Philip Roth

Winner of the National Book Critics Circle Award for FictionThe Counterlife is about people living their dreams of renewal and escape, some of them going so far as to risk their lives to alter their destinies.

When talented young writer Nathan Zuckerman makes his pilgrimage to sit at the feet of his hero, the reclusive master of American Literature, E.

A collection of conversations and essays about writers and writing. The collection explores the importance of religion, politics and history in the work of others. The essays trace the imaginative path by which a writer's individualized art is informed by the wider conditions of life.

David Kapesh, white-haired and over 60, is a TV culture critic and lecturer at a New York college. He meets Consuela, a 24-year-old student, daughter of wealthy Cuban exiles, who puts his life into erotic disorder and haunts him for the next eight years.

It is 1998, the year America is plunged into a frenzy of prurience by the impeachment of a president, and in a small New England town a distinguished classics professor, Coleman Silk, is forced to retire when his colleagues allege that he is a racist. The charge is unfounded, but the truth about Silk would astonish even his most virulent accuser.

In search of the unpublished manuscript of a martyred Yiddish writer, American novelist Nathan Zuckerman travels to Soviet-occupied Prague in the mid-1970s.

Like a latter-day Gregor Samsa, Professor David Kepesh wakes up one morning to find that he has been transformed. audacious, heretical - as darkly hilarious as it is existentially unnerving - making new the silliness, triviality and wonderful meaninglessness of lived human experience.

Presents an acerbic response to the phenomenon of Richard M Nixon. In the character of Trick E Dixon, the author portrays an American president who outdoes the severest cynic; a peace-loving Quaker and believer in the sanctity of human life who doesn't have a problem with killing unarmed women and children.

Sbornik esse, intervju, vystuplenij, pisem i besed s literatorami odnogo iz samykh chitaemykh sovremennykh amerikanskikh pisatelej. Kazhdaja kniga Filipa Rota (1933-2018) v ego dolgoj - s 1959 po 2010 god - pisatelskoj karere ne ostavljala ravnodushnymi ni chitatelej, ni kritikov i pochti neizmenno otmechalas literaturnymi nagradami. V 2012 godu Filip Rot otoshel ot sochinitelstva. V 2017 godu on vypustil sobstvennoruchno sostavlennyj sbornik publitsistiki, napisannoj za polveka s lishnim - s 1960 po 2014 god. Kniga stala poslednim prizhiznennym izdaniem avtora, ego tvorcheskim zaveschaniem i itogom razmyshlenij o literature i literaturnom trude. Sobstvennye proizvedenija, rabota sobratev po peru, kotorymi on voskhischalsja, tvorcheskij protsess, amerikanskaja kultura - obshirnyj krug tem etogo sbornika predstavlen v samykh raznykh zhanrakh: Rot razmyshljaet v esse, pishet pismo v Vikipediju, daet intervju, proiznosit rechi, beseduet s pisateljami. Chitatelju predstoit uvlekatelnyj razgovor s interesnym i neordinarno mysljaschim sobesednikom. Perevodchik: O. Aljakrinskij

Tells the story of Neil Klugman and pretty, spirited Brenda Patimkin, he of poor Newark, she of suburban Short Hills, who meet one summer and fall into an affair that is as much about social class and suspicion as it is about love. This novella is accompanied by five short stories - sometimes iconoclastic, sometimes elegiac.

A fiction-within-a-fiction, My Life as a Man centres on the fraught marriage of Peter, a gifted young writer and Maureen Tarnopol, the woman who wants to be his muse but who instead becomes his nemesis.

In this, the second volume of The Library of America’s definitive edition of the collected works of Philip Roth, published by special arrangement with the author, the range and inventiveness of Roth’s fiction is dazzlingly displayed in four extraordinarily diverse works. When She Was Good (1967) is the trenchant portrait of Lucy Nelson, a young midwestern woman whose perception of her own suffering turns her into a ferocious force, “enemy-ridden and unforgivingly defiant,” as Roth would later describe her. A small-town 1940s America of restrictive social pressures and foreclosed opportunities provides the novel’s background. The publication of the hilarious Portnoy’s Complaint (1969) was a cultural event that turned Roth into a reluctant celebrity. The confession of a bewildered psychoanalytic patient thrust through life by his unappeasable sexuality yet held back by the iron grip of his unforgettable childhood, Portnoy unleashed Roth’s comic virtuosity and opened new avenues for American fiction. In Our Gang (1971), described by Anthony Burgess as a “brilliant satire in the real Swift tradition,” Roth effects a savage takedown of the administration of Richard Nixon (who figures here as Trick E. Dixon). Written before the revelations of the Watergate scandal, Our Gang continues to resonate as a broad and outraged response to the clownish hypocrisy and moral theatrics of the American political scene. The Kafkaesque excursion The Breast (1972) introduces David Kepesh in the first volume of a trilogy that continues with The Professor of Desire (1977) and The Dying Animal (2001). The Breast prompted Cynthia Ozick to remark, “One knows when one is reading something that will permanently enter the culture.” LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Following the wild success of his novel, Carnovsky, Nathan Zuckerman has been catapulted into the literary limelight. But beneath the uneasy glamour are the spectres of the recently murdered Robert Kennedy and Martin Luther King, Jr, and an unsettled Zuckerman feels himself watched...

In his heyday as a star - and as a zealous, bullying supporter of 'progressive' political causes - Ira marries Hollywood's beloved leading lady, Eve Frame. This book charts the rise and fall of Ira Ringold, an American roughneck who begins life as a ditchdigger in 1930s New Jersey, becoming a big-time radio hotshot in the 1940s.

The unconventional autobiography of the Pulitzer Prize-winnning, bestselling author--"the most vigorous and truthful of American writers" (Newsday)--who reshaped our idea of fiction. A work of compelling candor and inventiveness, instructive particularly in its revelation of the interplay between life and art. Philip Roth concentrates on five episodes from his life: his secure city childhood in the thirties and forties; his education in American life at a conventional college; his passionate entanglement, as an ambitious young man, with the angriest person he ever met (the "girl of my dreams" Roth calls her); his clash, as a fledgling writer, with a Jewish establishment outraged by Goodbye, Columbus; and his discovery, in the excesses of the sixties, of an unmined side to his talent that led him to write Portnoy's Complaint. The book concludes surprisingly--in true Rothian fashion--with a sustained assault by the novelist against his proficiencies as an autobiographer.

With his fortieth birthday receding into the distance, along with his hairline and his most successful novel, the writer Nathan Zuckerman comes down with a mysterious affliction - pure pain, beginning in his neck and shoulders, invading his torso, and taking possession of his spirit. What will it take for the pain to finally leave him alone?

Startlingly, Philip Roth meets a man in Jerusalem called Philip Roth who has been touring Israel - riding high on the author's reputation - preaching a bizarre reverse-exodus of the Jews, encouraging them to return to their ancestral homes in Europe.

Patrimony is a true story about the relationship between a father and a son. Philip Roth watches as his eight-six-year-old father, famous for his vigour, his charm and his skill as a raconteur - lovingly called 'the Bard of Newark' - battles with the brain tumour that will kill him.

'This swift, elegant, disturbing novel...stands at the extreme of contemporary fiction' New York Times Book ReviewHe is a middle-aged American writer called Philip; In Philip's London studio, this play of voices - sharp, tender and inquiring - reveals both their past lives with startling clarity.