Rasmus Helles

Humanistisk videnskabsteori er en undervisnings- og oplysningsbog. Den er en klassiker i fagelementet Fagets Videnskabsteori på BA-uddannelserne, og kan indgå på kandidatuddannelserne og helt op til ph.d.-niveau, hvor også dens omfattende referencer til videre litteratur vil være værdifulde. Ti forskere skriver i fjorten kapitler om humanioras historie og tendenser i nyere tid, om humanioras rolle i det moderne samfund, om relationen mellem naturvidenskaberne og de humane videnskaber samt om de enkelte videnskabsteoretiske skoler og grundbegreber. Bogen indeholder desuden et navneregister, en kommenteret litteraturliste til hvert kapitel samt en udførlig ordliste med begrebsforklaringer Bogens kapitler: 1. INDLEDNING af Finn Collin, Simo Køppe og Rasmus Helles 2. DE HUMANISTISKE VIDENSKABERS HISTORIE FIRE VIDENSKABSBEGREBER af Finn Collin 3. POSITIVISME af Jan Riis Flor 4. KRITISK RATIONALISME OG PARADIGMER af Bo Jacobsen og Finn Collin 5. FÆNOMENOLOGI af Dan Zahavi 6. HERMENEUTIK af Mogens Pahuus 7. HISTORISME af Bernard Eric Jensen 8. STRUKTURALISME af Frans Gregersen 9. PSYKOANALYSE af Simo Køppe 10 . KOGNITION OG KOGNITIVISME af Thomas Wiben Jensen 11. SOCIALKONSTRUKTIVISME I HUMANIORA af Finn Collin 12. EMPIRI OG TEORI af Simo Køppe og Rasmus Helles 13. KVALITATIVE METODER af Rasmus Helles og Simo Køppe 14 . AFSLUTTENDE BETRAGTNINGER af Finn Collin, Simo Køppe og Rasmus Helles

This book deals with the role of television drama in Europe as enabler of transnational, cultural encounters for audiences and the creative community. It demonstrates that the diversity of national cultures is a challenge for European TV drama but also a potential richness and source of creative variation. Based on data on the production, distribution and reception of recent TV drama from several European countries, the book presents a new picture of the transnational European television culture. The authors analyse main tendencies in television policy and challenges for national broadcasters coming from new global streaming services. Comparing cases of historical, contemporary and crime drama from several countries, this study shows the importance of creative co-production and transnational mediated cultural encounters between national cultures of Europe.

This book deals with the role of television drama in Europe as enabler of transnational, cultural encounters for audiences and the creative community. It demonstrates that the diversity of national cultures is a challenge for European TV drama but also a potential richness and source of creative variation. Based on data on the production, distribution and reception of recent TV drama from several European countries, the book presents a new picture of the transnational European television culture. The authors analyse main tendencies in television policy and challenges for national broadcasters coming from new global streaming services. Comparing cases of historical, contemporary and crime drama from several countries, this study shows the importance of creative co-production and transnational mediated cultural encounters between national cultures of Europe.