R. K. Narayan

The Mahabharata tells a story of such violence and tragedy that many people in India refuse to keep the full text in their homes, fearing that if they do, they will invite a disastrous fate upon their house. Covering everything from creation to destruction, this ancient poem remains an indelible part of Hindu culture and a landmark in ancient literature. Centuries of listeners and readers have been drawn to The Mahabharata, which began as disparate oral ballads and grew into a sprawling epic. The modern version is famously long, and at more than 1.8 million words--seven times the combined lengths of the Iliad and Odyssey--it can be incredibly daunting. Contemporary readers have a much more accessible entry point to this important work, thanks to R. K. Narayan's masterful translation and abridgement of the poem. Now with a new foreword by Wendy Doniger, as well as a concise character and place guide and a family tree, The Mahabharata is ready for a new generation of readers. As Wendy Doniger explains in the foreword, "Narayan tells the stories so well because they're all his stories." He grew up hearing them, internalizing their mythology, which gave him an innate ability to choose the right passages and their best translations. In this elegant translation, Narayan ably distills a tale that is both traditional and constantly changing. He draws from both scholarly analysis and creative interpretation and vividly fuses the spiritual with the secular. Through this balance he has produced a translation that is not only clear, but graceful, one that stands as its own story as much as an adaptation of a larger work.

Grateful To Life And Death is a collection of short stories written by R. K. Narayan, a renowned Indian author. The book features a variety of stories that are set in the fictional town of Malgudi, which is a recurring setting in Narayan's works. The stories in Grateful To Life And Death explore themes such as love, loss, family, and the complexities of human relationships. Each story is unique and showcases Narayan's skillful storytelling and ability to capture the essence of everyday life in India. One of the standout stories in the book is ""The Edge"", which follows the life of a young boy named Ranga who dreams of becoming a wrestler. Another notable story is ""The Doctor's Word"", which tells the story of a doctor who must confront his own mortality while treating a patient. Overall, Grateful To Life And Death is a captivating and thought-provoking collection of stories that offer a glimpse into the rich cultural heritage of India. It is a must-read for fans of R. K. Narayan's work, as well as anyone interested in exploring the complexities of the human experience. This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

My Days is the only memoir from R. K. Narayan, one of the twentieth century's most important writers in the English language. This edition includes a foreword by John Updike. In the wryly funny style that has made him famous, R. K. Narayan shares his life story, beginning in his grandmother's garden in Madras with a ferocious pet peacock. As a young boy with no interest in school he trains grasshoppers and scouts and then, against the advice of all, especially his commanding headmaster father, the dreaming Narayan begins to write fiction. When one of his pieces is accepted by Punch magazine, what he describes as his 'first prestige publication', his life becomes gradually filled with bumbling British diplomats, strange movie moguls, evasive Indian officials and 'the blind urge' to fall in love. Like his fiction R. K. Narayan's memoirs are acutely perceptive of the human condition, often brilliantly funny and always forgiving.

Two comic gems from the father of modern Indian fiction- available in one volume for the first time These two novels show R. K. Narayan at his best, offering enchanting tales of human absurdity that are also skillfully woven parables infused with Hindu mysticism. A Tiger for Malgudi is told from the point of view of the tiger Raja, now old and toothless, who looks back on his life in the circus and in films, and on his dramatic bid to escape the brutish human world in a quest for freedom. The Man-Eater of Malgudi is the story of Nataraj, a mild-mannered printer who stands up to Vasu, a pugnacious taxidermist, when Vasu begins to covet the beloved temple elephant for his collection. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust theseries to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-datetranslations by award-winning translators."

The Ramayana is, quite simply, the greatest of Indian epics - and one of the world's supreme masterpieces of storytelling 'Almost every individual living in India,' writes R. K. Narayan in the Introduction to this new interpretation, 'is aware of the story of The Ramayana. Everyone of whatever age, outlook, education or station in life knows the essential part of the epic and adores the main figures in it - Rama and Sita. Every child is told the story at bedtime . . . The Ramayana pervades our cultural life.' Although the Sanskrit original was composed by Valmiki, probably around the fourth century BC, poets have produced countless variant versions in different languages. Here, drawing his inspiration from the work of an eleventh-century Tamil poet called Kamban, Narayan has used the talents of a master novelist to recreate the excitement and joy he has found in the original. It can be enjoyed and appreciated, he suggests, for its psychological insight, its spiritual depth and its practical wisdom - or just as a thrilling tale of abduction, battle and courtship played out in a universe thronged with heroes, deities and demons.

Introducing this collection of stories, R. K. Narayan describes how in India 'the writer has only to look out of the window to pick up a character and thereby a story'. Malgudi Days is the marvellous result. Here Narayan portrays an astrologer, a snake-charmer, a postman, a vendor of pies and chappatis - all kinds of people, drawn in full colour and endearing domestic detail. And under his magician's touch the whole imaginary city of Malgudi springs to life, revealing the essence of India and of human experience.

Raju's first stop after his release from prison is the barber's shop Then he decides to take refuge in an abandoned temple. Raju used to be India's most corrupt tourist guide - but now a peasant mistakes him for a holy man. Gradually, almost grudgingly, he begins to play the part. He succeeds so well that God himself intervenes to put Raju's new holiness to the test.

In this wry, funny, bitter-sweet story, love gets in the way of progress when Raman, a sign painter, meets the thrillingly independent Daisy, who wishes to bring birth control to the city of Malgudi.

Honoring the centennial of the birth of the forefather of modern Indian fiction, a second omnibus edition contains a trio of novels, set in the fictional town of Malgudi and written after India achieved independence, and features Mr. Sampath--The Printer of Malgudi, The Financial Expert, and Waiting for the Mahatma, in which a drifter's encounter with a beautiful young woman inspires him to follow Gandhi.

An enchanting collection from India's foremost storyteller, rich in wry, warmly observed characters from every walk of Indian life - merchants, beggars, herdsmen, rogues - all of whose lives are microcosms of the human experience Like Nambi in the title story, Narayan has the mesmeric ability to spellbind his audience. This he achieves with a masterful combination of economy and rhythm, creating haunting images and a variety of settings to evoke a unique paradox of reality and folklore.

Krishna, an English teacher in the town of Malgudi, nagged by the feeling he's doing the wrong work, is nonetheless delighted by his domestic life, where his wife and young daughter wait for him outside the house every afternoon.

In the shade of a banyan tree sits Margayva, self-styled advisor on the complex minor transactions which are an integral part of Indian life. Who else would you consult if you wanted a loan from the local Co-operative Bank? But a scrape with officialdom in the form of an unplanned interview with the Bank's Secretary - and a mishap which finds his spoilt son Balu throwing his accounts book down a drain - temporarily cuts short a lucrative career.

Assuming the character of a wise village storyteller, R K Narayan sits in the cool of an imaginary evening to recount the tales of the centuries. Taken from the Mahabharata, the Ramayana and other Indian epics, the gods and demons, saints and sinners assume their symbolic and philosophical roles without ever losing their human characteristics.

The Mahabharata is some 3,500 years old and is the longest poem in any language. It is one of the founding epics of Indian culture and, with its mixture of cosmic drama and profound philosophy (one small section forms the BHAGHAVAD GITA) it holds aunique place in world literature. In this drastically shortened prose rendering, Narayan uses all his extraordinary talents to convey to a modern reader why this is such a great story. Filled with vivid characters, obsessed with the rise and fall of gods, empires and heroes, Narayan's MAHABHARATA is an enormously enjoyable experience and the perfect introduction to the otherwise bewildering Indian cosmology.

The first that indolent young Sriram knows about Mahatma Ghandi's visit to Malgudi is when a collection box is waved beneath his nose by the most beautiful girl he has ever seen. Yet that is how Sriram leaves Malgudi to become a passionate apostle of the Quit India campaign - only to find his convictions tested by the rigours of a prison cell.