life, again. And again. Rather than rendering them insignificant, this perspective reveals their profound humanity as they navigate desire, grief, and meaning against political instability and social transformation. Mountford illuminates each character with stunning humanity -- free from condescension -- as consequences swirl through even the purest intentions. With striking precision, he captures the visceral authenticity of emotions as characters gather fragmented understandings of their place in the world. Each story traces a unique path along the plane curve of history, honoring the messy, beautiful complexity of lifetimes unspooled and most of all -- lived.

While much has been written of the importance of Agrippa in Augustus’ rise to power as the first emperor of Rome, Maecenas remains a shadowy figure despite being a vital part in the success of Augustus. After the assassination of Julius Caesar, Maecenas was a vital negotiator between Octavian and Mark Antony in the years leading up to the battle of Actium, and a wise political advisor to Augustus during the early years of the new regime. This is the first biography of Maecenas in English and gives due credit to the stature of Maecenas both as a confidant of the emperor and as patron of the poets Virgil, Horace and Propertius. The book devotes a chapter to each poet’s relationship with Maecenas and the Augustan regime: the chapter on Virgil, while considering his relationship to Maecenas and Augustus, argues that the origins of his choice of Aeneas may lie in Etruria rather than elsewhere, while the chapter on Horace assesses one of the closest documented relationships of Roman history. The chapter on Propertius wrestles with the disparate views of scholars on the question of his relationship with the Augustan regime and argues that, at heart, he remains an Umbrian/Etruscan rather than a Roman. A crucial feature of the book is the provision of 161 texts from ancient Roman and Greek authors which mention Maecenas. Based on sustainable evidence this study of the importance of Maecenas takes scholarship in new and important directions.

While much has been written of the importance of Agrippa in Augustus’ rise to power as the first emperor of Rome, Maecenas remains a shadowy figure despite being a vital part in the success of Augustus. After the assassination of Julius Caesar, Maecenas was a vital negotiator between Octavian and Mark Antony in the years leading up to the battle of Actium, and a wise political advisor to Augustus during the early years of the new regime. This is the first biography of Maecenas in English and gives due credit to the stature of Maecenas both as a confidant of the emperor and as patron of the poets Virgil, Horace and Propertius. The book devotes a chapter to each poet’s relationship with Maecenas and the Augustan regime: the chapter on Virgil, while considering his relationship to Maecenas and Augustus, argues that the origins of his choice of Aeneas may lie in Etruria rather than elsewhere, while the chapter on Horace assesses one of the closest documented relationships of Roman history. The chapter on Propertius wrestles with the disparate views of scholars on the question of his relationship with the Augustan regime and argues that, at heart, he remains an Umbrian/Etruscan rather than a Roman. A crucial feature of the book is the provision of 161 texts from ancient Roman and Greek authors which mention Maecenas. Based on sustainable evidence this study of the importance of Maecenas takes scholarship in new and important directions.

he Dismal Science tells of a middle-aged vice president at the World Bank, Vincenzo D'Orsi, who publicly quits his job over a seemingly minor argument with a colleague. A scandal inevitably ensues, and he systematically burns every bridge to his former life. After abandoning his career, Vincenzo, a recent widower, is at a complete loss as to what to do with himself. The story follows his efforts to rebuild his identity without a vocation or the company of his wife. An exploration of the fragile nature of identity, The Dismal Science reveals the terrifying speed with which a person's sense of self can be annihilated. It is at once a study of a man attempting to apply his reason to the muddle of life and a book about how that same ostensible rationality, and the mathematics of finance in particular, operates--with similarly dubious results--in our world.